Baltimore-based artist Nora Sturges works with a very unusual paint medium for her pieces, eggs. For her smaller paintings the artist uses a technique called egg tempera, on medium density fibreboard in order to “get a very smooth surface,” she tells It’s Nice That.
Nora’s paintings have been exhibited globally from Toronto, Washington, Berlin and New York, to name just a few. She has also received three Individual Artist Awards from the Maryland State Arts Council and has been included numerous times in arts publication New American Paintings. Currently Nora is the Professor of Art at Towson University, Baltimore.
“I was interested in using egg tempera for the way it forces me to be a bit more simple, and graphic (than usual my usual oil), it’s really not possible to blend the paint on the surface of the painting.” The texture of the food-based medium differs slightly to paint, “In real life, the egg tempera has a slightly chalky, matte surface, somewhat reminiscent of fresco.” Nora makes the egg tempera herself simply from “powder pigments, egg yolk and water”.
The results however are far from what you’d expect from using a product found in the kitchen. Nora’s paintings are clean, simple, with an overarching darkness, referencing recognisable objects in an altered aesthetic. A main influence of Nora’s is the Italian painter Giotto, “some of the paintings in this series use details of Giotto’s frescoes as jumping-off points,” she explains. “A couple use work of lesser known artists of the 1300s, and other draw on my experience as a modern-day viewer of old art in Italy.” Nora’s aim is to “capture something of what I love about these artists, what keeps their work so fresh for me”.
© 2018. All images are copyrighted © by Nora Sturges. The use of any image from this site is prohibited unless prior written permission is obtained.
Nora’s paintings have been exhibited globally from Toronto, Washington, Berlin and New York, to name just a few. She has also received three Individual Artist Awards from the Maryland State Arts Council and has been included numerous times in arts publication New American Paintings. Currently Nora is the Professor of Art at Towson University, Baltimore.
“I was interested in using egg tempera for the way it forces me to be a bit more simple, and graphic (than usual my usual oil), it’s really not possible to blend the paint on the surface of the painting.” The texture of the food-based medium differs slightly to paint, “In real life, the egg tempera has a slightly chalky, matte surface, somewhat reminiscent of fresco.” Nora makes the egg tempera herself simply from “powder pigments, egg yolk and water”.
The results however are far from what you’d expect from using a product found in the kitchen. Nora’s paintings are clean, simple, with an overarching darkness, referencing recognisable objects in an altered aesthetic. A main influence of Nora’s is the Italian painter Giotto, “some of the paintings in this series use details of Giotto’s frescoes as jumping-off points,” she explains. “A couple use work of lesser known artists of the 1300s, and other draw on my experience as a modern-day viewer of old art in Italy.” Nora’s aim is to “capture something of what I love about these artists, what keeps their work so fresh for me”.
© 2018. All images are copyrighted © by Nora Sturges. The use of any image from this site is prohibited unless prior written permission is obtained.
Temporary Cities: Research Station 7.75" x 10.25" |
Temporary Cities: Bamboo Forest, 9"x 11" |
Temporary Cities: Desert Platform, 9"x 10.5" |
Temporary Cities: Dinosaur Park, 8"x 13" |
Temporary Cities: Floats, 7.75"x 11.5" |
Temporary Cities: Houses, 7.75"x 12.5" |
Temporary Cities: Industry, 7.5"x 11" |
Temporary Cities: Moon Bounce, 7.25"x 10" |
Temporary Cities: Parking Garage, 8"x 10" |
Temporary Cities: Tank, 8"x 11" |
Temporary Cities: Artificial Nests, 7.75"x 12.5" |
Temporary Cities: Drain, 8"x 10.75" |
Temporary Cities: Lookout, 9"x 12" |
Temporary Cities: Lost Cushions, 10"x 12" |
Temporary Cities: Mounds, 6.5"x 9" |
Temporary Cities: Planet Aid, 10"x 12" |
Temporary Cities: Plant, 10"x 11.25" |
Temporary Cities: Wigs in Snow, 10"x 12" |
Temporary Cities: Bridge, 7"x 9" |
Temporary Cities: Cliffs, 6"x 10" |
Temporary Cities: Construction Site, 9"x 12" |
Temporary Cities: Control Room, 9"x 11.5" |
Temporary Cities: Greenhouse 2, 9"x 11" |
Temporary Cities: Moss garden, 8.5"x 10" |
Temporary Cities: Sulfur-loving Plant, 10"x 12" |
Barricade, 5"x 6" |
Burning Cat Tree, 7"x 6" |
Painting of the building: Mattress, 8"x 10" |
Painting of the building: Table with Gloves, 7"x 8.75" |
Painting of the building: Utility Sink, 5"x 4" |
Painting of the building: Brooms, 6"x 4" |
Painting of the building: Corner with Chair, 5"x 6.25" |
Ruins and Ladder, 7.25"x 6" |
Signs, 14"x 17.5" |
Soup, 7"x 8.5" |
Throne, 6.5"x 7.5" |
Wig on Table, 5"x 7" |
Marco Polo among Idol Worshipers, 13.5"x 8" |
Marco Polo and his Porter, Lost, 12.5"x 10" |
Marco Polo Collects Bird Eggs, 12"x 9.5" |
Marco Polo Commissions Display Cases for his Collection, 10.25"x 12" |
Marco Polo Discovers a New Species, 10.5"x 12" |
Marco Polo Gets a Blister from New Shoes, 9"x 11" |
Marco Polo Reaches Kobiam, at the Edge of the Desert, 11"x 13" |
Marco Polo Sees Monkeys with Stolen Purses, 13"x 8.5" |
Marco Polo Shopping, 12"x 8" |
Marco Polo Sightseeing, 8.75"x 12" |
Marco Polo Travels through a Landscape with Snakes, 10.5"x1 0" |
Marco Polo Tries Dried Monkey, 13"x 13" |
Marco Polo Watches Blue People, 12"x 10" |
Marco Polo Welcomed at Moriana, 10"x 12.5" |
Marco Polo Writes in his Journal, 10.75"x 14" |
Marco Polo’s Sleeve Unravels, 11"x 12" |
Quiet cities: Abandoned Town, 4.5"x 10" |
Quiet cities: Baltimore, 7"x 7" |
Quiet cities: City with Roof Decks, 9"x 7" |
Quiet cities: Cliff Town, 6.5"x 7" |
Quiet cities: Moth-eaten Village, 7"x 7" |
Quiet cities: Temporary City, 8.75"x 11.25" |
Quiet cities: Tent City, 6"x 7" |
Quiet cities: The City Sheds Scales of its Past, 11"x 10.5" |
Quiet cities: Town with Crows, 9"x 7" |
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