Qualeasha Wood (1996) is a textile artist whose work contemplates realities around black female embodiment that do and might exist. Inspired by a familial relationship to textiles, queer craft, Microsoft Paint and internet avatars Wood's tufted and tapestry pieces mesh traditional craft and contemporary technological materials. Together, Qualeasha navigates both an Internet environment saturated in Black Femme figures and culture, and a political and economic environment holding that embodiment at the margins. Like the vast majority of her age-peers, Wood has operated one mortal and multiple digital avatars since pre-adolescence. For her what are intuitive combinations of analog and cybernetic compositional processes make for a plainly contemporary exploration of Black American Femme ontology.
Qualeasha has exhibited at The Metropolitan Museum of Art (New York, NY); Hauser and Wirth (New York, NY); Art Basel Miami Beach with Kendra Jayne Patrick (New York, NY); Pippy Houldsworth Gallery, (London, UK); CANADA gallery (New York, NY); the Trout Museum of Art (Appleton, WI); NADA Miami Beach 2020 with Kendra Jayne Patrick (Miami, FL); Kendra Jayne Patrick for Metro Pictures (New York, NY); Cooper Cole (Toronto, ON); New Image Art (Los Angeles, CA); Gaa Gallery (Provincetown, MA).
© 2023. All content on this blog is protected by international copyright laws All images are copyrighted © by Qualeasha Wood or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Ms. Qualeasha Wood |
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Self[portrait |
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And you must not touch it, or you will die” Garden. 2018 |
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Heavy is the Crown. 2018 detail |
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Heavy is the Crown. 2018 Woven Tapestry |
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In Black Women We Trust. 2018 |
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After Dark. 2019 tufting
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Cult Following. 2019 |
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Jesus Wept. 2019 |
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No Church in the Wild. 2019 |
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See God in the Mirror. 2019 |
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Tell Me You Love Me (Love and Basketball). 2019 |
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Test of Faith. 2019 |
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Circle the Drain. 2021 Tufted |
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Fore the day you die, you gon touch the sky. 2021 |
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Foreva’ by Cardi B. 2021 |
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Genesis. 2021 |
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Heart of Glass. 2021 detail |
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Heart of Glass. 2021 |
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Installation view, Alter Ego- Projected Selves. 2021 The Metropolitan Museum of Art, New York |
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Madonna and Child. 2021 |
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Out of Stock. 2021
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2021 The [Black] Madonna-Whore Complex, 2021 detail |
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Twin Flame, 2021 |
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Ascension. 2022 |
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The Camera, The Hunt, The Voyeur. 2022 |
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The Pleasure Matrix, 2022 |
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Waiting to exhale. 2022 |
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Black Women Died for Your Sins So You Could Be Woke on The Internet |
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