Murray Favro (1940) is a Canadian sculptor who lives in London, Ontario. His work that includes drawing, sculpture, performance, and installation, often incorporating slide and film projections, lighting effects, computer, and electronic technology. He is associated with London Regionalism.
Favro's work deals with the nature of perception, reality, and art itself, as well as with the insistent presence of the machine environment. He is an important figure among a significant generation of artists – Jack Chambers, Greg Curnoe and Ron Martin among them – who became active in that city in the early 1960s and drew national attention as the London Regionalism|London Regionalist School of artists. He is also well known as a founding member of the Nihilist Spasm Band.
From 1958 to 1962, he studied at H.B. Beal Technical and Commercial School, after which he enrolled in the specialized art classes offered at Beal (at the time, one of the few training schools for artists in Canada). Early on, he showed an interest in machines of all kinds, an interest that was encouraged by an uncle who was a tinkerer and inventor.
Favro began his career painting brightly colored works on masonite. A Canada Council Arts Bursary in 1970 allowed him to devote himself to quit painting to pursue his other interests – guitars, machines, airplanes, and experiments with film images and inventions. That year he developed his first successful "projected reconstruction," in which images on a slide are projected onto their wooden, white, life-sized counterparts, giving them color, detail, and identity.
The formative years of Favro’s practice in the 1960s were marked by a growing desire to collapse the boundaries between art and life. In contrast to Andy Warhol’s Factory led the American Pop Art movement of the period, Favro resisted the mass-produced image and object. He was determined instead to build, even replicate, his own ‘things’ from the materials at hand, repurposing the readymade and reasserting the relationship between object and maker.
Favro's work has been acquired for numerous public galleries and countless private collections across Canada, and has twice been the focus of comprehensive exhibitions, organized by the Art Gallery of Ontario (1983) and collaboratively by the former London Regional Art and Historical Museums and the McIntosh Gallery (1998). In 1997, he received the Gershon Iskowitz Award for career achievement. He is a 2007 recipient of the Governor General's Award in Visual and Media Arts. He is a member of the Royal Canadian Academy of Arts.
© 2019. All content on this blog is protected by international copyright laws All images are copyrighted © by Murray Favro. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Mr. Murray Favro |
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1966, Clunk |
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1970, Light bulbs |
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1970, Washing machine |
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1979, Welded steel guitar |
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1979-83, Sabre jet, 55% Size |
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1982, Guitar |
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1982, Guitar |
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1982, Guitar drawings |
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1984, Guitar #4 |
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1984, Guitar #4 |
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1993, Guitar #2 |
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1993, Guitar #1 |
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1994, Snow on steps |
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1995-96, Hydro pole |
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1997-08, Lever and wheel |
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1997-98, Wooden anvil |
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1998, Tools |
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1999, Vise |
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2000, SD40 diesel engine |
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2000, SD40 diesel engine |
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2001, Installation view of Construction Compulsion |
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2001, Installation view of Construction Compulsion |
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2006, Technical drawing |
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2010 Lathe assembly |
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2010, Lathe installation |
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2010, Lawnmower |
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2010, Shavers |
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2011, My version of a conventional shaped guitar |
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2013, Tracks |
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2014, Vice and sketch |
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Engine |
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