Artist
Wendy Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Raised on the Apsáalooke (Crow) reservation in Montana, Red Star’s work is informed both by her cultural heritage and her engagement with many forms of creative expression, including photography, sculpture, video, fiber arts, and performance. An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that is at once inquisitive, witty and unsettling. Intergenerational collaborative work is integral to her practice, along with creating a forum for the expression of Native women’s voices in contemporary art.
Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art, Fondation Cartier pour l’ Art Contemporain, Domaine de Kerguéhennec, Portland Art Museum, Hood Art Museum, St. Louis Art Museum, and the Minneapolis Institute of Art, among others. She served a visiting lecturer at institutions including Yale University, the Figge Art Museum, the Banff Centre, National Gallery of Victoria in Melbourne, Dartmouth College, CalArts, Flagler College, and I.D.E.A. Space in Colorado Springs. In 2017, Red Star was awarded the Louis Comfort Tiffany Award and in 2018 she received a Smithsonian Artist Research Fellowship. In 2019 Red Star will have her first career survey exhibition at the Newark Museum in Newark New Jersey.
Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from the University of California, Los Angeles. She lives and works in Portland, OR.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Wendy Red Star. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| 2005, Ms. Wendy Red Star in the "Four Seasons: Indian Summer" |
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| 2006, Four Seasons: Fall |
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| 2006, Four Seasons: Spring |
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| 2006, Four Seasons: Winter |
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| 2006, The Last Thanks |
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| 2011, Medicine Rock Child |
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| 2011, Sits with the Stars |
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| 2011, Stirs up the Dust |
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| 2011, Walks in the Dark |
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| 2012, Nine Crow Clowns |
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2014, Beatrice Red Star Fletcher during various collaborations
at the Denver Art Museum |
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| 2014, Crow Clowns |
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2014, Peelatchiwaaxpaash Medicine Crow (Raven)
& the 1880 Crow Peace Delegations |
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2014, Peelatchiwaaxpaash Medicine Crow (Raven):
Aappiiwaaxaaxiish Shining Shell |
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| 2014, Red Star annotated 19th-century images of Crow chiefs |
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| 2014, wool Apsaalooke dress |
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| 2015, we-parade, Crows Shadow Native American art indigenous pattern |
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| 2016, Tokens, Gold, and Glory |
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| 2016, A Scratch on the Earth |
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| 2016, Apsáalooke Feminist #3 — Apsáalooke Feminist Series |
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| 2016, from Parading Culture (Tokens, Gold, and Glory) |
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| 2016, Um-basax-bilua, ‘Where They Make the Noise’ |
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2017, Portrait of Perits-Har-Sts (Old Crow) and With His Wife,
1873 Peace Delegation Series |
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| 2019, Ashkaamne (matrilineal inheritance) |
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| 2019, Parade Rider: Tommy Little Owl |
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| 2019, Parade Rider: Unidentified |
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