Geoffrey Ricardo (1964) is an Australian contemporary visual artist whose work focuses on his sculpture and printmaking practice.
Ricardo was born in Melbourne, Australia. He is known for his Figurative work that centres around a narrative language, Ricardo works primarily in sculpture, printmaking, etching, lithography, & painting. He was the winner of the 2009 Lorne Sculpture Exhibition. He has been a regular artist in residence at the Art Vault Mildura. His paintings, prints and sculptures are represented at the Austrlaian National Gallery in Canberra, the Art Gallery of New South Wales, the Queen Victoria Museum and Art Gallery in Tasmania, the Holmes A'Court Collection in Wetern Australia, and other regional galleries and institutions. His work is also in Many private collections.
Geoffrey Ricardo, printmaker and sculptor, employs aquatinting the entire plate and using a scraper or burnishing tool to reveal an image, usually a parable of human folly. His exhibition, A dark city narrative (2001), revealed large, complex parables of contemporary city life crammed with incident.
© 2019. All images are copyrighted © by Geoffrey Ricardo. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.
Ricardo was born in Melbourne, Australia. He is known for his Figurative work that centres around a narrative language, Ricardo works primarily in sculpture, printmaking, etching, lithography, & painting. He was the winner of the 2009 Lorne Sculpture Exhibition. He has been a regular artist in residence at the Art Vault Mildura. His paintings, prints and sculptures are represented at the Austrlaian National Gallery in Canberra, the Art Gallery of New South Wales, the Queen Victoria Museum and Art Gallery in Tasmania, the Holmes A'Court Collection in Wetern Australia, and other regional galleries and institutions. His work is also in Many private collections.
Geoffrey Ricardo, printmaker and sculptor, employs aquatinting the entire plate and using a scraper or burnishing tool to reveal an image, usually a parable of human folly. His exhibition, A dark city narrative (2001), revealed large, complex parables of contemporary city life crammed with incident.
© 2019. All images are copyrighted © by Geoffrey Ricardo. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.
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| Mr Geoffrey Ricardo |
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| 1987, Ark |
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| 1990, Kites |
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| 1990, The Game Insane |
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| 1992, Evolve |
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| 1992, Game bag |
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| 1992, Land of the Giants |
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| 1992, Scarecrow |
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| 1992, Shroud |
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| 1993, Ballad #11 |
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| 1993, Ballad Two |
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| 1993, Heart |
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| 1993, I Live and Expire (Study) |
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| 1994, Emblem |
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| 1992, Jackass |
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| 1994, Love Speaker |
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| 1994, Ramshackle |
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| 1994, The Elephant Gingham |
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| 1995, Nocturne |
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| 1996, A Bum Steer |
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| 1996, Homage to Atalaya |
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| 1996, The Galvanised Sea |
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| 1997, 144 |
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| 1997, Ballad |
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| 1997, Senewbald |
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| 1997, The Cellular City |
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| 1997, The Long Snake |
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| 1998, Gymkana |
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| 1998, Self portrait |
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| 1999, Untitled |
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| 1999, Illuminated City |
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| 1999, Love Street |
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| 1999, The Urbane Heart |
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| 2000, Untitled |
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| 2007, Forward backward |
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| 2018, The Articulations |
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| Aircraft |
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| Going Home |
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| Hand Coloured |
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| 1992, Naturalists |
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| Ramshackle |
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| Scissors-paper |
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| Sprinter's Spell |
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| Three-Headed Man |
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| 1007, Veneer Deer |
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