Chana Orloff (1888 – 1968) was a Ukrainian-born French and Israeli Art deco and figurative art sculptor.
Chana Orloff was born the eighth of nine children in a village called Kamenka, also known by the name of Tsaraconstantinovka, Ukraine. As a teenager she took classes in sewing and dressmaking in Mariupol to ensure she could earn a living and avoid an arranged marriage.
In order to escape the pogroms in this period in Ukraine, Orloff immigrated with her family to Ottoman Palestine in 1905 and settled in Petah Tikva (Gateway of Hope), the first Jewish agricultural settlement in Palestine. She worked as a seamstress designing and sewing European-style clothing for local Jewish settlers. Eventually she moved away from her family and rented a room of her own in the Neve Tzedek neighborhood of Jaffa, to be closer to her clients.
Orloff took class at the Gymnasia Herzliya, where Nishri was a teacher, and joined the Hapoel Hatzair workers movement and Hapoel Rishon LeZion sports club. After five years in Palestine, she was offered a teaching position in sewing and dressmaking at Hovevei Zion School for Girls in Jaffa. Orloff went to Paris to study fashion with the expectation she would return to Palestine to begin her teaching position. In Paris she took classes in drawing and fashion design and worked at the haute couture house of Paquin. In 1911 she matriculated at the École nationale supérieure des arts décoratifs in hopes of pursuing a career in fine art. She enrolled simultaneously in informal classes at the Académie Russe in Montparnasse. In 1916, she married Ary Justman, a Warsaw-born Jewish writer and poet. The couple had a son in 1918, but Justman died of influenza in the epidemic of 1919. When the Nazis invaded Paris, Orloff fled to Switzerland with her son and the Jewish painter Georges Kars. In February 1945, Kars committed suicide in Geneva, after which Orloff returned to Paris, to find that her house had been ransacked and the sculptures in her studio destroyed.
In Paris, Orloff became friendly with other young Jewish artists, among them Marc Chagall, Jacques Lipchitz, Amedeo Modigliani, Jules Pascin, Chaïm Soutine, and Ossip Zadkine. In 1913, she exhibited in the Salon d'Automne. After the establishment of the State of Israel, Orloff began spending an increasing amount of time there. The Tel Aviv Museum of Art held an exhibition of 37 of her sculptures in 1949. She remained in Israel for about a year in order to complete a sculpture of David Ben-Gurion, The Hero Monument to the defenders of Ein Gev and The Motherhood Monument in memory of Chana Tuchman Alderstein who died during the 1947–1949 Palestine war. After her return to Paris in 1950, Orloff received support and friendship from the Ukrainian-born artist Norman Carton to further grow her Parisian career using photography. She became a mentor to him. In addition to monuments, Orloff sculpted portraits of Israeli Prime Minister David Ben-Gurion and future Prime Minister Levi Eshkol; the architects Pierre Chareau, and Auguste Perret; painters Henri Matisse, Amedeo Modigliani, Pablo Picasso, and Per Krohg; and the poets Hayyim Nahman Bialik, and Pierre Mac Orlan.
© 2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Chana Orloff or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Chana Orloff |
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| Maternity, circa 1914 |
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| Amazone, circa 1915 |
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| Dame enceinte, circa 1916 |
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| Le Baiser ou La Famille, circa 1916 |
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| Dame à l'éventail, circa 1921 |
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| Lucien Vogel, circa 1921 |
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| Le Peintre Widhopff, circa 1923 |
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| The Dancers (Sailor and Sweetheart) circa 1923 |
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| Femme accroupie, circa 1925 |
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| Jeune Américain, circa 1925 |
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| Le Peintre Reuven Rubin, circa 1926 |
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| Poisson, circa 1927 |
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| Chava Chabor, circa 1928 |
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| Portrait of Dr. Mira Oberholzer, circa 1936 |
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| Portrait of Emil(e) Oberholzer, circa 1937 |
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| Tête de Madone, circa 1937 |
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| Caniche Assis, circa 1941 |
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| Paix, circa 1944 |
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| Le Retour, circa 1945 |
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| Ben Gurion, circa 1949 |
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| Jeune Fille A La Natte [Young Girl With a Braid], circa 1951 |
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| Mother and child, circa 1951 |
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| Glaneuse, circa 1955 |
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| Femme assise, circa 1957 |
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| Femme assise (Mme Krohg), circa 1958 |
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| Veuve Nº. 2, ref 411, circa 1960 |
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| Acrobats, circa 1965 |
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| Danseur, circa 1965 |
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| Seated Dancer, circa 1967 |
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| Deborah, poétesse |
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