Jaume Plensa (1955) was born in Barcelona, where he studied at the Llotja School of Art and Design and at the Sant Jordi School of Fine Arts.
Since 1980, the year of his first exhibition in Barcelona, he has lived and worked in Berlin, Brussels, England, France and the United States, currently resides and works in Barcelona.
He has been a teacher at the École nationale supérieure des Beaux-Arts in Paris and regularly cooperates with the School of the Art Institute of Chicago as a guest professor. He has also given many lectures and courses at other universities, museums and cultural institutions around the world.
Jaume Plensa has received numerous national and international awards, including the Medaille de Chevalier des Arts et des Lettres, awarded by the French Ministry of Culture, in 1993, and the Government of Catalonia’s National Prize for Fine Art in 1997. In 2005, he was invested Doctor Honoris Causa by the School of the Art Institute of Chicago. In Spain, he received the National Prize for Fine Art in 2012 and the prestigious Velázquez Prize for the Arts in 2013 and he was awarded Honorary Doctorate of the Universitat Autònoma de Barcelona in 2018.
Plensa regularly shows his work at galleries and museums in Europe, the United States and Asia. The landmark exhibitions in his career include the one organized at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year. In Germany, several museums have staged exhibitions of his work. During 2015 and 2016 the exhibition Human Landscape has travelled through several North American museums. His latest museum exhibitions have been Invisibles at Palacio de Cristal–Museo Nacional Centro de Arte Reina Sofía in Madrid, and at the MACBA in Barcelona which travelled to the Moscow Museum of Modern Art in Moscow, Russia. In 2022, the Musée d'art moderne de Céret in Céret, France, inaugurated its new spaces with the exhibition Chaque visage est un lieu.
In Madrid, Plensa received particular acclaim for the exhibition Chaos-Saliva, which opened in 2000 at the Palacio de Velázquez – Museo Nacional Centro de Arte Reina Sofía. In the United States, where Plensa has worked and exhibited for nearly three decades, his works have been shown at many art galleries and museums. In 2019, he received special recognition for Behind The Walls (2018) at Rockefeller Center, New York, which travelled to MUNAL–Museo Nacional de Arte, Ciudad de Mexico, in 2020 it has been installed at the University of Michigan Museum of Art, Ann Arbor, Michigan, USA.
A very significant part of Plensa’s work is in the field of sculpture in the public space. Installed in several cities in Spain, France, Japan, England, Korea, Germany, Canada, USA, etc.,
The Crown Fountain, which was unveiled in Chicago’s Millennium Park in 2004, is one of Plensa’s largest projects and, without doubt, one of the most brilliant. The work led to many commissions, adding to the list of works by Jaume Plensa in public spaces.
Jaume Plensa has won many prizes and citations, including the Marsh Award for Excellence in Public Sculpture, which the artist received in London in 2009 for his work Dream.
With Together, Collateral Event of the 56th Venice Biennale, Basilica San Giorgio Maggiore, Jaume Plensa obtained the Global Fine Art Award for the Best Public Outdoor Installation in 2015.
Defender of the graphic artwork from the beginning, he did many exhibitions dedicated to graphic arts and editions. Highlighting the retrospectives at the Musée des Beaux-Arts de Caen (France) and the Centre de la Gravure et de l'Image imprimée La Louviere (Belgium) in 2006. In 2013 he received the National Graphic Arts Award granted by the Calcografía Nacional in Madrid.
From 1996 he has collaborated on many projects for theatre and opera, working the concept and designing sets and costumes.
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Jaume Plensa or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
|
Jaume Plensa |
|
51, 1988 |
|
Paris I, II, III, 1989 Paris, France |
|
Installation view at Tamada Projects Corporation, 1999 Tokyo, Japan |
|
Primary Thoughts, 2001 La Rioja, Spain |
|
Freud's Children, 2002 Salzburg, Austria |
|
Jerusalem, 2006 Tenerife, Canary Islands, Spain |
|
The Heart of Trees, 2007 Shanghai, China |
|
Twentynine Palms, 2007 Umeå, Sweden |
|
Twentynine Palms, 2007 Umeå, Sweden |
|
House of Knowledge, 2008 Borås, Sweden |
|
Dialogue, 2009 Åre, Sweden |
|
Spiegel I and II, 2010 Toledo, Ohio |
|
Laura, 2013 and Awilda, 2014 Palm Springs Art Museum, California |
|
Memoria, 2013 Hong Kong |
|
Self-portrait, 2013 Nashville, Tennessee |
|
Duna, 2014 Rotterdam, Netherlands |
|
Anna, 2015 Klövedal, Sweden |
|
Sanna, 2016 Sonoma, California |
|
Ainsa VI, 2017 Stockholm, Sweden |
|
Julia, 2017 Sweden |
|
Mar Whispering, 2017 Stockholm, Sweden |
|
Nuria, 2017 Philadelphia
|
|
Source, 2017 Montréal, Québec
|
|
Talaia, 2017 Lanai, Hawaii |
|
Voices, 2017 New York City
|
|
Anna, 2018 Barcelona, Spain
|
|
Behind the Walls, 2018 Rockefeller Center, New York City |
|
Self-portrait with Music, 2018 Barcelona, Spain |
|
Carlota (oak) Wilsis (oak) Julia (oak) Laura Asia (oak), 2019 Water Mill, New York |
|
Water's Soul, 2021 Jersey City
|
No comments:
Post a Comment