Friday, April 30, 2021

Artist of the Day, April 30, 2021: Daniel Egneus, a Swedish Artist, illustrator (#1271)

 Daniel Egneus (1972) was born in Sweden. Daniel has spent the last 20 years in Prague, London, Berlin, Bologna, Rome, Milano and has now made Athens, Greece his base. A prolific artist, he has had successful collaborations with writers such as Neil Gaiman on his American Gods Quartet which included more than 140 illustrations published worldwide by Headline Publishing in 2016 and clients such as Chanel/Departures Magazine to illustrate onsite The Chanel Cruise Collection 2017 in Havana, Cuba. He had collaborations with Haagen-Dasz (worldwide campaign 2008), BMW (Awarded Best Art Directed campaign in Germany 2008), Pepsi Cola Espagna (limited edition cans and bottle-design 2008), Playboy, O2 UK, Marie Claire, Time Magazine, Penguin Books, Philip Morris, Die Welt, Suddeutsche Zeitung, Random House, Drambuie Whiskey for which he gained an award in 2004 and Pori Jazz Festival for which he was voted best illustrator in March 2005 by the Assosciation of Illustrators in the UK. The children’s book The Thing written by Simon Puttock and illustrated by Daniel Egneus was voted by The Guardian as one of the 50 best illustrated books 2016. A regular collaborator with the National Theater in Greece for whom he produced illustrated theater programs for A Man for All Seasons, Mefisto and for Luigi Pirandello as well as the posters and the animated spots with director Mario Greco for Greek TV for Athens Festival and animations for The National Opera in Athens, Greece together with multi awarded director Effie Pappa.

In December of 2009 he was sponsored by Audi at Art Basel Miami where they presented an oversized book featuring his illustrations and he spent five days onsite doing live drawing.

Books published including four books with Neil Gaiman – American Gods, Anansi Boys, Black Dog and The Monarch of the Glen, Headline Publishing 2016, The Voyage of Argo by Apollonius of Rhodes and La Vita Nuova by Dante Alighieri 2015 for The Folio Society UK, The Raven Child and The Snow Witch with Linda Sunderland, Templar Publishing  2016, The Thing together with Simon Puttock for Egmont 2016 and  The Little Red Riding Hood for Harper Collins in New York 2011 and The Hot Dog-Cook Book with  Elise Milicevic in France for which he won the Prix Gourmand 2008 for “Best Illustrated Cookbook in France” and he has illustrated the Tale of Tsar Saltan by Aleksander Pushkin. In 2004 the Italian publishing house Coniglio Editore published his first collection of autobiographical comics.

Daniel is the inventor of the style “Quotidiano-Straordinario.”
He has no formal education.


© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Daniel Egneus. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only



 Daniel Egneus

 From the Little Red Ridinghood  Series - 2010

 From the Little Red Ridinghood  Series - 2010

 From the Little Red Ridinghood  Series - 2010

 From the Little Red Ridinghood  Series - 2010

 Metropolis - 2011

 Black Lady Fashion - 2012

 National Theater of Greece - 2014

 National Theater of Greece - 2014

Athens! house of dead - 2015

The Church - 2015

Athens: Night - 2015

 New Fairy tales - 2015

  The Portraits: Franz Kafka - 2015

The Portraits: George Orwell - 2015

The Portraits: Picasso - 2015

  Chanel Cruise -  2016

The Apocalypse - Manesse: Random House - 2016

Court & Spark - Fashion - 2018

 Court & Spark - Fashion - 2018

Court & Spark - Fashion - 2018

Court & Spark - Fashion - 2018
Court & Spark - Fashion - 2018

  Grand Prix de l'imaginaire - 2018

Mother Goose - Fashion - 2018

Mother Goose - Fashion - 2018

  Rod Stewart. Blood Red Roses - 2018
Arms crossed



Fashion Series

 Fashion Series

Lazy Sunday

Sahar
Smudged Lipstick and Masquerades  Series- Fashion

The impossible bowtie

The Pelican Thief and Other Stories

Thursday, April 29, 2021

Artist of the Day, April 29, 2021: Cayce Zavaglia, an American embroidery artist (#1270)

 Cayce Zavaglia received her Master in Fine Arts in painting at Washington University in 1998. Her artworks are included in collections from the Schoeni Gallery Hong Kong, the prestigious West Collection in Pennsylvania and the The Ria and Lex Daniëls Collection at the Gemeentemuseum in The Hague, Holland, to name a few. She has produced six solo shows from Miami to St. Louis to New York City. Zavaglia credits her exhibition Recto/Verso at the Contemporary Art Museum in St. Louis (2014) as a pinnacle experience, which spurred her on to exploring more large-scale works and breaking the boundaries of portraiture.

"I was originally trained as a painter, but switched to embroidery 18 years ago in an attempt to establish a non-toxic studio and create a body of work that referenced an embroidered piece I had made as a child growing up in Australia. My work focuses exclusively on the portraits of friends, family, and fellow artists. The gaze of the portrait toward the viewer has remained constant over the years and in my work...as has my search for a narrative based on both faces and facture. The work is all hand sewn using cotton and silk thread or crewel embroidery wool. From a distance they read as hyper-realistic paintings, and only after closer inspection does the work’s true construction reveal itself.

Over the years, I have developed a sewing technique that allows me to blend colors and establish tonalities that resemble the techniques used in classical oil painting. The direction in which the threads are sewn mimic the way brush marks are layered within a painting which, in turn, allows for the allusion of depth, volume, and form. My stitching methodology borders on the obsessive, but ultimately allows me to visually evoke painterly renditions of flesh, hair, and cloth.

A few years ago, I turned one of my embroideries over and for the first time saw the possibilities of a new image and path for my work that had been with me in the studio for so long but had gone unnoticed. It was the presence of another portrait that visibly was so different from the meticulously sewn front image…but perhaps more psychologically profound. The haphazard beauty found in this verso image created a haunting contrast to the front image and was a world of loose ends, knots, and chaos that could easily translate into the world of paint. This discovery led to a “return to paint” in my work and the production of a series of intimate gouache and large format acrylic paintings of these verso images. Highlighting the reverse side of my embroideries, which historically and traditionally has been hidden from the viewer, has initiated a conversation about the divergence between our presented and private selves. The production of both Recto and Verso images is now the primary focus of my studio work".


© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Cayce Zavaglia. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


Ms.  Cayce Zavaglia

  Dad, 2007
Hand Embroidery: Crewel Wool on Fabric with Acrylic Paint

 Dad verso

 Martina, 2009
Hand Embroidery: Crewel Wool and Acrylic on Linen

 Teo, 2010
Hand Embroidery: Crewel Wool and Acrylic on Linen

 Martina, 2011
Hand Embroidery: One Ply Cotton Embroidery Thread and Silk on Raw Natural Linen

Martina verso

 Raphaella, 2011
Hand Embroidery: One Ply Cotton Thread and Silk on Raw Natural Linen

Raphaella  verso

  The Welkers, 2012 
Hand Embroidery: One-Ply Cotton and Silk Thread on Raw Belgian Linen

 The Welkers verso

 Darbi, 2013
Hand Embroidery- One-Ply Cotton, Silk, and Wool with Acrylic on Belgian Linen 

 Florence, 2014
Hand Embroidery: One-Ply Cotton and Silk Thread on Belgian Linen with Acrylic

 Florence Verso

 About-Face Archival Unique, 2015
Inkjet Print on Canvas with Wool and Cotton Hand Embroidery

  Raphaella in her Winter Coat (After Alex), 2015
  Hand Embroidery: Wool on Belgian Linen with Acrylic Paint

 Raphaella in her Winter Coat (After Alex)  verso

Raphaella in her Winter Coat (After Alex) close up


 Uncle Angelo, 2015
Hand Embroidery- One-Ply Cotton and Silk Thread on Belgian Linen with Acrylic Paint

 Uncle Angelo verso

 Lorelei, 2016
Hand Embroidery: One Ply Cotton and Silk Thread on Belgian Linen with Acrylic Paint

 Lorelei verso

 Luca, 2016
Hand Embroidery: Wool and Cotton thread on Raw Belgian Linen

 Annie in Her Mom's Winter Hat, 2017
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

 Annie in Her Mom's Winter Hat  verso

 Bruce, 2018
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

 Bruce verso

 Julie, 2018
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

  Julie verso

 Matt, 2018
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

 Matt Verso

 Orlando, 2018
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

  Emmylou, 2019
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

 Emmylou verso

Luca, 2020
Hand Embroidery: Crewel Wool on Belgian Linen with Acrylic

2021 Unspoken, 2021
Hand Embroidery: Acrylic, Vintage Needlepoint, Pom Poms, Beads, Sequins,
and Costume Jewelry on Raw Belgian Linen