Stasys Eidrigevičius (1949) is a Polish painter and graphic artist, painter, drawer, book illustrator; poster, bookplate, and installation artist.
Stasys Eidrigevičius graduated from the College of Fine Arts and Crafts in Kaunas in 1968. In 1973, he obtained a diploma from Vilnius Academy of Fine Arts. Since 1980 he has lived in Poland. Eidrigevičius is active in many artistic fields, such as oil painting, book-plate, book illustration, studio graphics, and photography. He has been interested in posters since 1984.
Eidrigevicius boasts a number of awards won at international exhibitions and competitions, notably at the International Biennial of Contemporary Bookplates in Malbork. In 1988 he received the American Film Critics' Award for the poster to the film Maskarada / Masquerade by Andrzej Kijowski.
Eidrigevicius' art is in the collections of the National Museums in Warsaw, Wrocław, Poznań, and Szczecin, at the Poster Musem in Wilanów, British Museum in London, Museum of Modern Art in New York, National Library in Washington, Creation Gallery in Tokyo, Vatican Museum in Rome and in private collections throughout the world.
Despite his use of various techniques, Eidrigevicious' oeuvre makes a distinct whole. An important role in his powerful vision of the world is played by symbolic images of being. While his art derives straight from symbolism and surrealism, it has created a unique, distinct and coherent world originating in the artist's imagination and dubbed 'cheerful through a wise sadness'. This world is populated with big-eyed, lonely and anxious children as well as birds, household animals, animated objects and masks placed amidst nostalgic, childhood landscapes. It is obsessive and rich in metaphor, and its unusual mood is permeated with deep reflection.
His characters, through whom he presents this world to us, take the form of puppets with large eyes and potato noses, of roadside scarecrows, wooden-winged birds, or flying people. He develops for them poetic circumstances that pile up in the fairy-tale logic, even though his art refers to human experience, emotion, and morality.
Stasys' first steps were bookplates, small graphic works (etchings, aquatints) and small paintings (gouaches, pastels). He exhibited his realistic pictures and printed bookplates - at which he became a true master - while still a student. His mastery of the metal techniques was appreciated a number of times, such as in 1973 when, as a student of the Vilnius Institute of Fine Arts, he took part in the Bookplat Biennial in Malbork and was awarded an honorary medal. These miniature graphic works were the first in which he started to present his intimate world of childhood in a fairy-tale, nostalgic manner. They were followed by book illustrations, mostly for children, which earned him international recognition.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Stasys Eidrigevičius. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
Stasys Eidrigevičius graduated from the College of Fine Arts and Crafts in Kaunas in 1968. In 1973, he obtained a diploma from Vilnius Academy of Fine Arts. Since 1980 he has lived in Poland. Eidrigevičius is active in many artistic fields, such as oil painting, book-plate, book illustration, studio graphics, and photography. He has been interested in posters since 1984.
Eidrigevicius boasts a number of awards won at international exhibitions and competitions, notably at the International Biennial of Contemporary Bookplates in Malbork. In 1988 he received the American Film Critics' Award for the poster to the film Maskarada / Masquerade by Andrzej Kijowski.
Eidrigevicius' art is in the collections of the National Museums in Warsaw, Wrocław, Poznań, and Szczecin, at the Poster Musem in Wilanów, British Museum in London, Museum of Modern Art in New York, National Library in Washington, Creation Gallery in Tokyo, Vatican Museum in Rome and in private collections throughout the world.
Despite his use of various techniques, Eidrigevicious' oeuvre makes a distinct whole. An important role in his powerful vision of the world is played by symbolic images of being. While his art derives straight from symbolism and surrealism, it has created a unique, distinct and coherent world originating in the artist's imagination and dubbed 'cheerful through a wise sadness'. This world is populated with big-eyed, lonely and anxious children as well as birds, household animals, animated objects and masks placed amidst nostalgic, childhood landscapes. It is obsessive and rich in metaphor, and its unusual mood is permeated with deep reflection.
His characters, through whom he presents this world to us, take the form of puppets with large eyes and potato noses, of roadside scarecrows, wooden-winged birds, or flying people. He develops for them poetic circumstances that pile up in the fairy-tale logic, even though his art refers to human experience, emotion, and morality.
Stasys' first steps were bookplates, small graphic works (etchings, aquatints) and small paintings (gouaches, pastels). He exhibited his realistic pictures and printed bookplates - at which he became a true master - while still a student. His mastery of the metal techniques was appreciated a number of times, such as in 1973 when, as a student of the Vilnius Institute of Fine Arts, he took part in the Bookplat Biennial in Malbork and was awarded an honorary medal. These miniature graphic works were the first in which he started to present his intimate world of childhood in a fairy-tale, nostalgic manner. They were followed by book illustrations, mostly for children, which earned him international recognition.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Stasys Eidrigevičius. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
Mr. Stasys Eidrigevičius |
1986, Boris Godunov. Polish Opera Poster |
1986, Death of Bird. Polish Poster |
1987, Afghanistan, Art, and Handcraft. Polish Poster |
1987, Pan Twardowski - Ludomir Rozycki. Polish poster |
1987, Suspended. Polish Movie Poster |
1988, Act of Vengeance. Polish Movie Poster |
1988, Mandat. Polish poster |
1988, Upstairs, Downstairs. Polish Movie Poster |
1988, Wherever You Are. Polish poster |
1989, Bal u Kraka. Polish Poster |
1989, Klasyka Polska. Polish poster |
1989, Lovers, Zakochani. Polish Theater Poster |
1989, Satyrykon 89. Polish Poster |
1989, Stasys I Teatr. Polish Poster |
1989, The Touched. Polish Movie Poster |
1990, 6 Warsaw Film Week. Polish poster |
1990, A Story About Sorrow and Joy. Polish Theater Poster |
1990, Betlejem Polskie. Polish poster |
1990, Polish posters exhibition in Antwerpen |
1990, Song of Myself, Whitman. Polish Theater Poster |
1990, Temas Espanoles in El Cartel Polaco |
1990, The Last Ferry. Polish poster |
1991, Serse, Haendel. Polish Opera Poster |
1992, The Maids - Genet. Polish Theater Poster |
1994, 16th International Puppet Theatre Festival. Polish Poster |
1995, Art and Business. Polish Poster |
1995, Legnica Cantat 26. Music Festival Poster |
1997, 34th International Short Film Festival. Polish Poster |
1997, At Home, Film Festival. Polish Poster |
1999, Stasys 50. Polish Poster |
2000, 4th Beethoven Festival. Polish Poster |
2000, Polen Nachbar und Mehr. Polish poster |
2001, Lonesome West. Polish poster |
2002, Festiwal Polityki. Polish Poster |
2002, Ost-West Kontakte. Polish Poster |
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