Born in South Africa, Michael Edward Bolus (1934-2013) was an artist and teacher who settled in England in 1957 and studied at St Martin's School of Art from 1958 to 1962, studying under Anthony Caro. After a brief period living in Cape Town he returned to London in 1964 to begin a teaching post at St Martin's and the Central School of Art and Design.
As a student his earliest work was modelled or sculpted in stone, but Bolus soon abandoned these traditional techniques in favour of working with steel and aluminium, materials that allowed him to explore the notions of balance and the extension of form which had long interested him. For the New Generation show in 1965 he exhibited a series of polychromatic sculptures taking the form of abstract shapes cut out of sheet aluminium, placed flat on the ground or stood on edge.
In 1966 Bolus took part in the "Primary Structures" exhibition at the Jewish museum in New York. The same year he was given his first one man show in America at the Kornblee Gallery. In the 1970s his sculpture left the ground, becoming more fragmented and making use of lattice and grid-like constructions that defy gravity, such as Sculpture No. 3, 1973 and Untitled, 1984.
Bolus was part of a generation of sculptors inspired by the constructivist work made by Julio González and Pablo Picasso and continued by David Smith and Anthony Caro. The work of these sculptors rejected the plinth and asserted the work as part of the world rather than separate from it.
Bolus worked as an assistant to Anthony Caro throughout his career and was regarded highly for his ability to manipulate difficult materials such as Gold and Silver.
© 2018. All images are copyrighted © by Michael Bolus or assignee. The use of any image from this site is prohibited unless prior written permission is obtained.
As a student his earliest work was modelled or sculpted in stone, but Bolus soon abandoned these traditional techniques in favour of working with steel and aluminium, materials that allowed him to explore the notions of balance and the extension of form which had long interested him. For the New Generation show in 1965 he exhibited a series of polychromatic sculptures taking the form of abstract shapes cut out of sheet aluminium, placed flat on the ground or stood on edge.
In 1966 Bolus took part in the "Primary Structures" exhibition at the Jewish museum in New York. The same year he was given his first one man show in America at the Kornblee Gallery. In the 1970s his sculpture left the ground, becoming more fragmented and making use of lattice and grid-like constructions that defy gravity, such as Sculpture No. 3, 1973 and Untitled, 1984.
Bolus was part of a generation of sculptors inspired by the constructivist work made by Julio González and Pablo Picasso and continued by David Smith and Anthony Caro. The work of these sculptors rejected the plinth and asserted the work as part of the world rather than separate from it.
Bolus worked as an assistant to Anthony Caro throughout his career and was regarded highly for his ability to manipulate difficult materials such as Gold and Silver.
© 2018. All images are copyrighted © by Michael Bolus or assignee. The use of any image from this site is prohibited unless prior written permission is obtained.
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| Mr Michael Bolus |
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| 1959, Stone |
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| 1960, 1st Sculpture |
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| 1960, 2nd Sculpture |
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| 1960, 3rd Sculpture |
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| 1960, 5th Sculpture |
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| 1960, 6th Sculpture |
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| 1960, 10th Sculpture |
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| 1960, 11th Sculpture |
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| 1960, 12th Sculpture |
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| 1960, 4th Sculpture |
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| 1960, the 'Green' series |
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| 1962, 1st Sculpture |
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| 1962, 2nd Sculpture |
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| 1963, 1st Sculpture |
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| 1963, 2nd sculpture |
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| 1963, 5th Sculpture |
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| 1963, 6th Sculpture |
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| 1963, 8th Sculpture |
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| 1963, 10th Sculpture |
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| 1963, 11th Sculpture |
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| 1963, 13th Sculpture |
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| 1963, 3rd Sculpture |
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| 1963, Nenuphar |
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| 1963, Sculpture #11 |
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| 1964, 2nd Sculpture - Bowbend |
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| 1964, 3rd Sculpture |
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| 1964, Bowbend |
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| 1965, 3rd Sculpture |
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| 1965, 4th Sculpture |
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| 1965, 5th Sculpture |
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| 1965, 7th Sculpture |
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| 1966, 1st Sculpture |
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| 1966, 5th Sculpture |
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| 1967-68, 1st Sculpture |
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| 1967-68, 2nd Sculpture |
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| 1968, British sculpture |
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| 1968, No. 3 |
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| 1969, 1st Sculpture |
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| 1969, 1st Sculpture |
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| 1969, Sculpture |
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| 1970, 1st Sculpture |
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| 1970, dunstable reel |
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| 1970, Green streamer |
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| 1970-71, 2nd Sculpture |
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| 1971, 2nd Sculpture |
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| 1971, Untitled |
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| 1973, 4th Sculpture |
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| 1974, Papabriar |
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| 1974, Untitled Sculpture No 3 |
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| 1977, Battersea Park |
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| 1981, Untitled 5 |
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| 1984, 2nd Sculpture |
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| Forged |
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| Untitled |
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