Wednesday, January 7, 2026

Artist of the Day, January 7, 2026 : Donald James Gummer, an American sculptor (#2453)

Donald James Gummer (1946) is an American sculptor. His early work concentrated on table-top and wall-mounted sculpture. In the mid-1980s, he shifted his focus to large free-standing works, often in bronze. In the 1990s, he added a variety of other materials, such as stainless steel, aluminum and stained glass. His interest in large outdoor works also led him to an interest in public art. He was married to Meryl Streep, although they have been separated since 2017.

Critic Irving Sandler (writing in Art in America, January 2005) has noted that Gummer's work is recognizably rooted in constructivism, but also writes that "in extending and deflecting Constructivist art in a new direction, Gummer has rendered it peculiarly contemporary." Sandler also writes that Gummer's works "give postmodern life to classic principles of abstract composition."

Gummer was born in Louisville, Kentucky, and grew up in Indiana. He studied at Ben Davis High School, Indianapolis, and then at the Herron School of Art from 1964 to 1966. From 1966 to 1970, he studied at the School of the Museum of Fine Arts in Boston, Massachusetts, and then completed his studies at the Yale School of Art where he received his Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA), and studied with David von Schlegell.

Gummer's first solo show was in 1973. Since then, his works have been featured at two dozen solo shows at museums and galleries around the East Coast and Midwest. His work has also been exhibited in group shows.

Gummer's commissioned works have included Primary Compass (2000), a site-specific outdoor permanent sculpture at the Butler Institute of American Art, Youngstown, Ohio, and a sculpture/fountain in Historic New Harmony, New Harmony, Indiana. The "Optimist" by Don Gummer was placed at the entrance of the Preston Arts Center, formerly the Henderson Fine Arts Center, in Henderson, Kentucky. The sculpture made of cast stainless steel with a bronze base measures 7 ft. high, 4 ft. deep and 5 ft. in width and is mounted on a six-ton Indiana limestone base. "Fear and hate are no match for love and optimism" . . . Don Gummer . . . from speech at dedication and unveiling ceremony. One stainless steel and stained glass sculpture, Southern Circle, standing 25 feet (7.6 m) tall and weighing approximately 20,000 pounds, was commissioned by the city of Indianapolis and dedicated in October, 2004. "Primary Separation", a permanent installation at the Massachusetts Museum of Contemporary Art, was completed in 2006.

Gummer married Peggy Jenel Lucas in 1967, but they divorced shortly after. He married actress Meryl Streep on September 30, 1978. They have four children: musician Henry Wolfe, and actresses Mamie Gummer, Grace Gummer, and Louisa Jacobson. It was reported in October 2023 that Gummer and Streep had been separated for more than six years. They were last seen together in 2018.

Gummer and Streep are active philanthropists who donate to a range of arts organizations and educational institutions, including Vassar College, Opus School in Harlem, and the Silver Mountain Arts Foundation. 

© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Donald James Gummer or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Donald James Gummer
Spiral Crown, 1982
The Planes of Nature, 1987

Start by Sarting, 1990
Absinthe Glass, 1991
House of Music, 1993
Passage, 1993
Reunion, 1993
The Embrace, 1994
Escape, 1995
Handle With Care, 1997
The World on Time, 1997
The Optimist, 1998
Primary compass, 2000
The Fourth Revolution, 2000
The Spiral's Beginning, 2001
Fountain for Villa Duse, 2002
Elevation, 2004
Southern Circle, 2004
House of Ideas, 2008
The Fifth Season, 2010
Equator, 2011
Open Eyes, 2011
Mondrian, 2014
Equator, 2015 Maquette
Open House, 2015
For Loiusa, 2016
Station 5, 2016 maquette
Thinking Man, 2016
Frontier, 2017
Untitled, 2021 Maquette
In front of MASS MoCA Massachusetts Museum of Contemporary Art

Tuesday, January 6, 2026

Artist of the Day, January 6, 2026 : Itō Kenji, a Japanese graphic artist (#2452)

Itō Kenji was a prolific graphic designer of post-war Japan. He was renowned for his iconic Canon logo, magazine covers, window displays, and neon light displays.

Born in Tokyo, Itō Kenji (1915-2001) studied at the Tokyo College of Industrial Arts, present-day Chiba University. After graduating in 1935, he immediately went freelance and started a long and prolific career.

He has worked in various mediums, including posters, packaging, window displays, neon signs, and over a thousand book covers.

His redesign of the Canon logo in 1953, which is still in use today, and a series of posters and packaging for the same company brought him widespread recognition.

After a successful series of posters for Canon cameras, he went on to become art director for Sankyo's monthly pharmaceutical magazine Stethoscope in 1952, designing covers for 560 issues. In 1959, he designed the first cover for Kobunsha's Kappa novels and continued the series over the next forty years.

Itō Kenji designed window displays for Mitsukoshi and Wako, high-profile department stores located in central Tokyo. His creative involvement in the trend-setting Ginza shopping area also extended to creating neon signs. His work for Matsushita Electric Industrial and NEC earned him the Mainichi Industrial Design Award in 1955 and 1965, respectively, making Itō the go-to designer for gas-filled electric signage at a time when neon lights still were a novelty.

Ginza Graphic Gallery, which presented a retrospective exhibition of his work in 2000, quotes Itō reflecting on his work: "My work lasts long. My Canon logo, made almost 50 years ago, is still being used. I've been getting orders from Kappa-novels for 40 years. And for Stethoscope, which is the subject of this exhibition, it has been almost half a century. To be able to work for the same client every month for 50 years is a designer's dream". Itō expresses his delight that the exhibition was well received by professionals and laymen alike, and adds: "I am still working on Stethoscope, and it looks as though I will continue as long as my health permits."

© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Itō Kenji or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

Itō Kenji
Idea 001, 1953 cover
1953
1954

Canon Cameras, 1954 logo
1954
Bijutsu Shuppan-Sha  July 1955
Bijutsu Shuppan-Sha September 1955
Industrial Art News – Vol. 23, No. 1, January 1955
Industrial Art News – Vol. 27, No. 2, February 1959
Design (Japan), 016, 1961
Design (Japan), 019, 1961
Industrial Art News – Vol. 30, No. 1, Spring 1962
Graphic Design 23, 1966
1986
1993
Design (Japan), 020, 1961
Design (Japan), 021, 1961