Tuesday, June 19, 2018

Artist of the day, June 19: Jonathan Barnbrook, British graphic designer, typographer and filmmaker

Jonathan Barnbrook (1966)  is a popular contemporary British graphic designer, typographer and filmmaker. He was raised in Luton, United Kingdom. He received his formal art education from Saint Martin’s School of Art. Later he attended the Royal College of Art in London from where he graduated with distinction. He has become a multifaceted practitioner of graphic design, typeface design, motion graphics, activism and industrial design. He introduced his typefaces through the California innovator Émigré and his widely known typeface Mason appeared in 2010. The typeface became one of the first digital acquisitions of The Museum of Modern Art. In 2002, he produced the album cover for David Bowie’s album Heathen. In the album he incorporated his ‘Priori’ typeface which he used for the first time for the commercial purpose. Bowie requested him to design cover art for other albums including Reality and The Next Day which hold a rather controversial reputation.

According to Barnbrook, record cover artwork designing is possibly one of the factors that attracted his attention toward graphic design. Besides designing album covers, Barnbrook has created multiple fonts such as False Idol, Exocet, Newspeak, Awe, Infidel, Sarcastic, Shock and Moron. Most of these fonts have emotive and controversial titles, which is indicative of the fact that they clearly reflect style and themes of his work. Additionally, he collaborated with a young British artist, Damien Hirst on a book project. They worked together mainly on layout, design and typography of his strangely titled book I Want To Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now. In fact, they also handled the artwork related to the curiously named restaurant, Pharmacy.

© 2018. All images are copyrighted © by Jonathan Barnbrook. The use of any image from this site is prohibited unless prior written permission is obtained.



Mr Jonathan Barnbrook

17th Biennale of Sydney Catalogue

17th Biennale of Sydney Catalogue

17th Biennale of Sydney Catalogue

17th Biennale of Sydney Catalogue

Ace Hotel Shoreditch Murals

Ace Hotel Shoreditch Murals

Art Basel- 2013

Art Basel- 2013

1990, As long as we know what we’re fighting for

2016, AYCSDI

2016, AYCSDI

2003, Beyond the earthly sensations of lifestyle envy-
Omnipotent brand mandala

Christmas Poster

2001, Containment of people can only be achieved
by constantly telling them that they are free

David Bowie- Blackstar album

David Bowie- Blackstar album

David Bowie- Blackstar promo

David Bowie- Blackstar album

David Bowie, V&A

David Bowie, V&A

2004, Disneyland

2001, Fig.1 Spot the Difference

2001, Fig.2 Spot the Difference

Fit- Alternative London 2012 poster

Fit- Alternative London 2012 poster

1990, Gulf Reap

2001, In the 21st century all political ideologies are dead.
All that’s left is patriotism and greed










No longer feel

North Korea- Series II – Tomorrow’s Truth

1998, PH

Modern Approaches

RCA Master of Arts Certificate

RCA Master of Arts Certificate

2001, Real Utopia Don’t Need Walls

Shiseido Zen

Shiseido Zen

Shiseido Zen

2001, Sunshine Meetings

2012, Surf

2012, Surf detail

The Barbican- The Wilde years – Oscar Wilde & the Art of His Time

The Barbican- The Wilde years – Oscar Wilde & the Art of His Time

The Barbican- The Wilde years – Oscar Wilde & the Art of His Time

The Barbican- The Wilde years – Oscar Wilde & the Art of His Time

2001, There are no political ideologies, there are only corporate strategies

2015, The Who

2015, The Who

2015, The Who


2003, You can’t bomb an idea

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