Friday, November 5, 2021

Artist of the Day, November 5, 2021: Jesse Darling, a British artist sculptor, installation, video, drawing, text, sound and performance (#1410)

 Jesse Darling (1981) is a British artist working in sculpture, installation, video, drawing, text, sound and performance. She live and work in Berlin. Jesse Darling has received commissions from MoMA Warsaw, The Serpentine Gallery and Volksbuhne Berlin among others.

Her work is broadly concerned with what it means to be a body in the world, though what that means is both politically charged and culturally determined. Their practice draws on their own experience as well as the narratives of history and counterhistory. To be a body is to be inherently vulnerable, which extends to the “mortal” quality of empires and ideas as a form of precarious optimism - nothing and none is too big to fail, and this for JD is the starting point for a practice in which fallibility and fungibility are acknowledged as fundamental qualities in living beings, societies and technologies. Imagining the ‘high church of the modern’ as a moveable or precarious tabernacle, JD’s works and writing feature an array of free-floating consumer goods, liturgical devices, construction materials, fictional characters and mythical symbols detached from the architectures, hierarchies and taxonomies in which they have their place.

    © 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by  Jesse Darling. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


 Ms. Jesse Darling


 Bucephalus: Comanche (War Horse), 2016

 Liberty Poles, 2016

 March of the Valedictorians, 2016

 No Ordinary Love, 2016

 The Great Near, 2016

 Ass Priest, 2017

 Collapsed Cane, 2017

 Comfort Station, 2017

Untitled (waiting room poster-municipal hospital series), 2017

A Fine Line in ‘Cellular World,‘ 2018

Our lady Batman of the empty center (temporary relief), 2018

Sphinxes of the gate (Pet sentry), 2018

Support Level, 2018

The lion signs “wound”, 2018

Crevé, 2019

May You Live in Interesting Times,
58th International Art Exhibition, La Biennale di Venezia, 2019 detail

May You Live in Interesting Times,
58th International Art Exhibition, La Biennale di Venezia, 2019

Selva Oscura, 2019

 Transcorporealities, 2019

 A Fine Line, 2020

 A Fine Line, 2020

 Gravity Road, 2020

 Gravity Road, 2020

 


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