Thomas H. Geismar (1931) was born in Glen Ridge, New Jersey. He studied concurrently at the Rhode Island School of Design and Brown University. He received a master's degree in graphic design from Yale University, School of Art and Architecture. After school, he joined the army for two years.
Geismar met Ivan Chermayeff in Yale and in 1957, they founded the firm Brownjohn, Chermayeff & Geismar (now Chermayeff & Geismar & Haviv) along with Robert Brownjohn. Geismar has designed more than a hundred corporate identity programs and established abstract corporate symbols. The unifying element in his work is the repetition of symbols which gives new life to the form. In 1960, he proposed a radical mark for Chase Manhattan Bank which was the repetition of four shapes around a square to form an octagon. It was met with resistance but stood out from competition, leading other corporations to create abstracted corporate logos.
His designs for Xerox, Chase Manhattan Bank, Best Products, Gemini Consulting, PBS, Univision, Rockefeller Center and, most notably, Mobil (1964) have received worldwide acclaim. Geismar has also had major responsibility for many of the firm's exhibition designs and world's fair pavilions. His projects include such major tourist attractions as the Ellis Island Immigration Museum, the Statue of Liberty Museum, the Truman Presidential Library, and the redesigned Star-Spangled Banner exhibition at the Smithsonian National Museum of American History. He has received major awards in the field, including one of the first Presidential Design Awards for helping to establish a national system of standardized transportation symbols.
Geismar was awarded the AIGA medal in 1979. In 1998, he was inducted into the Art Directors Club Hall of Fame. In 2014, he was awarded the National Design Award for Lifetime Achievement along with Chermayeff and the School of Visual Arts’ 26th Masters Series Award recipient.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Thomas H. Geismar/Chermayeff & Geismar & Haviv or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Mr. Thomas Geismar |
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Thomas Geismar & Ivan Chermayeff, the beginning
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1955, The Age of Reform book cover |
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Cover of Pepsi-Cola World, November 1957
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Brussels World Fair (View of the fair) 1958
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Cover of Pepsi-Cola World, February 1958 |
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Cover of Pepsi-Cola World, January 1958
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Cover of Pepsi-Cola World, Summer 1958 |
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1960, Chase mark
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1963-64, Graphic Arts USA." Poster for USIA sponsored exhibit of American graphics which toured the Soviet Union |
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1964, mobil Identity |
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1969, United States Pavilion, Expo 70' Osaka |
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1972, 9 West 57th Street Signage |
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1972, Torch symbol for New York University |
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1976, Bicentennial Stamps |
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1980, logo for the National Aquarium, baltimore reflects the dual themes of fish and water |
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1984, PBS Public Broadcasting Service Identity |
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1984, PBS Public Broadcasting Service, Booklet introducing new logo |
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1985, Mobil Station |
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1985, Peace (My Daughter's Hand). Poster commemorating the 40th anniversary of the Hiroshima bombing for the Shoshi Society in Japan |
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1986, A strong feeling for Statue of Liberty because it became statue of all personal liberty
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1997, Showtime Networks logo |
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1998, Lisbon Oceanarium mark |
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2001, National Geographic and its various media outlets Identity |
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Chocolate Yum. Typographical poster for exhibit |
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Princeton University Press mark |
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AIGA NY 30th Anniversary poster
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Barney's New York logo
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Guggenheim Museum – Poster announcing free evening hours |
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Leonard Bernstein Banner
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Museum of Contemporary Art, L.A. |
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Pan American World Airways Identity |
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St Louis Children Zoo Signs
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St Louis Children Zoo
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War & Remembrance – Poster for a television series |
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