Monday, September 7, 2026

Artist of the Day, September 7, 2026 : Miljenko Stančić, a Croatian painter (#2625)

Miljenko Stančić (1926 – 1977) was a seminal Croatian painter and graphic artist whose legacy profoundly shaped mid-century European art. Born in Varaždin, he became celebrated for his atmospheric, melancholic cityscapes of his hometown, which blended elements of magical realism and psychological depth. As a core member of the influential Grupa Petorice (Group of Five) in 1950s Zagreb, Stančić helped steer contemporary art away from rigid socialist realism toward highly personal, expressive freedom.

Beyond the canvas, his professional versatility extended to theater scenography, book illustration, and a distinguished academic career as a full professor at the Academy of Fine Arts, University of Zagreb. Recognized with prestigious honors like the Vladimir Nazor Award, his work remains a cornerstone of Croatian cultural heritage. Today, Stančić’s masterful use of light, shadow, and architectural form continues to inspire generations, securing his reputation as a visionary corporate and cultural icon of modern art.


© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Miljenko Stančić or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Miljenko Stančić
Metamorfoza II (Metamorphosis II), 1950-60 
Djevojka od straga (Girl's Back), 1954
Djevojke u razgovoru (Girls in Conversation), 1954
Kartaši (Card Players), 1954
Krajolik s prugom (Landscape with Railway), 1954
U interijeru (In the Interior), 1954
Crvena haljina (The Red Dress), 1955
Portret Jelice Ferić (Portrait of Jelica Ferić), 1955
Dijete s loptom (A Child With a Ball), 1956
Mrtvo dijete (Dead Child), 1956
Slikar u ateljeu (Painter in the Studio), 1958-59
Majka i dijete za stolom (Mother and Child at the Table), 1960
Muzikaši (The Musicians), 1960
Promenade, 1960
Druženje sa sviračem (Hanging Out with a Musician), 1960-65
Varaždinska veduta (Varaždin Cityscape) 1960-65
ožnja (Ride), 1960-70
Krovovi (Roofs), 1961
Krovovi / Vizura crkve) (Roofs / Church Silhouette), 1961
Varaždinska vizura (Varaždin Skyline), 1962
Varaždinski krovovi (Roofs of Varaždin), 1963
Die Musikstunde (The Music Lesson), 1965
Druženje uz svirača (At the Table with a Musician), 1965
Häuser im Licht (Houses in the Light), 1965
Majka i dijete u fotelji (Mother and Child in an Armchair), 1965
U interijeru s gitaristom (In the Interior with a Guitarist), 1965
Izlet u Sloveniju (Trip to Slovenia), 1966
Peroni (Platforms), 1966
Zeleni krajolik (Green Landscape), 1966

Dječja igra (Children's Play), 1968-69 


Saturday, September 5, 2026

Artist of the Day, September 5, 2026 : Francis Criss , an American painter (#2624)

Francis Hyman Criss  (1901 - 1973) was a distinguished American painter best recognized for his contributions to the Precisionist movement alongside contemporaries Charles Demuth and Charles Sheeler. His definitive work during the 1930s and 1940s focused on urban infrastructure, transforming skyscrapers, bridges, and elevated subway tracks into streamlined, geometric compositions. By intentional design, these cityscapes lacked human figures and utilized distorted perspectives, creating a compelling, surreal aesthetic.

While a mid-career pivot toward commercial projects—including a notable 1942 cover for Fortune Magazine—temporarily impacted his broader critical standing, his artistic legacy remains firmly secure. Today, his paintings are held in the permanent collections of major cultural institutions, including the Whitney Museum of American Art and the Brooklyn Museum. Notably, his acclaimed piece Alma Sewing, housed at the High Museum of Art, continues to receive contemporary praise as a masterwork of refined technique and structured American realism.


© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Francis Criss or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Francis Criss 
Mural Study, 1930
Untitled (Under the El), 1931
Astor Place, 1932
Americana, 1933
Jefferson Market Courthouse, 1933
Pattern for Tracks, 1933
Third Avenue El, 1933
City Landscape, 1934
City Store Fronts, 1934
Fascism, 1934
Morning in Florence, 1934
Alma Sewing, 1935
El Station, 1935
Renovations, 1935-40
Sixth Avenue El, 1937
Winter Morning, 1938
Words and Music of Two Hemispheres, 1938
Waterfront, 1940
Cold Room, 1940-42
Nembutal Broadside, 1940-45
For Every Mother's Son, 1942
Day-Shift, 1943 
detail
Day-Shift, 1943 
WWII Help Bring Them Back To You! 1943
New York Waterfront, 1944-45
Still Life with Figure, 1950
Portrait of a Woman, mid 20th Century
Jefferson Market Courthouse Portrait of the Artist, mid 20th Century
Portrait of a Woman, mid 20th Century