Artist of the day: Artist of the Day, July 13, 2022: Carl Andre, an American minimalist sculptor (#1620)

Wednesday, July 13, 2022

Artist of the Day, July 13, 2022: Carl Andre, an American minimalist sculptor (#1620)

Carl Andre (1935) is an American minimalist artist recognized for his ordered linear and grid format sculptures. His sculptures range from large public artworks Early life

Andre was born in Quincy, Massachusetts. He completed primary and secondary schooling in the Quincy public school system and studied art at Phillips Academy in Andover, Massachusetts from 1951 to 1953. While at Phillips Academy he became friends with Hollis Frampton who would later influence Andre's radical approach to sculpture through their conversations about art and through introductions to other artists.

Andre served in the U.S. Army in North Carolina 1955–56 and moved to New York City in 1956. While in New York, Frampton introduced Andre to Constantin Brâncuși, through whom Andre became re-acquainted with a former classmate from Phillips Academy, Frank Stella, in 1958. Andre shared studio space with Stella from 1958 through 1960.

Andre has cited Brâncuși as inspiration for his early wood sculptures, but his conversations with Stella about space and form led him in a different direction. While sharing a studio with Stella, Andre developed a series of wooden "cut" sculptures (such as Radial Arm Saw cut sculpture, and Maple Spindle Exercise). Stella is noted as having said to Andre (regarding hunks of wood removed from Andre's sculpture) "Carl, that's sculpture, too."

From 1960 to 1964 Andre worked as freight brakeman and conductor in New Jersey for the Pennsylvania Railroad. The experience with blue collar labor and the ordered nature of conducting freight trains would have a later influence on Andre's sculpture and artistic personality. For example, it was not uncommon for Andre to dress in overalls and a blue work shirt, even to the most formal occasions."

During this period, Andre focused mainly on writing and there is little notable sculpture on record between 1960 and 1965. The poetry would resurface later, most notably in a book (finally published in 1980 by NYU press) called 12 Dialogues in which Andre and Hollis Frampton took turns responding to one another at a typewriter using mainly poetry and free-form essay-like texts. Andre's concrete poetry has exhibited in the United States and Europe, a comprehensive collection of which is in the collection of the Stedelijk Museum in Amsterdam.

In 1965 he had his first public exhibition of work in the Shape and Structure show curated by Henry Geldzahler at the Tibor de Nagy Gallery.

Andre's controversial Lever was included in the seminal 1966 show at the Jewish Museum in New York entitled Primary Structures.

In the late 1960s, the entrepreneur Karl Ströher from Darmstadt / Germany acquired three major works from Andre give them on loan to the Hessisches Landesmuseum Darmstadt. Peter Iden then acquired these works for the Museum für Moderne Kunst Frankfurt in 1981. The works have since been shown in various "Change of Scene" exhibitions (1992-2002) at the museum in Frankfurt and internationally.

In 1969 Andre helped organize the Art Workers Coalition. In 1972, Britain's Tate Gallery acquired Andre's Equivalent VIII, an arrangement of 120 firebricks.

The piece was exhibited several times without incident, but became the center of controversy in 1976 after being featured in an article in The Sunday Times and later being defaced with blue food dye. The "Bricks controversy" became one of the most famous public debates in Britain about contemporary art.

The gradual evolution of consensus about the meaning of Carl Andre's art can be found in About Carl Andre: Critical Texts Since 1965, published by Ridinghouse in 2008. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics.

In 1979 Andre first met artist Ana Mendieta through a mutual friendship with artists Leon Golub and Nancy Spero at AIR Gallery in New York City. Andre and Mendieta married in 1985. In 1988, Andre was tried and acquitted in the death of his wife, artist Ana Mendieta. Mendieta fell to her death from Andre's 34th story apartment window in 1985 after an argument with Andre. Andre was charged with second degree murder. He elected to be tried before a judge with no jury. In 1988 Andre was acquitted of all charges related to Mendieta's death. Andre remains a controversial figure, and museums who exhibit his work have been met with outrage from Mendieta's supporters. In 2017 protestors attended the opening of his exhibition at The Geffen Contemporary at MOCA in Los Angeles, distributing postcards that read “Carl Andre is at MOCA Geffen. ¿Dónde está Ana Mendieta?” (Spanish for "Where is Ana Mendieta?").

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