Artist of the Day, November 5, 2026 : Leopoldo Flores, a Mexican painter, stained-glass artist (#2670)

Leopoldo Flores (1934 – 2016) was an acclaimed Mexican artist born in Tenancingo, Mexico. He pursued his formal creative education at the National School of Painting, Sculpture and Printmaking "La Esmeralda" in Mexico City, followed by advanced artistic studies in Paris during the early 1960s. Professionally, Flores established a prolific career spanning over five decades as a painter, sculptor, and monumental muralist, working extensively with civic, academic, and governmental institutions.

Artistically, his signature style is rooted in monumentalism, expressionism, and social realism, frequently utilizing bold color palettes and dynamic human forms to explore themes of cosmic duality, human evolution, and socio-political justice. In his later years, after being diagnosed with Parkinson’s disease, he adapted his method into a loose, vigorous brushstroke style affectionately referred to as "Parkinsonian Art."

Among his notable accomplishments, Flores pioneered the "Arte Abierto" (Open Art) movement, which aimed to democratize fine art by embedding it directly into public spaces and large infrastructure. His creations are integrated into iconic public landmarks, including the Supreme Court of Justice of the Nation in Mexico City and the Universidad Autónoma del Estado de México.

The primary highlight of his career is the world-renowned Cosmovitral Botanical Garden in Toluca, which stands as the largest stained-glass mudéjar structure in the world. This masterpiece seamlessly blends art with architectural design, making Flores one of Mexico's most celebrated cultural figures.

© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Leopoldo Flores or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Leopoldo Flores

Leopoldo Flores at work

1970  Pancartas  Banners / Placard

1974  Pájaros / Birds

1974-75  Aratmósfera (a monumental land-art mural  
Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

1978-80  Cosmovitral
Botanical Garden in Toluca, Mexico

1978-80  El Hombre Andrógino / The Androgynous Man
 The eastern focal panel of the Cosmovitral Botanical Garden in Toluca, Mexico 

1978-80  El Hombre Sol / The Sun Man
The main focal hall of the Cosmovitral Botanical Garden in Toluca, Mexico 

1978-80  El Hombre Sol / The Sun Man
The main focal hall of the Cosmovitral Botanical Garden in Toluca, Mexico 

1978-80  El Hombre Sol / The Sun Man
 The main focal hall of the Cosmovitral Botanical Garden in Toluca, Mexico 

1978-80  El Hombre Sol / The Sun Man
The main focal hall of the Cosmovitral Botanical Garden in Toluca, Mexico 

1979  La Vía Láctea / The Milky Way
The main central vault of the Cosmovitral Botanical Garden in Toluca, Mexico

1984-88  Periplo plástico / Plastic Journey 
The main central hall of the Museo de Arte Moderno

1989  El hombre universal / The Universal Man
Centro de Investigación en Ciencias Sociales y Humanidades (CICSyH) within Ciudad Universitaria

2000-02  El Hilo de Ariadna / Ariadne's Thread
Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2000-02  El Hilo de Ariadna / Ariadne's Thread
Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2007-08  La justicia: supremo poder / Justice: Supreme Power
Suprema Corte de Justicia de la Nación (SCJN), located in the Historic Center of Mexico City

2013  La gran parvada de cuervos rojos / The Great Flock of Red Crows

2014  Cristo Muerto / Dead Christ

2014  Cruz Láser / Laser Cross

2017  Los Elementos / The Elements

2017  Los Elementos / The Elements
Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico 

2017  Los Elementos / The Elements

Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2017  Los Elementos / The Elements
Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2017  Los Elementos / The Elements
Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2017  Los Elementos / The Elements
Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

2017  Los Elementos / The Elements
Faculty of Engineering at the Universidad Autónoma del Estado de México (UAEMéx) in Toluca, Mexico

Los Caballos / The Horses

Artist of the Day, November 4, 2026 : Willem Lenssinck, a Dutch sculptor (#2669)

Willem Lenssinck (1947) is a distinguished Dutch-German sculptor and designer born in Woerden, Netherlands. He pursued his formal artistic education at the Academy of Fine Arts (HKU) in Utrecht, graduating in 1972. Initially launched into the creative industries as an industrial ceramics designer for Royal Delft, Lenssinck transitioned to working as an independent freelance artist in 1972, a profession he has successfully maintained for over five decades.

Artistically, his signature style seamlessly bridges classical modernism with visionary elements. He synthesizes strong influences from Cubism and Art Deco to transform geometric structures into sleek, rhythmically balanced figures. His portfolio is characterized by polished surfaces, clean lines, and an elegant aesthetic that frequently explores motifs such as the human form, guard figures, bulls, and horses. A recurring thematic anchor in his work is the historic transition from animal horsepower to modern mechanical machinery, symbolizing 20th-century technological progression.

Among his notable accomplishments, Lenssinck’s creations are featured in prominent global permanent collections, including the British Museum, Museum Beelden aan Zee, and the private collection of Silvio Berlusconi. His professional excellence is underscored by prestigious honors, such as receiving the Pieter d'Hont Award in 1991 and exhibiting at world-renowned art fairs like TEFAF and PAN Amsterdam.

A primary highlight of his career is his pioneering integration of the digital revolution into traditional fine arts. Lenssinck stands out as one of the first classical sculptors to masterfully adopt 3D design and digital modeling processes into his workflow since 2005. This innovative balance between technological precision and labor-intensive manual craftsmanship ensures that his futuristic sculptures remain highly sought after by international institutions and discerning corporate collectors alike.

© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Willem Lenssinck or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Willem Lenssinck

1972 Torero / Opus 116

End of 20th Century Spring Bull

1991 Little Guardian

1991 Tournado

1992 A horse called desire

1993 Kokerjuffer

1994 Dog with Dancing Bones

1994 Irish Bull Detail

1994 Irish Bull 

1994 Pieter d'Hont Table

1995 Sky Rider

1996 Wachter VIII

1998 Guardian X

1998 Happy Dancer II

1998 L'Empire des Sens

2000 Reclining Woman

2001 Sunshine Reggae

2002 Dancing Guard II

2002 Ladybird

2002 Ladybird

2003 Horse II sketch

2005 Taurus Magnus

2006 Sunrise

2014 Formula I Racing Horse

2015 Nostrilhorse

2011 distinctive functional design

2011 distinctive functional designs

2012 Royal Dutch Chair

1994 Pieter d'Hont Table

2012 Powernap Chair