Cornelia Konrads (1957) is a German sculptor and installation artist. She creates site-specific installations by implying a sense of weightlessness to ordinary objects. The German artist’s sculptures appear to be frozen in time and space, gracefully suspended in the air as if the otherwise ordinary landscape has begun to float away.
Konrads creates pieces made for a certain place using found local materials. Many feel temporary, perhaps created just long enough to be photographed. Konrads, unlike other land artists though, also has a unique bent on gravity, creating works that defy Newton’s laws.
In the introduction to a book on Konrads, Michael Stoeber describes the tensions in her work: “Calm and motion, dissolution and density, the contrastive play with gravity and overcoming it, with reality and simulation—are the stones really flying up into the sky, or are they not perhaps falling down and settling on the pile?” Stoeber wonders whether her work is “rising or falling.” Perhaps they are at some stage in between, “moments of an irritating and fascinating indecision.
These pieces are “the arrow that never reaches its target, Achilles who cannot manage to succeed in overtaking the tortoise.”
Konrads’ art is found in public spaces, sculpture parks, and private gardens across Europe, the U.S., South Korea, and Australia.
© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Cornelia Konrad or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
|
Ms. Cornelia Konrads |
|
Moment of decision, 2004 |
|
The gate, 2004 |
|
Piled forest, 2006
|
|
Piled forest, 2006
|
|
The Wall, 2006 |
|
Red Pavillon, 2007 |
|
The Shelter, 2007 (daytime) |
|
The Shelter, 2007 (nighttime) |
|
Australia house, 2008 |
|
Still Life with Tree, 2008 |
|
Maison de St. Flour, 2009 |
|
Schleudersitz, 2010 |
|
Settlement, 2010 |
|
Zone, 2011
|
|
La précarité du temps, 2013 |
|
Sandbank, 2014 detail |
|
Sandbank, 2014 |
|
Hütte 436, 2015 |
|
Passage, 2015 |
|
Casa do vento I Wind House, 2016 |
|
Tinkers, 2016 detail
|
|
Tinkers, 2016 |
|
Il tempo dell’edera, 2017 |
|
Bridge, 2018 |
|
Rupture, le rêve de Lakmé, 2019 |
|
The Dance, Le voyage à Nantes, 2019 |
|
The Match, Le voyage à Nantes, 2019 |
|
Tragic Column (detail), 2020 |
|
Assenger, 2022 |
|
Tree House, 2022 |
Fabulous, imaginative, fresh and beautifully executed.
ReplyDelete