Tuesday, January 16, 2018

Artist of the day, January 16: Miles Donovan, British graphic designer, Collage and screen based illustrator (with a bit of spray paint and ink)

Miles Donovan is a graphic artist based in London. His work has been used internationally for editorial and advertising clients including The New York Times, Creative Review, Newsweek, Publicis, Saatchi & Saatchi, The Telegraph, TIME and Wired. You can find his illustrations in the books ‘Illusive’, ‘The Fundamentals of Illustration’, ‘Pen and Mouse’ and ‘50 Years of Illustration’.

As a founding member of the internationally renowned Peepshow he has worked on design, art direction and animation projects for BBC, Channel Four, National Geographic, PBS, Philips, Red Bee Media, Roundhouse, Somerset House, Toyota and The Victoria & Albert Museum.

In 2015 he won ‘Outstanding Motion Design’ with Peepshow at the 67th Emmys for his work on PBS/BBC documentary series ‘How We Got To Now With Steven Johnson’.

 Miles is one of the leading figures in the contemporary graphic arts field. Drawing influences from film, magazines, comic books, and pop artists.

He was only ever any good at art at school, spent his time daydreaming in science and maths. Spent all his time silk-screening printing at 15. It was on his foundation course in 1994 that one of the tutors said he should do Illustration, probably just to get out of the Fine Art room.

He grew up surrounded by TV/Film annuals, magazines, toys and music from the 50’s and 60’s. His dad was a huge collector and runs a second hand shop dealing in the stuff, this was a major influence in the early days.

Miles tend to work in quite a few different ways, so it depends on the project. 90% of the time the computer is involved. But there is normally always a hand made part of the process whether it’s cutting a stencil and spraying through it, using a silkscreen texture, or getting the ink out and making a mess. he don’t allow the computer to dictate what the work looks like though, he use it as just another tool, as part of the process. It’s just a quicker way to achieve hand rendered processes he developed over the years.

© 2018. All images are copyrighted © by Miles Donovan. The use of any image from this site is prohibited unless prior written permission from the artist is obtained.




Mr Miles Donovan




33 Revolutions Per Minute- A History of Protest Songs,
Book Jacket, Client: Faber & Faber

1950′s Music, Rock & Roll, Postage Stamp, Client: Hat-Trick Design

Access, Editorial, Client: Wire Design

ACLU, Editorial, Client: Variety

ASOS, Editorial, Client: The Telegraph

Billion Dollar Bubble, Cover, Client: The Financial Times

Building London, Editorial, Client: High Life

Building London, Editorial, Client: High Life

Channel 4 news

Coney Island Astroland, Silkscreen print, Client: PrintClub London

Coney Island Cyclone, Editorial, Client: If You Could

Creative review



Digital Athletes, Editorial. Client: Nature Magazine



Downtown Abbey, Editorial, Client: The Atlantic

Dr Dre, Editorial, Client: The Guardian

EMB Viewpoint, Editorial, Client: EMB Viewpoint-Morning Design

Get Your Bags Packed, Cover, Client: AB

Guggenheim

How Is Fall TV Still A Thing?, Editorial, The Washington Post.

Isolation

Kiehl’s x Le Bon Marché, Limited Edition packaging. Client: Kiehl’s

Listen Up, Editorial, Client: Cadillac Magazine.

Lolla South America, Editorial, Client: Delta Sky magazine.

Macy’s Thanksgiving Day Parade, Editorial, Client: Delta Sky magazine.

Made in China, Editorial, Client: Creative Review

Mick Jagger, Editorial, Client: Stern

Neon

NetFlix: The Red Menace, Editorial, Client: Fast Company

NetFlix: The Red Menace, Editorial, Client: Fast Company

Nobody Does It Better,  Editorial, Client: WWD Collections

Nomination Diversity at The Emmys, Editorial, Client: Variety

Oil & Gas, Cover, Client: The Telegraph

Only One Way To God?, Editorial, Client: Worldwide Challenge Magazine

Qantas League, Advertising, Client: M&C Saatchi

Reading Room- Patti Smith Editorial, Client: Oprah Magazine

Stories of the Year, Cover, Client: Creative Review

Tech Fest, Editorial, Client: Delta Sky magazine.

Technology-Arts, Editorial, Client: ICON

Technology-Arts, Editorial, Client: ICON

The $3 Billion Dollar Art Show, Editorial, Client: Delta Sky magazine.

The Dizzy, Surreal Journey of The Leftovers, Editorial, Client: The Atlantic

An Insurgent In The White House, The Economist.

The Hound of the Baskervilles

The PegLeg, Editorial, Client: Wired (US)

The Stars of Science, Editorial, Client: Wired (US)

The Verdict Is In, Editorial, Client: Washingtonian

The Verdict Is In, Editorial, Client: Washingtonian

Toronto Film Festival, Editorial, Client: Delta Sky magazine.

Venture Capital, Editorial, Client: Institutional Investor

World Fair 1963 1964

World Fair 1963 1964

X Games, Editorial. Unpublished.

X-Ray Room, Installation, Client: University College Hospital, London

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