Theaster Gates (1973) is an artist whose practice finds roots in conceptual formalism, sculpture, space theory, land art, and performance. Trained in urban planning and within the tradition of Japanese ceramics, Gates's artistic philosophy is guided by the concepts of Shintoism, Buddhism and Animism - most notably honoring the "spirit within things." Foundational to Gates's practice is his custodianship and critical redeployment of culturally significant Black objects, archives, and spaces. Through the expansiveness of his approach as a thinker, maker, and builder, Gates extends the life of disappearing and bygone histories, places, traditions, and loved ones.
Gates has exhibited and performed at the Albuquerque Foundation, Sintra, Portugal (2024); The LUMA Foundation, Arles, France (2023, 2024); The New Museum, New York, (2022); The Aichi Triennial, Tokoname (2022); The Serpentine Pavilion, London (2022); The Victoria and Albert Museum, London, UK (2021); Whitechapel Gallery, London, UK (2013 and 2021); Tate Liverpool, UK (2020); Haus der Kunst, Munich (2020); Walker Art Center, Minneapolis (2019); Palais de Tokyo Paris, France (2019); Sprengel Museum Hannover, Germany (2018); Kunstmuseum Basel, Switzerland (2018); National Gallery of Art, Washington D.C., USA (2017); Art Gallery of Ontario, Canada (2016); Fondazione Prada, Milan, Italy (2016); Kunsthaus Bregenz, Austria (2016); Punta della Dogana, Venice, Italy (2013); and dOCUMENTA (13), Kassel, Germany (2012).
Gates is the recipient of numerous awards and honorary degrees including the Guggenheim Fellowship (2025); Isamu Noguchi Award (2023); National Buildings Museum Vincent Scully Prize (2023); Frederick Kiesler Prize for Architecture and the Arts (2022); an Honorary Fellowship from the Royal Institute of British Architects (2021); the World Economic Forum Crystal Award (2020); J.C. Nichols Prize for Visionaries in Urban Development (2018); Nasher Sculpture Prize (2018); Sprengel Museum Kurt Schwitters Prize (2017); and Artes Mundi 6 Prize (2015).
Gates is a professor at the University of Chicago in the Department of Visual Arts and the College. Gates also serves as the Senior Advisor for Cultural Innovation and Advisor to the Dean. Gates is Director of Artists Initiatives at the Lunder Institute for American Art at Colby College Museum of Art and the 2018/2019 Artist-in-Residence at the Getty Research Institute (GRI).
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| Theaster Gates |
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| Flag, 2012 |
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| Flag, 2012 detail |
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| Gone are the Days of Shelter and Martyr, 2014 |
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| Ground Rules (black line), 2015 |
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| Ground Rules (black line) Black-knockoff, 2015 |
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| Ground Rules (black line), 2015 |
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| Ground Rules (black line) 2015 |
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| Diagonal-bitumen bregenz, 2016 |
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| Afro, 2018 |
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| Summer tones for a fall Situation, 2018 |
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| Amalgan IV, 2019 Paris |
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| Power-figure, 2019 |
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| Sound Cube, 2019 |
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| So Bitter, This Curse of Darkness, 2019 |
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| So Bitter, This Curse of Darkness, 2019 |
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| So Bitter, This Curse of Darkness, 2019 |
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| So Bitter, This Curse of Darkness, 2019 |
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| Assembly Hall I.V., 2020 Walker Art Center |
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| Assembly Hall I.V., 2020 Walker Art Center |
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| Orb (Wharlest Jackson), 2023 |
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| Orb (Wharlest Jackson), 2023 |
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| Cross (James Chaney), 2023 |
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| Cross (James Chaney), 2023 |
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| A libation in Uncertain Times, 2024 |
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| A libation in Uncertain Times, 2024 |
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| A libation in Uncertain Times, 2024 |
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| Clay Corpus, 2025 Triennale Milano, Milan, Italy |
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| The Ever-Present Hand, 2025 Albuquerque Foundation Sintra, Portugal |
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| Two Panthers, A Rainbow and a Triangle, 2025 |
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| Two Panthers, A Rainbow and a Triangle, 2025 |
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| Every Square Needs a Circle |
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| Every Square Needs a Circle |
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