Giovanni Bellini (1430-1516) was an Italian Renaissance artist best known for his innovative use of color, interest in light, and emphasis on brushwork. Today, Giovanni is recognised as the most innovative and influential of the Bellini family of painters and his works range from portraits to altarpieces. Masterpieces include the superbly detailed and naturalistic Ecstasy of Saint Francis painting and his hyper-realistic Portrait of Doge Leonardo Loredan. Bellini's work was hugely influential on his Venetian contemporaries, and this continued through the work of his pupils, amongst whom was Titian.
Bellini was born into the leading dynasty of Venetian painters. He seems to have been the younger brother of Gentile Bellini. His development was first shaped by his father, Jacopo. His brother-in-law Andrea Mantegna also influenced early works, such as 'The Blood of the Redeemer' and 'The Agony in the Garden'. The visit of Antonello da Messina to Venice in 1475-6 may also have influenced him.
Despite his successes, Giovanni was still somewhat overshadowed by his brother Gentile in his own lifetime, largely because of his seniority in age. An example of this is the commission for Gentile to complete a large cycle of historical paintings for the Great Council of Venice. However, in 1479 Gentile was dispatched to Constantinople on a diplomatic mission and Giovanni was the natural choice to continue the work. This he did, adding perhaps seven entirely new paintings to the collection. Critics regarded these new canvases as amongst the artist's best ever, but unfortunately for posterity, a fire ravaged the building a century later in 1577 and destroyed all of the artwork.
Always a prolific painter, Bellini kept on working into his eighties. Later masterpieces include The Drunkenness of Noah and the Lady at her Toilet. As the famed German Renaissance painter Albrecht Dürer stated in 1506 CE, Bellini "was very old, but still the best in painting".
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| Giovanni Bellini |
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| Presentation at the Temple, c.1450 |
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| The Dead Christ in the Tomb, c.1457 |
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| The Agony in the Garden, c.1459-65 |
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| Greek Madonna, c.1460-70 |
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| Pietà, c.1472 |
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| Madonna and Child with the Infant St. John the Baptist, c.1480 |
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| St. Francis in Ecstasy, c.1480 |
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| The Transfiguration of Christ, c.1480 |
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| Madonna and Child, c.1480-85 |
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| Madonna and Child, c.1485-88 |
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| The Transfiguration of Christ, c.1487 |
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| Barbarigo Altarpiece, c.1488 |
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| Man with a Turban, c.1490 |
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| Sacred Conversation, c.1490 |
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| Holy Allegory, c.1490-1500 |
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| Madonna and Child with John the Baptist and Saint Elizabeth, c.1490-1500 |
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| Christ Blessing, c.1500 |
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| St. Mark Preaching in Alexandria, c.1504–07 |
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| Madonna and Child Enthroned with Saints and Donor, c.1505 |
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| Martinengo Pietà, c.1505 |
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| The Assassination of Saint Peter Martyr, c.1505-07 |
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| Christ Carrying the Cross, c.1505-10 |
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| Madonna and Child with Saints, c.1505-10 |
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| The Infant Bacchus, c.1505-10 |
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| Madonna and Child with Four Saints and Donor, c.1507 |
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| Madonna and Child, c.1510 |
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| The Feast of the Gods, c.1514 |
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| Naked Young Woman in Front of the Mirror, c.1515 |
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| Portrait of Fra Teodoro of Urbino as Saint Dominic, c.1515 |
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