Damián Ortega, 42, is based in Berlin but was born in Mexico City. Both places figure prominently in his work. Mr. Ortega cites Berlin’s transitional urban landscape as a major influence. But his art materials — from tortillas to Beetles — are often staples of Mexican life.
Largely influenced by Gabriel Orozco, Damián Ortega explores specific, economic, aesthetic and cultural situations through his sculptures, installations, videos and actions. With intellectual rigour and sense of playfulness, his pieces explore how regional culture affects commodity consumption. His sculptures are made of the wide range of mundane objects that are subjected to his distinctively ‘mischievous process of transformation and dysfunction’. His works are punning commentaries on politics, consumer culture and the process of perception that underlie material culture. Often presented in 3D displays, these everyday objects are explored through their complex social and political implications. For him, the meaning is something that is produced through various relationships and interactions.
All right reserved. © 2018, Damián Ortega
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Mr Damián Ortega |
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Untitled |
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1992, prometeo |
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1997, Obstáculo, Construcciones (autoconstruccion) |
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1997, Puente |
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1997, Tired Pickaxe metaphor of the natural |
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1998, Tortillas Construction Module |
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1999, False Movement (Stability and Economic Growth) |
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2002, Cosmic thing
Features
a Volkswagen Beetle disassembled and strung up piece-by-piece in the
manner of a repair guide, showing how the car was constructed. The work
comments on the Volkswagen’s desire to be a product by and for “the
people” (“volk” in German), but its manufacture was outsourced to Mexico
and built by laborers required to understand its operation, but who may
not be paid enough to own one themselves. | |
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2002, Cosmic thing |
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2002, Cosmic thing |
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2002, Cosmic thing |
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2002, Cosmic thing detail |
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2002, Cosmic thing |
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2004, Iglesia en rotación |
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2004, Moby Dick |
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2005, Margin of Accident - Running Gag |
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2006, Fantasma Ghost |
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2007, Being II |
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2007, Classified Cob |
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2007, Controller of the Universe |
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2007, Controller of the Universe, |
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2007, Controller of the Universe, detail |
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2007, Controller of the Universe |
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2007, Moises |
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2007, Project for Social Housing |
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2009, Bartolomeu Mitre |
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2009, Building #1 |
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2009, Champ de vision |
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2009, Champ de vision |
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2009, Do It Yourself Installation view |
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2009, Extensión, Construcciones (autoconstruccion) |
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2010, Architecture without Architects |
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2010, Architecture without Architects |
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2011 Borromeo's Knots 4 |
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Kurimanzutto, Mexico City |
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2011, Melting Point |
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2012, Congo River |
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2012, Congo River |
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2012, Fossilised |
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2012, Preserved |
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2013 Deaf torch (The inner search. Syntax) |
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2013 Dissection in the open space (Alexander Calder tool) |
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2013 History of time linear thinking |
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2013 How to See |
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2013 Mythic language organ. Object - organ, |
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2013 Technological DNA, |
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2013, Continuous fragment |
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2013, Cosmogonía doméstica |
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2013, Harvest |
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2013, How to make illusions |
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2013, Mechanism level-Speech. Complex Mechanism |
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2014, The end of material |
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2015 Transición del mono al hombre |
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2015, Physical Graffiti |
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2016, The Rocket and the Abyss, |
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