Guan Xiao (1983) lives and works in Beijing. Her practice focuses primarily on sculpture, video, and installation. Combining a wide array of visual references, Guan Xiao continuously reinvents her biographical details such as identity, personal history, geographical background and the experience of her daily life by inscribing them into her exuberant works. Guan Xiao takes her sculpture and installations as virtual characters or “species” which she imbues with a new, literalized identity. The artist attempts to emphasize the importance of difference by creating purposeful contradictions between the materiality and the concept.
Guan Xiao graduated from the Communication University of China and has exhibited internationally. Her work has been featured at MUDAM (2021); the 34th Bienial de Sao Paulo (2021); Belgrade Biennial (2021); Antenna Space, Shanghai (solo; 2020); Skulpturenpark Cologne (2020); X Museum Triennial (2020); Kunstmuseum Sankt Gallen (2020); Sharjah Art Foundation (2020); Bonner Kunstverein (solo; 2019); Contemporary Art Museum, St. Louis (solo; 2019); Fellbach Triennial, Fellbach (2019); Honolulu Biennial (2019); Migros Museum, Zürich (2019); Anyang Public Art Project, Anyang (2019); Kunsthalle Winterthur (solo; 2018); High Line, New York (2017); the 57th Venice Biennale, Venice (2017); Julia Stoschek Collection, Berlin (2017); M HKA Museum of Contemporary Art, Antwerp (2017); 9th Berlin Biennale, Berlin (2016); Jeu de Paume, Paris (solo; 2016); the K11 Art Foundation, Shanghai (2016, solo); ICA, London (solo; 2016); ZKM, Karlsruhe (2016); Shortlist for Hugo Boss Asia Art Award at Rockbund Art Museum, Shanghai (2015); the 13th Biennale de Lyon: La vie modern, Lyon (2015); Antenna Space, Shanghai (solo; 2015); 2015 Triennial: Surround Audience, New Museum, New York (2015); Daimler Contemporary Berlin (2015); Thyssen-Bornemisza Art Contemporary, Vienna (2015); M HKA Museum, Antwerp (2014); Kraupa-Tuskany Zeidler, Berlin (solo; 2014); 7th Shenzhen Sculpture Biennale, OCT Contemporary Art Terminal, Shenzhen (2012) and National Museum of Contemporary Art, Seoul (2007).
Her work is in the collections of Museum Ludwig, Cologne; Kunstmuseum St. Gallen; Boros Collection, Berlin; Daimler Collection, Stuttgart; Fondazione Sandretto Re Rebaudengo, Turin; Julia Stoschek Collection, Düsseldorf; Rubell Family Collection, Miami among others.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Guan Xiao or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Guan Xiao |
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The Sunset, 2012
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Atlas, 2013
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One to Another, 2014
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Rolling Beating, 2014
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Slight Dizzy, 2014
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| The Documentary: Geocentric Puncture, 2014 |
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4S Prequel, 2015
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Sunrise, 2015
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Amazone Gold, 2016
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Bungee, 2017
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| Callimico, 2017 |
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| Cockatoo, 2017 |
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Enjoyable relationship, 2017
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Wild dirt, 2017
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| Bamboo, 2017 |
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Flying Fox, 2018
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Documentary of Agriculture: Gathering, 2019
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Pond, 2019
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The Daughter of Tree, 2019
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| Things I couldn't forget No. 6, 2019 |
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| Tulip Model, 2019 |
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| Products Farming, Bonner Kunstverein, 2019 |
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Lulubird slowly dipped her tongue into the ice cream,
waited until it started buzzing, 2020
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| Metamorphosis Overdrive, Kunstmuseum St. Gallen, 2020 |
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