Balcomb (John Wesley) Greene (1904–1990) was an American artist and teacher. He and his wife, artist Gertrude Glass Greene, were heavily involved in political activism to promote mainstream acceptance of abstract art and were founding members of the American Abstract Artists organization. His early style was completely non-objective. Juan Gris and Piet Mondrian as well as Pablo Picasso and Henri Matisse influenced his early style. From the 1940s his work "opened out to the light and space of natural form." He painted landscapes and figure. "He discerned the pain of a man, and hewed to it integrally from beginning to end…. In his study of the figure he did not stress anatomical shape but rather its intuitive, often conflicting spirit."
Balcomb Greene contributed to modernist cause through his writings: "It is actually the artist, and only he, who is equipped for approaching the individual directly. The abstract artist can approach man through the most immediate of aesthetic experiences, touching below consciousness and the veneer of attitudes, contacting the whole ego rather than the ego on the defensive."
Balcomb Greene studied from 1922 to 1926 at Syracuse University, where he received his BA degree. In 1927 he studied English literature at Columbia University. Greene taught English literature at Dartmouth College from 1928 to 1931. In 1931 he went to Paris and studied art at the Académie de la Grande Chaumière.
Soon after his return to New York in 1933, he realized that his true interest was painting. He started "to work for the Emily Francis Contemporary Gallery, a non-profit organization that showed particular interest in American artists and had exhibited the work of Bradley Walker Tomlin and Mark Tobey." In 1935 he became the first president of the Artists Union and in 1936 the first chairman of the American Abstract Artists (AAA). In the late 1930s he was employed by the New York mural division of the Federal Art Project (WPA), and completed abstract murals for the Williamsburg Houses and the Public Health Building of the 1939 New York World's Fair. Also in 1939 and 1941 he was re-elected as chairman of American Abstract Artists, but resigned from that organization in 1942, when he began a career as a professor of art history and aesthetics.
After receiving his master's degree in art history (New York University, 1943), Greene taught at Carnegie Institute of Technology, Pittsburgh, while also continuing to pursue a career as an artist. Gertrude Greene stayed in New York, and the couple shared a studio on Montauk, Long Island, during summer breaks. Greene worked alone to pursue his solitary style but at the same time, he was familiar with the Abstract Expressionist movement. He wrote in Art News, "The Fourth Illusions, or Hunger for Genius. A picture is painted of modern art that arranges all participants into movements, like well-behaved Englishmen in clubs." In spite of his conviction, he agreed to participate in the invitational New York Painting and Sculpture Annuals organized by the New York School artists in 1954, 1955 and 1957. In 1972 he was elected into the National Academy of Design as an Associate member.
2025. All content on this blog is protected by international copyright laws All images are copyrighted © by Balcomb Greene or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Balcomb Greene |
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Balcomb Greene at work
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Untitled, circa 1935 |
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Untitled (35-14), circa 1935 |
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Untitled (35-7), circa 1935 |
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Untitled (35-4), circa 1935 |
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#10, circa 1935 |
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Untitled, circa 1937 |
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Composition, circa 1937 |
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Untitled, circa 1937 |
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Untitled, circa 1937 |
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38C7, circa 1938 |
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Balanced Moving, circa 1938 |
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Early Figure, circa 1938 |
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Collage, circa 1939 |
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Memory Forms, circa 1939 |
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Amorphous Black, circa 1939-68 |
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The Ancient Form, circa 1940 |
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This Architectural World, circa 1945 |
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Way Down Blue, circa 1945 |
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Composition: The Storm, circa 1953–54 |
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Untitled, circa 1955 |
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Figure, circa 1960 |
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Boulevard St. Germain, circa 1961 |
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Wind, Ocean, Fog (No. 2), circa 1963 |
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The Enormous Wave, circa 1964 |
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The Dark Blue Sea, circa 1966 |
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Island Harbor, circa 1969 |
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Sleeping on the Beach II, circa 1969 |
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The Cliffs, circa 1978
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Boulevard Brun |
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Débutante |
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The Ancient Land |
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