Charles Angrand ( 1854–1926) was a
French Neo-Impressionist painter and draftsman. He studied at the Académie de Peinture de Dessin in Rouen. In 1882, he moved to Paris and became a math teacher at the Collège Chaptal in Paris. Angrand became a founding member of the Salon des Indépendants in 1884. Throughout the 1880s, the artist painted rural subjects and street scenes.During this time, he met the Impressionist Vincent van Gogh at a café near Chaptal, and later corresponded with him. Angrand was influenced by artists like Georges Seurat and was praised by Paul Signac. He used the Divisionist method to create monochromatic works, as seen in Self-Portrait (1892). While he was active, he exhibited at the Salon des Indépendants, Galerie Druet, Durand-Ruel, and Bernheim-Jeune. He also submitted illustrations to the anarchist publication Les Temps Nouveaux. After Seurat’s death in 1891, Angrand became a recluse. He scarcely continued to make work. After World War I, he moved to Rouen and focused on making works on paper that studied light, rather than illusions in color.
Angrand’s works can be found in the collections of The Metropolitan Museum of Art, the Musée d’Orsay, the Museum of Fine Arts in Boston, the National Gallery in London, the Indianapolis Museum of Art, the Statens Museum for Kunst in Copenhagen, and the Valtion Taidemuseuo in Helsinki.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Charles Angrand or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Mr. Charles Angrand |
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Le pont de Pierre, Rouen 1880 |
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Le gardeur de dindons 1881 |
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Portrait de Maria (La soeur de l'artiste) 1882 |
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Femme trayant une vache 1883 |
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In the Garden 1884 |
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Path in the Country 1886 |
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The Western Railway at its Exit from Paris 1886 |
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Couple in the street 1887 |
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Un Accident 1887 |
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La Seine à Courbevoie: La Grande Jatte 1888 |
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Head of a Child (Emmanuel) 1888 | | |
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The Seine at Dawn 1889 |
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Fin de moisson 1890 |
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La récolte 1890 |
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Les moissonniers 1892 |
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The Annunciation to the Shepherds 1894 |
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Enfant dormant (étude) 1896 |
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Maternité 1896 |
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The Papal Palace at Avignon 1900 |
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Le Petit Port 1907
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Le triomphe des moissonneurs 1920–22
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Feeding The Chickens |
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Femme à la lessive |
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La fermière et le chat |
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Le chat sur le toit |
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Maisons dans un paysage |
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