Jennie Jieun Lee (1973) makes expressive, richly textured ceramics covered in abstract paintings with hints of representational imagery. “While I am working I think of the humorous events in my life along with people’s interesting mannerisms and notions. Much of my visual language is fueled by experimentation [with] thoughts and color,” she has said. Although Lee has worked in printmaking and photography, ceramics are her focus. She creates an array of objects, including wheel-thrown, hand-altered vessels; masks with morphing, multipart features; and collections of vibrant mugs, plates, planters, and trays that she calls “glazemoods.” All of these works are unified by their colorful surfaces, which, according to Lee, “mimic, articulate, and navigate emotional and psychological spaces.”
© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by Jennie Jieun Lee or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Jennie Jieun Lee |
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| Mrs Thompson's Mirror, 2015 |
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| Mrs Thompson's Mirror, 2015 |
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| Mrs Thompson's Mirror, 2015 |
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Bust, 2016
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| Seizure Crevasse, 2018 |
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| Seizure Crevasse, 2018 |
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| Blade on Storm, 2019 |
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| Emotional Intelligence, 2019 |
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| Long Beach Boulevard, 2019 |
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| Sizzling Gouba and Long Beach, 2019 |
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| Stanley, 2019 |
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Anenomes and Sweetpeas, 2021
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| Cut Flower Farm, 2021 |
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| Hell on Earth, 2021 |
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| Low and high static, 2021 |
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| Signs, 2021 |
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| Some Velvet Zoom Room, 2021 |
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| Sowing as the World Ends, 2021 |
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| Transplants, 2021 |
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| Marie, 2022 |
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| Monday at noon, 2022 |
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