Wednesday, December 13, 2023

Artist of the Day, December 13, 2023: Barbara Hepworth, an English sculptor - modernism (#1982)

Dame Jocelyn Barbara Hepworth DBE (1903 – 1975),  was an English artist and sculptor, one of the most important artists of the 20th century. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.

Her father was a surveyor for West Riding County Council, and Hepworth accompanied him on his inspections of local roads and bridges.

At Wakefield Girls’ High School Hepworth was inspired by seeing images of Egyptian sculpture and encouraged by the headteacher, to apply for a scholarship to Leeds School of Art.

Following this, in 1921, she began her studies at the Royal College of Art in London.

On completing her degree in 1924, Hepworth was awarded a West Riding travel scholarship, enabling her to travel to Italy. She learnt to carve from a master-carver in Rome, where she met her first husband and fellow artist John Skeaping.

The couple returned to London in 1926 as proponents of ‘direct carving’, the practice of carving directly into wood or stone, rather than modelling sculpture in clay for a master-craftsman to then make the finished work.

Hepworth and Skeaping separated in 1931, and Hepworth became part of an artistic circle that included Henry Moore and Ben Nicholson, with whom she lived in Hampstead during the 1930s.

Representational aspects of Hepworth’s work gave way to geometric shapes, as in Pierced Hemisphere I and Two Forms.

Hepworth would later relate this shift to having triplets with Nicholson in 1934, noting that after this ‘the work was more formal, and all traces of naturalism had disappeared, and for some years I was absorbed in the relationships in space, in size and texture and weight, as well as in the tensions between the forms.’

Hepworth moved to St Ives in 1939, the same year she begun making stringed sculptures. As seen in her ‘Landscape Sculpture’ works of the late 1940s, Hepworth connected these forms to nature noting, ‘the strings were the tension I felt between myself and the sea, the wind or the hills.’ Living in close proximity to the countryside, Hepworth reflected in 1946, ‘The main sources of my inspiration are the human figure and the landscape; also the one in relation to the other.’

Hepworth took on a number of important public commissions in later life. On permanent display at The Hepworth Wakefield is the aluminium prototype for Winged Figure (1961–3), commissioned by John Lewis for their flagship store on Oxford Street, London. At nearly six metres high, this is the only working model to survive from the monumental commissions Hepworth received at this time.

Hepworth was prolific during her later years, making nearly as many works during the 1960s as between 1925 and 1960. She experimented with new materials, working in bronze, slate and printmaking noting, ‘while always remaining constant to my conviction about truth to material, I have found a greater freedom for myself’

© 2023. All content on this blog is protected by international copyright laws All images are copyrighted © by Barbara Hepworth or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Barbara Hepworth
Barbara Hepworth
Torso, ca. 1928
Infant, ca. 1929
Figure of a Woman, ca. 1929-30
 Figure, ca. 1933
Two Forms, ca. 1933
 Mother and Child, ca. 1934
Discs in Echelon, ca. 1935, cast 1959
 Three Forms, ca. 1935
Plane and Hole, ca. 1936
Forms in Echelon, ca. 1938
 Oval Sculpture (No. 2), ca. 1943, cast 1958
Landscape Sculpture, ca. 1944 cast 1961
Pelagos, ca. 1946
Tides I, ca. 1946
Bicentric Form, ca. 1949
Maquette for ‘The Unknown Political Prisoner’, ca. 1952
Corinthos, ca. 1954-55
Curved Form (Trevalgan), ca. 1956
Orpheus (Maquette 2) (Version II), ca. 1956
Figure (Nyanga), ca. 1959-60
Image II, ca. 1960
 Epidauros II, ca. 1961
Square Forms, ca. 1962
 Squares with Two Circles, ca. 1963
Pierced Form, ca. 1963-64
 Four-Square (Walk Through), ca. 1966
 Spring, ca. 1966
 Vertical Form (St Ives), ca. 1968 cast 1969
Touchstone, ca. 1969
 Two Forms (Divided Circle), ca. 1969
Oval with Two Forms, ca. 1971
Rock Face, ca. 1973

 

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