Ernesto Neto (Ernesto Saboia de Albuquerque Neto) (1964) is a contemporary Brazilian visual artist.
Ernesto Neto began exhibiting in Scotland in 1988 and has had solo exhibitions abroad since 1995. He represented with Vik Muniz their country in 2001 Venice Biennale, his installations were featured in Brazil's national pavilion and in the international group exhibition at the Arsenale.
Neto's work has been described as "beyond abstract minimalism". His installations are large, soft, biomorphic sculptures that fill an exhibition space that viewers can touch, poke, and walk on or through. They are made of white, stretchy material—amorphous forms stuffed with Styrofoam pellets or, on occasion, aromatic spices. In some installations, he has also used this material to create translucent scrims that transform the space's walls and floor. His sculptures can be regarded as expression of traditional abstract form, but in their interaction with the viewer, they work on another level as well.
In 2009 Neto exhibited a new work at New York's Park Avenue Armory called anthropodino. Filling the 55,000-square-foot (5,100 m2) hall, the aim is to help the Armory reposition itself as a big-art destination like the Turbine Hall in London's Tate Modern.
In 1998, Neto exhibited a new installation Navedenga. A clear-like lycra chamber that stretched from the floor and ceiling, viewers were invited to remove their shoes and walk through it. Resembling penetrating an opening, this installation tries to connect the dependence of the viewer's experience and the work itself.
• In 2010 he exhibited a popular display at London's Hayward Gallery called 'Edges of the World.
• In 2012 he exhibited "The tongue of Ernesto" at the College of San Ildefonso, Mexico.
• In 2015 Icastica Arezzo Italy.
• In 2017, Neto exhibited at the Venice Biennale in the Arsenale.
• In 2018, Neto exhibited at a central train station in Zurich, Switzerland. The exhibition was titled GaiaMotherTree and consisted largely of hand-knotted cotton strips in oranges and yellows. The exhibit was created alongside the Beyeler Foundation and featured a monthlong series of workshops for both children and adults which took place beneath the exhibit. At the time of its debut, Beyeler Foundation director Sam Keller estimated that approximately a half-million people will visit the station and, consequently, the sculpture. This would have made GaiaMotherTree the most visited work of art in the history of Switzerland.
• In 2019, Neto exhibited at the Tanya Bonakdar Gallery with Children of the Earth in Los Angeles, California. This solo exhibit consisted of yellows, greens, purples, and reds. The exhibit also utilized musical instruments, spices and crystals to engage all five senses.
• In 2021, Neto exhibited a new work at The Museum of Fine Arts, Houston called SunForceOceanLife. This solo exhibit featured large, spiraling hand-woven materials in oranges, yellows and greens.
Neto has been awarded chevalier de L'Ordre des Arts et des Lettres.
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| Ernesto Neto |
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| Quarks paff, 1998 |
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| We Fishing the Time, 1999 |
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| It happens when the body is anatomy of time, 2000 |
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| Esqueleto Glóbulos, 2001 |
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| Enquanto isso deus é deusa. Santa gravidade, 2003 |
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| Nanthropodino, 2009 |
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| CélulaBlanço [Swing Cell], 2010 |
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| O Bicho SusPenso na PaisaGen, 2011 |
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| A vida é um corps do qual fazes part (Life Is a Body We Are Part Of), 2012 |
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| Kink, 2012 |
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| Life is a River, 2012 |
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| Velejando entre nós, 2012 |
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| Life Is A River, 2013 |
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| Paxpa - There is a Forest Encantada Inside of Us, 2014 |
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Canoakeneon-çapawlampadaluz, 2015
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| Canoakeneon-çapawlampadaluz, 2015 |
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| Nixi Forest Kupi Xawa, 2015 |
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| Yubẽ bushka, 2016 detail |
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Casa de cura, 2016
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| Inside ‘Yubẽ bushka, 2016 |
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| ‘Yubẽ bushka, 2016 |
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| Water Falls from My Breast to the Sky, 2017 |
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| Gaia Mother Tree, 2018 |
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| Gaia Mother Tree, 2018 |
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| Sun Force Ocean Life, 2020 |
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| Sun Force Ocean Life, 2020 |
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| Sun Force Ocean Life, 2020 |
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| SoPolpoVit’EreticoLe, 2021 |
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| EarthTreeLifeLove, 2022 |
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| Offering for a new conscience, 2022 |
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I love this artist. Reminds me of Ruth Asawa’s woven sculptures. I enjoyed the post. Thank you
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