Friday, December 12, 2025

Artist of the Day, December 12, 2025 : Felix Shumba, a Zimbabwean multidisciplinary emerging artist (#2442)

Felix Shumba (1989)is a Zimbabwean multidisciplinary emerging artist whose practice encompasses drawing, painting, video, text, and installation work. His work attempts at deconstructing spaces (real or imagined)—which he describes as Fold Fields Space (FFS). These are sites generally characterized and haunted by death, trauma, tension, restraint, psychic terror, ecological damage and use of the military as an apparatus of control.

Felix Shumba has exhibited work at Galleria Fonti, Italy; Jahmek Contemporary Art, Angola; and Sharjah Biennial, United Arab Emirates, among others.

In 1977, British-backed Rhodesian security forces conducted a raid on refugee camps run by the Zimbabwe African National Liberation Army in Chimoio, Mozambique, resulting in the deaths of thousands of men, women, and children. Self-taught artist Felix Shumba’s presentation at Art Basel focuses on this dark chapter of history, foregrounding the historical erasure and lasting trauma caused by colonial powers. His installation includes a charcoal mural of a crepuscular forest, striking oil paintings of soldiers’ silhouettes, and a sculpture designed to play archival war transmissions, church hymns, and poems read by Shumba’s grandmother. The artist asks viewers to temporarily reflect on the memories and narratives he and others like him have no choice but to carry.

© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Felix Shumba or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Felix Shumba
Indx flower memoir, anecdote, prism 16,97, 2021
TI-210, 2022
TI-102, 2022
Ruwa River, 2022
Nocturnal Body, 2022
L-101, 2022

The Outsider, 2023
The Mouners, 2023
The catalogue of Carnivorous plants and it's preys, 2023
The Blood of a Poet, 2023
SGT. Mheremhere, 2023
I Mind My Dreams to Mine, 2023
End Scene, 2023
following year, 2024
9 days of the year of the umbrellas, 2024
Stars at times in veins, 2024
The tenth of a tent, 2024
The times for a leaf, an oracle and so forth, 2024
The yard friezes at the unknown, (in thought of hymn rain), 2024
Ways of the north, 2024
stars at times in veins, 2024
Stars at times in veins, 2024
Hand in the glass, like moonshine, 2025
Untitled (from the dog eat dog series), 2025

Thursday, December 11, 2025

Artist of the Day, December 11, 2025 : Ron Arad, a British-Israeli industrial designer, artist, and architectural designer (#2441)

Ron Arad (1951) is a British-Israeli industrial designer, artist, and architectural designer. He is best known for his furniture designs, including the postmodern chair Rover.

Ron Arad was born in Tel Aviv, Israel, in a progressive Jewish family. Both of his parents were artists. He studied at the Bezalel Academy of Arts and Design in Jerusalem between 1971 and 1973, and at the Architectural Association School of Architecture in London from 1974 to 1979. After graduating, he briefly worked as an interior architect under Peter Cook.

Arad co-founded the design and production studio One Off in 1981 with Caroline Thorman. Ron Arad Associates architecture and design practice was formed in 1989, and in 2008 Ron Arad Architects was established alongside Caroline Thorman and Asa Bruno.

Arad's career as furniture designer began with the 1981 Rover chair, a postmodernist armchair assembled from a scrapyard leather seat from a Rover P6 car combined with a steel frame. Six copies of the chair were acquired by fashion designer Jean Paul Gaultier the same year and made Arad famous overnight.

In 1993, he designed the Bookworm, a warped-metal bookshelf, mass-produced by the Italian furniture company Kartell. In 1997, he created the Tom Vac chair, made from ribbed vacuum-formed aluminium, and FPE chair.

Arad's designs often involve experimentation with non-traditional materials and unexpected fabrication methods. He often uses biomorphic shapes. His style has been called "ruinism", a definition Arad rejects.

In 2004, Arad designed the Lolita chandelier, a lighting fixture for the Swarovski crystal company that can display SMS text messages with light-emitting diodes.

In 2008–09, Arad collaborated with KENZO to create his first perfume bottle which was on display in his MoMA exhibit No Discipline. In 2012, he designed a collection of adjustable eyeglass frames for New Eye London.

Arad designed the 2011 large-scale video installation "720 Degrees", made of 5,600 8-metre tall silicone cords with projected video that formed a cinerama-like circle. 

Ron Arad Architects has designed the Maserati Showroom in Modena, Italy (2002), Yohji Yamamoto Flagship Store in Tokyo, Japan (2003) and the Mediacite retail centre in Liège, Belgium. In recent years Arad's firm has been overseeing the construction of a cancer hospital in Afula.

Arad's studio designed the ToHA office complex in Tel Aviv, the first phase of which was completed in early 2019. The second phase, which as of 2025 is in development, will be among the tallest skyscrapers in Israel.

Arad was Head of Design Products Department at the Royal College of Art from 1997 to 2009. He was Professor of Design at the Hochschule in Vienna from 1994 to 1997, and later Professor of Design Products at the Royal College of Art in London up until 2009, when he was made Professor Emeritus.

He was awarded the Royal Designer for Industry (RDI) in 2002 and the London Design Medal of London Design Festival in 2011. In 2012 he was elected a Royal Academician by the Royal Academy of Art in London. Arad holds an Honorary Doctorate from Tel Aviv University. His work has been exhibited at the MoMA, the V&A and Centre Georges Pompidou.

© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Ron Arad or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Ron Arad
Rover two-seater, 1985

Well Tempered Chair, 1986
The Big Easy Chair, 1987
Before Summer, 1992
Chaise Looploop, 1992
Large Mortal Coil, 1992
Papardelle, 1992
Bookworm shelf, 1994
Giant Bookworm, 1994
Tom Vac chair, 1997
Uncut, 1997
Armchair 'Victoria & Albert Collection, 2000
Fauteuil Little Heavy, 2001
Oh Void Daybed, 2002
Oh Void II Chair, 2002
In Reverse, 2004
MT1 armchair, 2004
MT Rocker, 2005
In Reverse, Afterthought, 2007
Bodyguard, 2008
Guarded Thoughts I.V., 2008
MT3 rocking chair, 2008
Rod Gomli, 2009
Project, 2010
Two Nuns Bicycle, 2011
4 Black Objects, 2012
Folly Bench, 2013
In Reverse, Roddy Giacosa (detail) 2013
Puddle 24, 2015
Two Legs and a Table (crystalline) Aquamarine, 2023
Wave Wooden Chair, 2023
Solf Marble Sofa, 2025