Artist of the day: Artist of the Day, November 9, 2023: Julie Mehretu, an Ethiopian-American contemporary visual artist (#1953)

Julie Mehretu (1970) is an Ethiopian American contemporary visual artist, known for her multi-layered paintings of abstracted landscapes on a large scale. Her paintings, drawings, and prints depict the cumulative effects of urban sociopolitical changes.

Mehretu is included in Time's 100 Most Influential People of 2020. The following year, The New York Times described her as a "rare example of a contemporary Black female painter who has already entered the canon."

In October 2023, Mehretu broke the auction record for an African artist at Sotheby’s Hong Kong, with her piece Untitled (2001), which sold for $9.32 million.

Mehretu was born in Addis Ababa, Ethiopia, the first child of an Ethiopian college professor of geography and a Jewish American Montessori teacher. They fled the country in 1977 to escape political turmoil and moved to East Lansing, Michigan, for her father's teaching position in economic geography at Michigan State University.

A graduate of East Lansing High School, Mehretu received a Bachelor of Arts degree from Kalamazoo College in Kalamazoo, Michigan, and did a junior year abroad at Cheikh Anta Diop University (UCAD) in Dakar, Senegal, then attended the Rhode Island School of Design in Providence, Rhode Island, where she earned a Master of Fine Arts degree in 1997. She was chosen for the CORE program at the Museum of Fine Arts in Houston, a residency that provided a studio, a stipend, and an exhibition at the museum.

Mehretu's canvases incorporate elements from technical drawings of various urban buildings and linear illustrations of urban efficiency, including city grids and weather charts. The pieces do not contain any formal, consistent sense of depth, instead of utilizing multiple points of view and perspective ratios to construct flattened re-imaginings of city life. Her drawings are similar to her paintings, with many layers forming complex, abstracted images of social interaction on a global scale. The relatively smaller-scale drawings are opportunities for exploration made during the time between paintings.

In 2002, Mehretu said of her work:
I think of my abstract mark-making as a type of sign lexicon, signifier, or language for characters that hold identity and have social agency. The characters in my maps plotted, journeyed, evolved, and built civilizations. I charted, analyzed, and mapped their experience and development: their cities, their suburbs, their conflicts, and their wars. The paintings occurred in an intangible no-place: a blank terrain, an abstracted map space. As I continued to work I needed a context for the marks, the characters. By combining many types of architectural plans and drawings I tried to create a metaphoric, tectonic view of structural history. I wanted to bring my drawing into time and place.

In 2007, the investment bank Goldman Sachs gave Mehretu a $5 million commission for a lobby mural. The resulting work, "Mural", was the size of a tennis court and consisted of overlaid financial maps, architectural drawings of financial institutions, and references to works by other artists. Calvin Tomkins of the New Yorker called it "the most ambitious painting I've seen in a dozen years", and another commentator described it as "one of the largest and most successful public art works in recent times".

While best known for large-scale abstract paintings, Mehretu has experimented with prints since graduate school at the Rhode Island School of Design, where she was enrolled in the painting and printmaking program in the mid-1990s. Her exploration of printmaking began with etching. She has completed collaborative projects at professional printmaking studios across America.

Mehretu was a resident of the CORE Program, Glassell School of Art, Museum of Fine Arts, Houston (1997–98) and the Artist-in-Residence Program at the Studio Museum in Harlem (2001). During a residency at the Walker Art Center, Minneapolis, in 2003, she worked with thirty high school girls from East Africa. In the spring of 2007 she was the Guna S. Mundheim Visual Arts Fellow at the American Academy in Berlin. Later that year, she led a monthlong residency program with 40 art students from Detroit public high schools.

During her residency in Berlin, Mehretu was commissioned to create seven paintings by the Deutsche Guggenheim; titled Grey Area (2008–2009), the series explores the urban landscape of Berlin as a historical site of generation and destruction. "Parts of Fragment" and "Middle Grey" feature this erasing technique.

In 2000, Mehretu was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award. She was the recipient of the 2001 Penny McCall Award and one of the 2005 recipients of the MacArthur Fellowship, often referred to as the "genius grant."

In 2013, Mehretu was awarded the Barnett and Annalee Newman Award, and in 2015, she received the US Department of State Medal of Arts from Secretary of State John Kerry. In 2020, Time magazine included Mehretu in its list of the 100 most influential people. In 2023, German automaker BMW selected Mehretu to paint its annual "art car" for entry at the 24 Hours of Le Mans race.

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