Brian Jungen (1970) was born on a family farm north of Fort St. John, British Columbia. His father was Swiss born and immigrated to British Columbia with his family when he was three years old. Jungen's mother was Indigenous, a member of the Dane-zaa Nation. Jungen recalls his mother's ability to adapt objects to new uses, something he now famously does within his artistic practice. He recalls "She was constantly trying to extend the life of things, packages, utensils. Once we had to use the back end of a pickup truck as an extension for our hog pen."
In 1988 he moved to Vancouver to attend the Emily Carr Institute of Art and Design. He graduated four years later with a Diploma of Visual Art. After which he moved to Montreal and New York City prior to returning to Vancouver.
In 1998 he took part in a self-directed residency at The Banff Centre for the Arts, Banff, Alberta. This residency would become the tipping point in his career. As it was there that he began to work on his now famous Prototypes for New Understanding (1998-2005); a series of sculptures he created by disassembling and reassembling Nike Air Jordan sneakers to resemble Northwest Coast Indigenous masks. He would go on to explore his interest in using sports paraphernalia creating sculptures out of catchers mitts, baseball bats, and basket ball jerseys. Jungen has stated that it is a deliberate choice to create works out of materials produced by the sports industry; an industry that appropriates Indigenous terminology, such as the team names The Chiefs, Indians, Redskins and Braves. However Jungen's work is not exclusively tied to his heritage. He has stated "My involvement with my family and traditions is personal - it's not where my art comes from."
His interest in architecture and in particular Buckminster Fuller is also evident in his practice with his creation of multiple shelters for humans, animals and birds. Overriding the majority of his work is Jungen's ability to disassemble and reassemble objects maintaining the integrity and meaning of his source material and yet creating new possibilities for meaning Shapeshifter / Transmutation
Brian Jungen was the winner of the inaugural Sobey Art Award in 2002 and the 2010 Gershon Iskowitz Prize.
© 2023. All content on this blog is protected by international copyright laws All images are copyrighted © by Brian Jungen or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Brian Jungen |
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Prototype for New Understanding Nº 2, 1998 |
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Prototype for New Understanding Nº 10, 2001 |
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Cetology, 2002 |
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Foreground, 2000 Plastic chairs |
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Prototype for Understanding Nº 11, 2002 |
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Variant #1, 2002 |
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Prototype for New Understanding #13, 2003 detail |
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Understanding #21, 2005 Nike Air Jordans |
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The Evening Redness in the West, 2006 |
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1960, 2007 detail |
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1960, 2007 golf bags, cardboard tube |
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1970, 2007 (detail) golf bags, cardboard tube |
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1980, 2007 golf bags, cardboard tube |
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2000, 2007 detail |
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2010, 2007 detail |
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2010, 2007 Golf bag totem poles |
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1980, 1970 and 1960, 2007 Golf bag totem poles |
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Installation view, 2007
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Greater Vancouver, 2007, 18 baltic plywood cutouts, wool fabric |
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Carapace, 2009 industrial waste bins |
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My Decoy, 2011 |
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The ghosts on top of my head 2011, Banff Centre |
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Broken Arrangement, 2015-16 |
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Owl Drugs, 2016. |
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Warrior Nº 22, 2017 |
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Persuasion Mask, 2018 |
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Warrior Nº 4, 2018 |
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Plague Mask, 2020 |
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Sadzěʔ yaaghęhch’ill, 2022 |
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Prototype For A New Understanding Nº 5 |
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Sculpture made with Nike Air Jordans |
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