Friday, December 6, 2019

Artist of the day, December 6: François Morellet, a French contemporary painter, sculptor, and light artist (#857)

François Morellet (1926 – 2016) was a French contemporary painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art.

After a short period of figurative/representational work, Morellet turned to abstraction in 1950 and he adopted a pictorial language of simple geometric forms: lines, squares, and triangles assembled into two-dimensional compositions. In 1961, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio Le Parc, Jean-Pierre Yvaral (the son of Victor Vasarely), Joël Stein, Vera Molnár and François Molnár (the last two left the group shortly after). Morellet began at this time to work with neon tube lighting.

From the 1960s on, Morellet worked in various materials (fabric, tape, neon, walls...) and in doing so investigated the use of the exhibition space in terms similar to artists of installation art and environmental art. He gained an international reputation, especially in Germany and France, and he was commissioned to create work for public and private collections in Switzerland, Great Britain, Italy, the Netherlands, and the U.S. One of his works is part of the permanent collection of the Centre for International Light Art (CILA) in Unna, Germany. In 2016/2017, the CILA stages a retrospective of Morellet's Light Art, the last exhibition to be curated by the artist himself, shortly before his death in May 2016.

For Morellet, a work of art referred only to itself. His titles are generally sophisticated, show some wordplay, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet used rules and constraints established in advance to guide the creation of his works and also allowed the chance to play a role in some of his compositions.

His rigorous use of geometry tends to create emotionally neutral work and placed him close to Minimal art and Conceptual art in his aims. He shared a particular affinity with the American artists Ellsworth Kelly, Frank Stella, and Sol LeWitt.

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Mr. François Morellet

1955-56, Two Warps and Wefts of Short Lines 0° 90°

1956, Du Jaune au Violet

1962, Sphère-trames
1964, Reflects dans l’eau déforés par le spectateur
1970, Sculpture à trois volumes
1971, 2 Trames- 0°-90°
1971, 4 trames de tirets du bleu au vert pivotées sur un côté
1971, Tirets 0°- 45°- 90°- 135°
1971-75, Untitled,
1972, Untitled
1973, untitled
1974, Untitled from 8 Trames 0°90° (8 Wefts 0°90°)
1975, 10 lignes au hasard
1975, Sphère Enterrée
1975, Tavola VI
1985, Coupe diagonale d'un parallélépipède rectangle
2002, Super position n°5
2005, Lamentable 5m blanc

2006, Avalanche
2006, Lamentable Ø 6m50 rouge

2006, Lamentable Ø 8m20 blanc

2007, 10 lignes au hasard hybrides et négatives

2009,  Démonétisation n°5 (La meule)

2009, Gesticulation No. 15
2011, Courbage n°6

2012, Desarcticulation n°1
2012, Rococoncret n°4
2013,  Enfilade n°1
2013, Cruibes n°16
2013, Enfilade no. 1

2013, Entre deux mers no.2
2013, NOENDNEON
2013, Sens dessus dessous n°2
2013, Tamponade no. 2
2014, Contresens n°1
2014, Ondes parasites
2014, Ondes parasites
2014, Pier and Ocean

2015, Confrontation n°1
2015, Néons 3D 15°-90°-50°
2015, Ontresens no. 2
2017, Installation View

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