Wednesday, October 2, 2024

Artist of the Day, October 2, 2024: Ernesto Neto, a Brazilian visual artist, sculptor (#2126)

 Ernesto Neto (Ernesto Saboia de Albuquerque Neto) (1964) is a contemporary Brazilian visual artist.

Ernesto Neto began exhibiting in Scotland in 1988 and has had solo exhibitions abroad since 1995. He represented with Vik Muniz their country in 2001 Venice Biennale, his installations were featured in Brazil's national pavilion and in the international group exhibition at the Arsenale.

Neto's work has been described as "beyond abstract minimalism". His installations are large, soft, biomorphic sculptures that fill an exhibition space that viewers can touch, poke, and walk on or through. They are made of white, stretchy material—amorphous forms stuffed with Styrofoam pellets or, on occasion, aromatic spices. In some installations, he has also used this material to create translucent scrims that transform the space's walls and floor. His sculptures can be regarded as expression of traditional abstract form, but in their interaction with the viewer, they work on another level as well.

In 2009 Neto exhibited a new work at New York's Park Avenue Armory called anthropodino. Filling the 55,000-square-foot (5,100 m2) hall, the aim is to help the Armory reposition itself as a big-art destination like the Turbine Hall in London's Tate Modern.

In 1998, Neto exhibited a new installation Navedenga. A clear-like lycra chamber that stretched from the floor and ceiling, viewers were invited to remove their shoes and walk through it. Resembling penetrating an opening, this installation tries to connect the dependence of the viewer's experience and the work itself.

• In 2010 he exhibited a popular display at London's Hayward Gallery called 'Edges of the World.
• In 2012 he exhibited "The tongue of Ernesto" at the College of San Ildefonso, Mexico.
• In 2015 Icastica Arezzo Italy.
• In 2017, Neto exhibited at the Venice Biennale in the Arsenale.

• In 2018, Neto exhibited at a central train station in Zurich, Switzerland. The exhibition was titled GaiaMotherTree and consisted largely of hand-knotted cotton strips in oranges and yellows. The exhibit was created alongside the Beyeler Foundation and featured a monthlong series of workshops for both children and adults which took place beneath the exhibit. At the time of its debut, Beyeler Foundation director Sam Keller estimated that approximately a half-million people will visit the station and, consequently, the sculpture. This would have made GaiaMotherTree the most visited work of art in the history of Switzerland.

• In 2019, Neto exhibited at the Tanya Bonakdar Gallery with Children of the Earth in Los Angeles, California. This solo exhibit consisted of yellows, greens, purples, and reds. The exhibit also utilized musical instruments, spices and crystals to engage all five senses.

• In 2021, Neto exhibited a new work at The Museum of Fine Arts, Houston called SunForceOceanLife. This solo exhibit featured large, spiraling hand-woven materials in oranges, yellows and greens.

Neto has been awarded chevalier de L'Ordre des Arts et des Lettres.

© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Ernesto Neto or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

 Ernesto Neto
Quarks paff, 1998

We Fishing the Time, 1999
It happens when the body is anatomy of time, 2000
Esqueleto Glóbulos, 2001
Enquanto isso deus é deusa. Santa gravidade, 2003
Nanthropodino, 2009
CélulaBlanço [Swing Cell], 2010
O Bicho SusPenso na PaisaGen, 2011
A vida é um corps do qual fazes part (Life Is a Body We Are Part Of), 2012
Kink, 2012
 Life is a River, 2012
Velejando entre nós, 2012
Life Is A River, 2013
 Paxpa - There is a Forest Encantada Inside of Us, 2014
Canoakeneon-çapawlampadaluz, 2015
Canoakeneon-çapawlampadaluz, 2015
Nixi Forest Kupi Xawa, 2015
Yubẽ bushka, 2016 detail
Casa de cura, 2016
Inside ‘Yubẽ bushka, 2016
‘Yubẽ bushka, 2016
Water Falls from My Breast to the Sky, 2017
Gaia Mother Tree, 2018
Gaia Mother Tree, 2018
Sun Force Ocean Life, 2020
Sun Force Ocean Life, 2020
Sun Force Ocean Life, 2020
SoPolpoVit’EreticoLe, 2021
EarthTreeLifeLove, 2022
Offering for a new conscience, 2022

1 comment:

  1. I love this artist. Reminds me of Ruth Asawa’s woven sculptures. I enjoyed the post. Thank you

    ReplyDelete