Rune Guneriussen (1977) is a Norwegian artist working in the transition between installation and photography. As a conceptual artist he works site specific primarily in nature, but also with more manmade structures.
“
I would like to say that I am inspired by the objects I am working on, the place or location I am working at, and the specific time everything is made in. My imagination can just as easily be inspired by global events and politics as it can be inspired by looking at a bird flying across the sky". The isolation of objects are turned in to installations, most of these are not seen by audience, but only photographed.
The work on objects such as tables, lamps and chairs started in 2005, and has been photographed on location all over Norway. The objects are implemented mainly in scenes cast in appropriate landscapes, and here they are subject to a certain character carefully laying out a story. It is an approach to the balance between nature and culture, but also a multiple reading of stories. On the contrary to many believes the work is made solely on site, and the photographs represents the reality of the installation itself.
The photographs has been exhibited in House of Photography in Oslo, at Manifesta in Maastricht, at the Paris Photo and more. His works also includes live installations open for an audience. Most lately this happened for the Nuit Blanche 2009 in Paris with the installation “Don´t leave the lights on”, but also with “An electric field” as his most extensive project done in Norway.
Guneriussen believes strongly that art itself should be questioning and bewildering as opposed to patronising and restricting. As opposed to the current fashion he does not want to dictate a way to the understanding of his art, but rather indicate a path to understanding a story.
© 2018. All images are copyrighted © by Rune Guneriussen. The use of any image from this site is prohibited unless prior written permission is obtained.
|
Mr Rune Guneriussen |
|
2005, Evolution |
|
2005, Evolution |
|
2005, Evolution |
|
2006, Connections |
|
2006, Connections |
|
2006, Connections |
|
2006, Twenty four seven # 21 |
|
2008, Connections # 05 |
|
2008, One can rely on the prudence of his decisions |
|
2008, One can rely on the prudence of his decisions |
|
2008, Tables in the cradle |
|
2008, Wink (on the brink) |
|
2009, A charged meadow # 02 |
|
2009, Abnormal growth of gluttony |
|
2009, Basic Object Oriented Knowledge Systems |
|
2009, It´s common knowledge |
|
2010, A multiverse explanation |
|
2009, Unprepared winter scenario |
|
2010, An upward displacement |
|
2010, Imposer of shifts |
|
2010, Originates from the outside |
|
2010, Pursuing elevated growth |
|
2011, Capacity to breed and recover |
|
2011, En lampe på bordet brenner |
|
2011, Growth, decay and resurrection |
|
2011, Statistics of progression |
|
2012, A grid of physical entities |
|
2012, An erection of self contempt |
|
2012, Fake state of interdependence |
|
2012, Revisit the revolution |
|
2012, Second system of ethics |
|
2013, A 15-minute title |
|
2013, A finalized independent time |
|
2013, A plague on my stem |
|
2013, Accurate elliptical discourse |
|
2013, Acknowledge a new found grace |
|
2013, Aftermath of habitual argument |
|
2013, Globe clustered confluence |
|
2013, Hvitt er jeg som alt det hvite |
|
2013, Ravnen skriker over lavlandet |
|
2013, Stencils of spatial spaces |
|
2013, The beauty of the elderly |
|
2013, The heirs motivational speech |
|
2014, Additional start endure closure |
|
2014, Amassment of crumbling |
|
2014, Amidst a fortunate overpass |
|
2014, Created by mindful production |
|
2014, Extension of ineffective structures |
|
2014, Natural rural displacement |
|
2014, Protest art on separation |
|
2014, Unintended consequences of us |
|
2017, Conclusive vastness to pass |
|
2017, Escalating climacteric expansion |
|
2017, Liberal version of present system |
|
2017, Pulsate on a pivotal line |
No comments:
Post a Comment