Angela Bulloch (1966), is an artist who often works with sound and installation; she is recognized as one of the Young British Artists. Bulloch lives and works now in Berlin.
Bulloch studied at Goldsmiths' College, London (1985–1988), and was included in the Freeze Exhibition, 1988. She was nominated for the Turner Prize in 1997, part of an all-female shortlist that also included Cornelia Parker, Christine Borland, and Gillian Wearing (who won the prize that year). For the Turner Prize exhibition, Bulloch exhibited her playful artwork called Rules Series.
Bulloch has worked in multiple media, including video, installation, sculpture, painting. In particular, she has used video, sound, and light to explore pre-edited systems. Many of her works make use of biofeedback systems. Such as in her 1994 work Betaville, a machine painting vertical and horizontal stripes on a wall was triggered whenever someone sat on the bench in front of it. Bulloch has also made a number of works using Belisha beacons, which are more commonly used to illuminate pedestrian crossings.
Bulloch exhibited at the Museum of Contemporary Art Chicago in 1997. Other museum exhibitions include Kunsthaus Glarus (2001); Berkeley Art Museum and Pacific Film Archive (2003); Le Consortium, Dijon (2005); Modern Art Oxford, Vienna Secession, and The Power Plant, Toronto (2005). Her work was also included in notable group exhibitions such as The New Decor at Hayward Gallery, London; Colour Chart: Reinventing Colour 1950 to Today at Tate Liverpool and Museum of Modern Art, New York; and Theanyspacewhatever for which she created an installation for the ceiling of Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York.
Bulloch was nominated for the Turner Prize in 1997 and for the Preis der Nationalgalerie für junge Kunst in 2005.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Angela Bulloch. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
Bulloch studied at Goldsmiths' College, London (1985–1988), and was included in the Freeze Exhibition, 1988. She was nominated for the Turner Prize in 1997, part of an all-female shortlist that also included Cornelia Parker, Christine Borland, and Gillian Wearing (who won the prize that year). For the Turner Prize exhibition, Bulloch exhibited her playful artwork called Rules Series.
Bulloch has worked in multiple media, including video, installation, sculpture, painting. In particular, she has used video, sound, and light to explore pre-edited systems. Many of her works make use of biofeedback systems. Such as in her 1994 work Betaville, a machine painting vertical and horizontal stripes on a wall was triggered whenever someone sat on the bench in front of it. Bulloch has also made a number of works using Belisha beacons, which are more commonly used to illuminate pedestrian crossings.
Bulloch exhibited at the Museum of Contemporary Art Chicago in 1997. Other museum exhibitions include Kunsthaus Glarus (2001); Berkeley Art Museum and Pacific Film Archive (2003); Le Consortium, Dijon (2005); Modern Art Oxford, Vienna Secession, and The Power Plant, Toronto (2005). Her work was also included in notable group exhibitions such as The New Decor at Hayward Gallery, London; Colour Chart: Reinventing Colour 1950 to Today at Tate Liverpool and Museum of Modern Art, New York; and Theanyspacewhatever for which she created an installation for the ceiling of Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York.
Bulloch was nominated for the Turner Prize in 1997 and for the Preis der Nationalgalerie für junge Kunst in 2005.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Angela Bulloch. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Angela Bulloch |
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| West Ham: Sculpture for Football Songs 1998 |
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| power of 8 2006 |
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| Night Sky Prints: Sirius4 2008 |
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| Aluminium 4 2012 |
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| Big Yellow Drawing Machine 2012 |
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| Short Big Drama 2012 |
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| Double Ice 2013 |
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| Rolls-Royce Motor Cars promotion, 2014 |
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| Black and Red Paravent 2014 |
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| Floor scanner nine 2015 |
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| Pixel Corner Piece 2015 |
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| Almanach 16, Le Consortium, Dijon, France, 2016 |
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| Blue and Beige Stack 2016 |
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| Can Kick Venetian 2016 |
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| Heavy Metal Stack of Six: Trichrome Blue 2016 |
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| Installation View: One Way Conversation 2016 |
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| Installation view Sharjah Art Museum, 2016 |
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| Installation View: One Way Conversation 2016 |
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| Metal Stack of Six: Red, Choc & Blue 2016 |
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| Space fiction object installation view, 2016 |
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| Union Stack 2016 |
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| Heavy Metal Body Installation view, 2017 |
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| Elliptical Song Drawing Machine: Richard Of York Gave Battle In Vain 2018 |
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| Four Form Stack: Golden Copper 2019 |
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| Full Stop. Cube 2019 |
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| Heavy Metal Stack of Five: Purple Raspberry 2019 |
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| Heavy Metal Stack of Six: How Now? 2019 |
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| Heavy Metal Stack of Six: Squirrel Nut 2019 |
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