Giò Pomodoro (1930-2002) was an Italian sculptor, goldsmith and engraver. Born in Orciano di Pesaro, younger brother of the sculptor Arnaldo Pomodoro. Studied at the Technical Institute in Pesaro until 1951. Began in 1952-3, like his brother, to make gold and silver jewellery with graphic signs related to action painting; also to make automatic drawings and assemblages in iron and stone. First one-man exhibition at the Galleria Numero, Florence, 1954.
Moved in 1954 to Milan, where he was active in the group linked to French tachisme; co-signatory with Baj, Dangelo, Manzoni and others of the manifesto The End of Style 1957.
In 1957 made assemblage sculptures out of different materials such as wood, paper and plaster, as well as reliefs and works in the round with gestural signs suggesting growth and multiplication. Began in 1958 to make sculptures by stretching fabric over a wooden structure to produce a continuous, undulating form which was afterwards cast in bronze.
During the 1960s, he developed several series of sculptures, which explored a range of abstract shapes, usually with smooth undulating surfaces. In his later career, Pomodoro regularly received public commissions and produced a number of large outdoor structures.
Awarded the first prize for sculpture at the 1959 Paris Biennale and a David E. Bright Prize at the 1962 Venice Biennale. From 1966 made many carvings in marble, with thicker, more slab-like forms. Lives in Milan and at Querceta.
© 2018. All images are copyrighted © by Giò Pomodoro or assignee. The use of any image from this site is prohibited unless prior written permission is obtained.
Moved in 1954 to Milan, where he was active in the group linked to French tachisme; co-signatory with Baj, Dangelo, Manzoni and others of the manifesto The End of Style 1957.
In 1957 made assemblage sculptures out of different materials such as wood, paper and plaster, as well as reliefs and works in the round with gestural signs suggesting growth and multiplication. Began in 1958 to make sculptures by stretching fabric over a wooden structure to produce a continuous, undulating form which was afterwards cast in bronze.
During the 1960s, he developed several series of sculptures, which explored a range of abstract shapes, usually with smooth undulating surfaces. In his later career, Pomodoro regularly received public commissions and produced a number of large outdoor structures.
Awarded the first prize for sculpture at the 1959 Paris Biennale and a David E. Bright Prize at the 1962 Venice Biennale. From 1966 made many carvings in marble, with thicker, more slab-like forms. Lives in Milan and at Querceta.
© 2018. All images are copyrighted © by Giò Pomodoro or assignee. The use of any image from this site is prohibited unless prior written permission is obtained.
Mr Giò Pomodoro |
At work |
At work |
Installation |
Installation |
The studio |
1955, Untitled |
1959, Tensione |
1960, Espansione |
1962, Espansione |
1962, Folla |
1962, Untitled |
1963-64, The Crowd |
1964, Tensione |
1965-66, Guscio |
1969-94, 35 anni dopo lettera a un amico |
1970, Untitled, Marble Sculpture |
1985, Araldica per tavole Scarabeo |
1991, Sinistra - Figlia del Sole |
1996, Sfera con sfera at Trinity College, Dublin |
2001, Fuori centro |
Abstract sculpture of a reclining nude |
Brooch |
Composizione |
Disco Cogefar |
Disco |
Fragment of empty I |
Grand Ghibellina |
Guscio |
L'infinito |
Marmo rosa |
Piazza Giò Pomodoro |
Pomodoro |
sculpture #4, Taino, Varese, Italy |
sculptures #2, Taino, Varese, Ital |
sculptures #3, Taino, Varese, Italy |
sculptures #5, Taino, Varese, Italy |
sculptures in Taino, Varese, Italy |
sole |
Untitled |
Veduta della mostra a Palazzo del Monferrato Alessandria |
Veduta della mostra a Palazzo del Monferrato Alessandria |
Veduta della mostra a Palazzo del Monferrato Alessandria |
Veduta della mostra a Palazzo del Monferrato Alessandria |
Veduta della mostra a Palazzo del Monferrato Alessandria |
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