Based in Oakland, CA, Kelly Ording has exhibited her work both in the U.S. and internationally since graduating from the San Francisco Art Institute in 2000, with recent solo exhibitions including An Unseen World, Gilman Contemporary, Sun Valley, ID (2019), Shadows and Light, Local Language, Oakland, CA (2018), and Rotations Around the Sun, Sarah Shepard Gallery, Larkspur, CA (2018). Her public works and murals can be seen in San Francisco Arts Commission Public and Civic Art Collection, the Alameda County Collection, JP Morgan Chase Collection, and the Ellie Mae Collection. She recently returned from traveling in Yogyakarta, Java, Indonesia with the Bangkit/Arise Project in association with Clarion Alley Mural Project and Indonesia Institute of the Arts, Yogyakarta. Kelly currently devotes all her time to her artwork and her two children with fellow artist, Jet Martinez.
Femmes Who Spark Soul by Kelly Ording
Femmes Who Spark Soul is a concept that has been living in her head for a long time - an opportunity to create community, encourage collaboration and most importantly share the amazing, bad ass females creatives of the world!
Her work is simple but also painstakingly detailed - influenced by her love of Asian art and a deep connection to water, her work highlights simple geometric form yet when you look closer, you can sense the precise control of the meditative linear motifs. This tension between control and organic ease - seen in her hand dyed coffee canvases - makes her colorful geometric landscapes so dreamy.
How did you make the transition to being an artist full time?
Making the transition to being a full time artist was a long process. I worked at an Art Handling company for 10 years after graduating from Art School. But, during that time, I worked on my art practice every night and weekends. I exhibited my work wherever I could and learned to paint murals. I also had two kids! But, eventually opportunities in life and my career just lined up and the time came where I just had to jump. It's been six years since I quit my job and I've never been busier!
The toughest thing is that I am very disciplined when it comes to work and I actually have to make myself slow down a bit and take a breather. So, I am constantly telling myself that I need to balance work with things like exercise and relaxation. It's tricky because work never seems like work. So, if I didn't make myself stop, I'd go on forever.
How would you define your style?
My quick definition is that I paint Abstract Landscapes and Abstract Geometric Works.If someone is still listening, I usually go on describe my process of dyeing paper or canvas and going on top of that with very detailed, precise line-work and careful use of shapes and color.
What inspires your work? How do you stay creative?
I am inspired by so much I see around me.I look a lot at textiles, architecture (mainly bridges and negative space), and other artists' work. I love the work of Frank Stella, Milton Avery, Alicia McCarthy, just name a very few.
Any advice for female creatives?
I think about this one a lot! I am always wondering about how my experience differs from that of a man. How things would be different if I was a man. Actually, I could probably go deep into this one! But, we'll keep it short....
1. If you are looking for a partner, find one that is prepared for the time you need to take to follow your passion, create your work and allow you to be in that special place in your mind.
2. Take that time to follow your passion, create your work and allow you to be in place in your mind. Be selfish about that and don't deny yourself that because you are needed a million other places by a million different people.
3. You may have to work twice as hard as a man, but, do it anyway.
4. Don't be discouraged if your name gets passed by, just keep going. Trust yourself and your talent and believe that you will someday be recognized. Yeah, it may be ten years after a man that is less talented than you are, but, do the work because you love it.
© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Kelly Ording or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Ms. Kelly Ording |
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Windmills, 2013 Palega Recreation Center, San Francisco, CA |
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California By Night, 2015 |
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Untitled 26, 2015 |
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Vedas, 2016 |
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Cassin, 2017 |
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Juniper, 2017 |
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Dark Sun, Day Sun, 2018 |
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Snow Cone, 2018 |
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Swoop (Outside the Window), 2019 1298 East 14th Street, San Leandro, CA
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Cherimoya (Carmen Miranda), 2019 |
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Dip Zo, 2019 330 17th Street, Oakland, CA
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Indigo Blue Cap (Maria Sabina), 2019 |
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Mia Wallace, 2019 |
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Love in the Time of Corona, 2020 WeWork, San Ramon, CA
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(Sittin' On) The Dock of the Bay 1967, 2020 |
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Good Cookin', 2020 |
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Pressure Drop 1968, 2020 |
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Tangerine 1970, 2020 |
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This Place, That Place, 2020 6598 Hollis St, Emeryville, CA |
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A Good Day, 2021 1721 Webster Street, Oakland, CA
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10.19 (Double Dip), 2021 |
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Arthur Ashe, 2021 |
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Rounded edges, 2021 |
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BB, 2022 |
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Bridge, 2022 |
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Me, You, Us, all, 2022 |
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Out of the open, 2022
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Wicklow, 2022 |
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Chan Zuckerberg Initiative, 2023 1800 Main Street, Redwood City, CA |
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Garden Knot, 2023 |
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Google: Charleston East Hub, 2023 Mountain View, CA
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Whale Knot, 2023 |
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