Friday, August 28, 2026

Artist of the Day, August 28, 2026 : Cleon Peterson, an American emerging graphic artist, illustrator (#2617)

Cleon Peterson (1973) is an accomplished American contemporary artist whose large-scale paintings and murals explore power dynamics, authority, and societal structures. After earning degrees from the ArtCenter College of Design and Cranbrook Academy of Art, he developed his career in graphic design, notably collaborating with Shepard Fairey’s Studio Number One before transitioning fully to fine art.

His distinctive aesthetic employs a stark, high-contrast palette—primarily black and white figures accented with red—to depict stylized, high-stakes conflict. This approach serves as a modern commentary on systemic tension and historical hierarchies. Peterson's work has been featured in major international public art initiatives, including a landmark mural beneath the Eiffel Tower for Nuit Blanche Paris and projects at the Palais de Tokyo.

Critical reception highlights Peterson's capacity to stimulate meaningful dialogue regarding complex social realities. While his confrontational subject matter frequently invites institutional debate regarding the representation of conflict in public spaces, major exhibitions have been recognized by cultural commentators for rigorously addressing the deep divisions within contemporary socio-political landscapes.


© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Cleon Peterson  or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Cleon Peterson
Eclipse
Pissers, 2018
Blood & Soil III, 2018
 Little Man / Big Man, 2018
Rule Of Law, 2018
Monument To Power (Law, Corruption and Oppression), 2019
Useless Idiot, 2019
Without Law There Is No Wrong, 2019
A just world, 2020
2020
2020
2020
2020
2020
2020
2020
World on Fire, 2020
It's Mine, 2021
On the Sunny Side of the Street, 2021
Peace - War, 2021
The Nightmare (Black), 2021
2022
Stubbed Toe, 2022
You Reaper Your Sower, 2022 
set of 2
Sirens of the Past, 2023
Speak To Me, 2023
2024
The Entertainer, 2024
2024
American Still Life: Shots Fired, 2026

Thursday, August 27, 2026

Artist of the Day, August 27, 2026 : Mara McAfee, an American illustrator and pop artist (#2616)

 Mara McAfee (1929–1984) was an American Pop artist and illustrator recognized for her highly sophisticated, satirical depictions of historical figures, high art traditions, and contemporary culture. During the 1950s, McAfee balance-funded her formal education by working as an actress and dancer. This parallel entertainment career included appearances in prominent 1955 films such as Kiss Me Deadly and My Sister Eileen, alongside television roles on The Phil Silvers Show and Groucho Marx’s You Bet Your Life.

McAfee developed a versatile classical technique by studying at the Chouinard Art Institute and the Art Students League under Frank Mason. She spent two years replicating masterpieces at the Metropolitan Museum of Art, acquiring a command of diverse styles that formed the foundation for her commercial and fine art success. Debuting at New York’s Amel Gallery in 1962, her fine art blended meticulous classical execution with modern, subversive subjects. Her paintings gained immediate traction in definitive early Pop Art movement exhibitions, including Pop Goes the Easel (1963), Mixed Media and Pop Art (1963), and Pop Art USA (1964).

By the 1970s, McAfee transitioned to prominent commercial illustration, creating highly regarded parodic cover art for National Lampoon magazine. Her illustrations frequently spoofed canonical works of Western art with sharp social commentary and a distinct feminist perspective. Notable examples of her work include her famous August 1978 "Today's Teens" cover—a Norman Rockwell style parody—and an illustrated edition of Aldous Huxley's Brave New World. This unique synthesis of academic mastery and sharp cultural irreverence defined her artistic legacy.


© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Mara McAfee or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Ms. Mara McAfee, the artist
Ms. Mara McAfee, the actress
This image shows an original theatrical release poster for the 1955 film noir classic Kiss Me Deadly
This image shows the original theatrical release poster for 
the 1956 musical comedy-crime film He Laughed Last
Marvelous Modern Mechanical Men, 1963
You'll Never Catch Me, 1963
Opening Act, 1964
Opening Act, 1964
Believe Not Every Tale, 1965
The Homecoming, 1965
Mary Shelley's Frankenstein, Cover illustration, 1976
Le Déjeuner sur l'herbe  parody, 1976
Portrait of James Cagney, 1976
Today's Teens, cover, August 1978
Wuthering High (School), 1978
Chauvinistic Fantasies, 1979
Meatballs, 1979
Sports Issue, July 1979
The Artist's Deadline, 1979
The Love Issue, November 1979
The Transformation, 1979
This image shows the back cover of the 1981 anthology book The Art of Mara McAfee
Unknown title (Featured in the Love Issue), 1979
Last Chance, 1979-81
Cover, 1980
Songs from the Stars, 1980
the Bartlett's Quotes poster, 1981
Print advertisement, 1982