Monday, January 24, 2022

Artist of the Day, January 24, 2022: David Lenz, an American portrait painter

 David Lenz (1962) is an American portrait painter, born in Milwaukee, Wisconsin. Since 1990 he has painted portraits of Americans. Lenz won the grand prize in the 2006 inaugural Outwin Boochever Portrait Competition organized by the National Portrait Gallery. Lenz's winning entry was entitled Sam and the Perfect World.

The grandson of painter Nic Lenz, and the son of an art dealer, Lenz received a bachelor of fine arts degree from the University of Wisconsin–Milwaukee in 1985. In the spring of 1989, after four years in publishing and advertising as an art director, Lenz left commercial art to become a full-time fine artist. At first he painted landscapes based on his travels to northern Wisconsin and Quetico Provincial Park in Ontario, Canada. These early paintings were influenced greatly by Tom Uttech, a professor at the University of Wisconsin–Milwaukee, and by the luminous light quality of Hudson River School artists Albert Bierstadt, Frederic Church, and Sanford Gifford.

After moving to the east side of Milwaukee, Lenz began to paint the neighborhoods and people of the central city. The city's children, mostly African-American, very quickly became the focus of his paintings. In these works, completed between about 1990 to 2000, the hope and vitality of the children's faces contrasts starkly with the worn down reused sidewalks, streets, and houses of the central city.

In 1999, Lenz embarked on a series of paintings depicting the lives of Wisconsin dairy farmers Ervin and Mercedes Wagner. The never-ending work of dairy farming, the toll it takes on the body, and the cultural isolation of rural life are themes of this series. Between 2000 and 2005 Lenz almost exclusively painted pictures of the Wagners and their farm. This series has been exhibited extensively in regional museums throughout the Midwest. Thistles, completed in 2001, is perhaps the most widely reproduced and celebrated painting of the Wagner Farm series.

The third area of interest for the artist, paintings depicting the lives of people with intellectual disabilities, was inspired by the birth of his son Sam, who was born with Down syndrome. Lenz contemplated the series for eight years until, in the summer of 2005, he entered the first major painting of the series in the Outwin Boochever Portrait Competition.

From a short distance Lenz's paintings appear to be strikingly realistic, even to be photographs perhaps, upon closer inspection however, they are seen to be made up of thousands of brushstrokes. Lenz starts a new painting by initially working out ideas in small pencil “thumbnail” drawings. The artist then photographs all the various elements of the image individually. These are used as the main reference material for the final painting. For a major work, he also completes an extensive array of color sketches. After the composition is fully developed, the image is drawn out carefully with pencil on a stretched canvas or board. Lenz's painting technique is quite traditional; straight oil paint is applied using small round sable brushes over a primed and warmly tinted linen canvas.

Lenz's subjects are people who society has taken for granted, forgotten, or overlooked. These unsung people are portrayed in an empathic way, and the extensive landscape surrounding the subjects tells much about their lives and the community beyond. Lenz incorporates various elements as metaphors to deepen the meaning of what, on the face of it, looks very straightforward and naturalistic. Sometimes Lenz takes dramatic liberties with reality, and the use of metaphors occasionally drives the scene decidedly toward the surreal.

In “Sam and the Perfect World,” the lush and idealistic rolling hills of Wisconsin are a metaphor for a modern civil society that values perfection. Humankind has transformed the landscape for their own use, altering this Garden of Eden, and erected a barbed wire fence; poignantly separating Sam for the rest of the world. A halo around the sun is said to represent a deity looking down upon the handwork of humankind. Without idealization or sentimentality Lenz portrays his son with an enigmatic and endearing expression, his red shirt and Oshkosh overalls giving us clues that he is like any other boy, and yet he is not. “Nevertheless,” the artist says, Sam has “something very important to say.”

Lenz is influenced by the isolated figures of Edward Hopper, the regionalist sensibility of Grant Wood, and by the symbolic meaning infused in the people and objects of Andrew Wyeth.

The Outwin Boochever Portrait Competition first place award also entitled Lenz to paint a portrait of a remarkable American for the Smithsonian National Portrait Gallery's permanent collection. On May 9, 2009, the Gallery unveiled Lenz's historic portrait of Eunice Kennedy Shriver, the first portrait the Gallery has ever commissioned of an individual who had not been a U.S. President or First Lady.[ The portrait depicts Mrs. Shriver with four Special Olympics athletes and one Best Buddies participant on the beach near her Cape Cod home. In the painting from left to right are Airika Straka (Special Olympics Wisconsin), Katie Meade (Best Buddies Iowa), Andy Leonard (Special Olympics Ohio), Loretta Claiborne (Special Olympics Pennsylvania), Mrs. Shriver, and Marty Sheets (Special Olympics North Carolina).

In 2010, his commission "Wishes in the Wind", depicting three disadvantaged Milwaukee children blowing soap bubbles, was hung in the Wisconsin Governor's Mansion. In 2011, newly elected Wisconsin Governor Scott Walker removed the painting and replaced it with a 140-year-old portrait of Old Abe the War Eagle. She is the most famous of all Civil War mascots.

Besides winning the grand prize in the 2006 Outwin Boochever Portrait Competition, Lenz also was included in the 2006 Midwest Edition of New American Paintings. In 2008, Lenz was awarded a Wisconsin Visual Art Lifetime Achievement Award, and in 2009 he was inducted as a fellow of the Wisconsin Academy of Sciences, Arts and Letters.

© 2022. All content on this blog is protected by international copyright laws All images are copyrighted © by David Lenz or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only


 David Lenz

 David Lenz at work

View from North Avenue Reservoir Looking East, 1984

Riverwest, 1990

Walker's point, 1990

Hang tough, 1991

Newhall Street, 1992

The Field, 1992

No Luck Today, 1995

Near Cambridge Avenue, 1996

Milwaukee's Hope, 1997

The Shadow Across the Street, 1997

Two Girls, 1997

 Hooded Boy, 1998

 Sunrise, 1998

This is My Neighborhood (Hand-Me-Down), 1998

 Three Boys, 1998

Tugboat, 1998

The Milkhouse Door, 1999

Getting in the Cows, 2001

Thistles, 2001

Cold Front, 2002

Late Season Storm, 2002

The Sick Cow, 2002

Dairyland, 2003

Erv's Haven, 2003

Massey Ferguson, 2004

The Familiar Path, 2004

Sam and the Perfect, 2006
World First place winner of the Outwin Boochever Portrait Competition 2006,
Smithsonian National Portrait Gallery.
Permanent collection of the Milwaukee Art Museum.


Portrait of Eunice Kennedy Shriver, 2009 (detail)

Portrait of Eunice Kennedy Shriver, 2009

Wishes in the wind, 2010

Calliope Hummingbird, 2013

Youth and the Great Divide, 2016

 

2 comments:

  1. We are from Wisconsin and have seen his work in local exhibitions besides having the privilege of seeing his work on our walls to be inspired by such talent and imagination. We saw his first prize submission in D.C. in the portrait gallery and are not surprised that, of the 4000 entrants to the competition, his work was the single winner. We saw the next-best 50 submissions hung in the gallery, mingling with portraits of Presidents, and we agree that his heart-expanding portrait of his son was the perfect grand prize as determined by the judges.
    David, if you see this comment, know that we are most privileged to see your work daily from the farm, urban, and contest collections and continue to be amazed by your talents and works of incredible skill and conception.
    Gordon & Jacquie

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