Texas Isaiah is a first-generation Black Indigenous American photographer and contemporary artist. Born in Brooklyn, New York, he is currently based in Los Angeles, CA. His family is from Guyana, Venezuela, and Barbados. He is the 2019 recipient of the Getty Images: Where We Stand Creative Bursary grant. In 2017, Texas Isaiah was featured in TIME as one of the top 12 African American photographers you should follow right now. Texas Isaiah is currently a 2020–21 artist in residence at The Studio Museum in Harlem.
Texas Isaiah was born in Brooklyn, New York. As a child, he attended Catholic school. He attended college for a short time and dropped out after discovering that formal education wasn't a proper fitting. He is an autodidact. The intimate works he creates center the possibilities that can emerge by inviting individuals to participate in the photographic process. He is attempting to shift the power dynamics rooted in photography to display different ways of accessing support in one's own body. For non-secular reasons, Texas Isaiah does not disclose his age, and most of the information surrounding this birth year is incorrect.
In 2020, he was the first trans photographer to photograph a cover for any Vogue magazine edition. A variety of covers were issued for British Vogue's September issue with Texas Isaiah imaging: Jesse Williams, Patrisse Cullors-Brignac, Janaya Khan, and Janet Mock. His work has been published in Harpers Bazaar, TIME, Cultured Magazine, Photographic Journal, Killens Review of Arts & Letters, Paper Safe Magazine, and Spook Mag and also on several catalogue and book covers including the 2017-2018 exhibition catalogue for the Studio Museum in Harlem and Fred Moten's Stolen Life (Consent Not to be a Single Being). He has worked on campaigns with Calvin Klein and Abercrombie and Fitch. He has also has exhibited at numerous centres including Fotografiska in New York City, Aperture Foundation Gallery, Hammer Museum in Los Angeles, the Studio Museum in Harlem, Charlie James Gallery in Los Angeles, and the New Space Center for Photography in Portland.
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Texas Isaiah or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
|
Texas Isaiah |
|
Self Portrait, 2016 Culver City |
|
A mantra of care, 2018 |
|
Andrew, 2018 Los Angeles |
|
Ericka Hart, 2018 |
|
Jayy Dodd, 2018 Los Angeles |
|
Myles Cameron, 2018 |
|
Pat Manuel, 2018 Palm Springs |
|
Victory Laps, 2018 (West High School) |
|
Rose Quartz [Interlude], 2019 |
|
2020, the New York Times |
|
Janet Mock, 2020 |
|
Joi Purvy and Jaz Joyner, in a squeeze, 2020 the New York Times |
|
Kendra Norwood and Rei Essex-Simmons, in communion, 2020 the New York Times |
|
Patrisse Cullors for the September 2020 issue, British Vogue |
|
Taj, 2020 |
|
Beaming Blues, 2021 |
|
Untitled (Blu), 2021
|
|
Untitled (Dre), 2021 |
|
Untitled (Marshall), 2021 |
|
Untitled (Pops), 2021 |
|
Heaven’s Hands, 2021
|
|
Mary J. Blige in Gaurav Gupta, 2021 for the Time 100 Gala |
|
Beyoncé cover, British Vogue Magazine — July 2022 |
|
2022, Kerry Washington for L’Officiel Italia |
|
2022, Kerry Washington for L’Officiel Italia |
No comments:
Post a Comment