Dwinell Grant (1912 - 1991) was an American visual artist known for his pioneering contributions to the field of art film.
Grant began studying landscape painting at an early age with his grandfather Paul Emilio Henking. In 1931, he enrolled at the Dayton Art Institute, where he first was exposed to modernism and abstraction. One year later, he moved to New York, entering the National Academy of Design in 1933.
In 1935, he became an instructor in art and dramatics at Wittenberg College in Ohio. He had little time to paint, but found that working with student dramatics provided a create outlet for his innovative ideas. Although Grant's avant-garde ideas brought some criticism at Wittenberg, colleagues at the Dayton Art Institute encouraged his work. On their suggestion, he wrote to Hilla Rebay at the Guggenheim Foundation, who provided him with ongoing support.
Between 1938 and 1941, Grant made several experimental films, including the animated production "Contrathemis." In 1938, he had his first solo exhibit, at the Dayton Art Institute, and in 1940, he had a one-man show at the Guggenheim. His short, silent animated artworks strongly influenced experimental filmmaking in the following decades.
In 1942, Grant began working for a film company, and made navy training films during World War II. He later worked creating scientific illustration and making films for the medical profession. As his professional career began to take precedence, he exhibited his private creative work only on rare occasions.
His work is in the permanent collections of numerous museums, including the Metropolitan Museum of Art, the Guggenheim, and the Smithsonian American Art Museum.
© 2023. All content on this blog is protected by international copyright laws All images are copyrighted © by Clarence Dwinell Grant Estate or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Black Circle, 1939
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Black Geometric, 1941 |
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Blue and Green Abstraction, 1941 |
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Collage, 1941 |
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Contrathemis , Frame 590, 1941 |
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Contrathemis Frame 871, 1941 |
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Contrathemis, 1941 |
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Contrathemis, 1941 |
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Geometric Composition, 1941 |
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Modernist composition, 1941 |
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Line Study, 1942 |
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Orange Triangle, 1945 |
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In depth II, 1947 |
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Linear Forms, 1948 |
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Untitled (scarf design "E"), 1948 |
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Untitled (scarf design “B”) 1948 |
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Untitled, 1959 |
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Composition, 1961 |
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From Above, 1961 |
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Surreal Abstraction, 1961
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In Suspension, 1976 |
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Blue Two, 1978 |
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Quinaryquad, 1978 |
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The Group Year, 1978 |
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Abstract Forms, 1990 |
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Abstract, 1990 |
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Geometric composition, 1990 |
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Geometric study, 1990 |
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1990 Untitled, 1990 |
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phenomenal work.......his colours ,shapes are so rich and inspiring
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