Thursday, June 27, 2024

Artist of the Day, June 27, 2024: Juan Sly, a British street artist (#2061)

Juan Sly entered his first art competition aged nine with a subtle study of an arrangement of Lupins. He won third prize. He should have won first prize but the entry was so good it was obvious, to the judges, that he had had parental help: which was ironic, because he was an orphan, and nobody gave a shit.

Juan Sly had a tough upbringing on the tough side of Tough Town. He had to fight for everything he didn't have. After boxing he did art; after football he did physics; after dark he did many things like opening locked doors especially ones on safes; but he only stole off those who deserved it. He was well known to the police but never convicted and had proved useful to them on several occasions. But then a new life in the light beckoned. It seemed as if a guiding hand was at work for him, one that could open doors even better than he could. He got a precious place at university studying physics and then on to a prestigious research position at Cern. He had everything, now, but a past.

His idea: “I’m Juan Sly, urban artist producing art for your home for the price of a poster, just for you. Spray stencil paintings are the thing - and not done on canvas, that's just too trite. Urban art ain't right unless it's sprayed on something it shouldn't. As It's difficult to get a street corner in your house these paintings are mainly sprayed onto the pages of the Daily Telegraph that have been "borrowed" from the pub. If you're lucky you might even get a half finished crossword!

It is likely that Juan Sly has become the biggest seller of original artworks in the UK. He has exhibited at the Saatchi (a proper gallery with pillars and everything!) alongside the likes of Banksy, Terry O'Neil, Tracy Emin and Vic Reeves and now has a permanent collections in Germany, Detroit and the Uk, alongside Damien Hirst and some other artists you might of heard of plus private collections around the globe.

His works rock from humour to anti-war, sex to surreal. Particularly fond of the stencil medium as it allows him to quickly respond to events and ideas and gives the work that gritty illegal look. The stencils naturally allow the works to be resprayed and so become affordable and disposable. He likes the fact that people can buy art that they like and not to show off how much they can afford. You can find them in bedsits, legal offices in the Temple or stuck to a fence in Bristol.

© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by Juan Sly or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

 YoYo Hitler
 Street Fairy
Bollard Bombas
Hey Guys!
Trash the Planet
Barbed Wire Stockings
Make my day!
The Absence of Bullets
Plagiarism
 Shit on BP
Caution
Bigger Tits and Calories
=After college results, important career decisions need
Batgay
What! Zebra
Star Whores
 Art Police
Barbs and Stripes
Dogfight dove
Other people's paintings only much cheaper Nº.12
Other people's paintings only much cheaper Nº.13
Other people's paintings only much cheaper Nº. 7
Other people's paintings only much cheaper Nº. 3
Other people's paintings only much cheaper Nº. 4
Other people's paintings only much cheaper Nº. 6
Other people's paintings only much cheaper Nº. 10
Other people's paintings only much cheaper Nº. 14
R2D2P
Scream in the Machine
Spliff King
TO$$ER$ (on The Daily Telegraph)
YES! (Blue)
Zelenskyy

Wednesday, June 26, 2024

Artist of the Day, June 26, 2024: Lewis Pagé, a Québec sculptor (#2060)

Lewis Pagé (1931 - 2007) was a Québec sculptor oscillating between figurative and impressionistic, Pagé saw these two sources as inseparable in his approach.

Lewis Pagé devoted more than forty-five years of his life to sculpture. He plunged body and soul into this profession and, over time, developed his manners and ways.

Wanting to express himself with bronze (the art foundries are non-existent in Quebec), he took courses and made trips to finally set up his foundry of private art in the city ​​of Quebec in 1968. Thereafter, he Will be enthusiastically collaborating on the start-up of Inverness's commercial art foundries .

Pagé conjugates the figurative , sometimes he approaches it , sometimes he modifies it, if necessary he invents it in his desire to sing Quebec, to say to him "I love you".

During the forty-five years that he devoted to sculpture, Lewis Pagé lived for his art and with his art, which was particularly rare in Quebec at that time. Pioneering and developing original ways and ways of working the material, he will constantly want to invent and stand out. It is this determination and this quest for authenticity, combined with a rich artistic and poetic inspiration, that will earn him a place among the great sculptors of modern Quebec.

© 2024. All content on this blog is protected by international copyright laws All images are copyrighted © by  Lewis Pagé sculptor or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


 Colloque, 1965
Ne partez pas, 1966
 Cailloudo, 1990
  La petite liseuse, 2007
Introspection, 2009
Aurore
Cantate
Concerto pour 3 cordes
Dispute philosophique
Elles arrivent
Éole
Expecto resurrectionem
Exultate
Flairer le coyotte
Grandir ensemble
Histoire interne
La marée
La perdrie
Le poete
Le temps s’arrete
Le voyage
Les demoiselles du rang 12
Les montagnes pleurent
Que le vent les emporte
Restant de pitounes
S’accrocher
Sans titre
Sans titre
Sans titre
Sans titre