For three decades, photographer Antonio Turok has traveled through his native Mexico and Central America, capturing images that speak of the human condition in places like Nicaragua and the southern Mexican state of Chiapas.
Antonio Turok (1955) was born in Mexico City. At the age of seventeen he arrived in Chiapas, where he lived twenty-five years and began his photographic career. He was a correspondent in Nicaragua, El Salvador and Guatemala in the 1980’s. He was the first photographer to account for the Zapatista uprising, and later, in Oaxaca, he photographed the movement of the APPO. He was in New York on September 11, 2001 and has taken pictures of Mexicans in the United States and the Midwestern industrial crisis.
He recently documented the protest demonstrations in the presidential takeover of Donald Trump. He has collaborated in different publications such as Aperture, Camera Work, Crónica, La Jornada, Double Take, Paris Match, Le monde, Stern, The Independent and Proceso. His work is included in several collective books, as well as in collections from various museums and private collections. He has published the books Images of Nicaragua (1988) and Chiapas: The End of Silence / The End of Silence (Era/Aperture 1998). He obtained the Mother Jones International Fund for Documentary Photography Award in 1994, and has received scholarships from the Guggenheim Foundation and the Mexico/U.S. Culture Trust. In 2018 he obtained the Medal of Photographic Merit awarded by the Photo Library of the National Institute of Anthropology and History. He is considered one of the most important documentary photographers of our time.
© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Antonio Turok or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Antonio Turok |
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| Doña Rosa the Weaver, Chiapas, 1978 |
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| Fiesta of Santa Marta, Chiapas, 1979 |
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| Water Carriers, Zona Tojobal, Chiapas, 1980 |
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| Glorious Harvest, Chiapas, 1981 |
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| Basurero, Guatemala City, 1982 |
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| Amanecer de campaña, Nicaragua, 1983 |
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| El Muerto Olvidado, San Salvador, 1983 |
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| Fallen Soldier II, Nicaragua, 1983 |
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| Prisionero de guerra, Nicaragua, 1983 |
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| Revista del Ejército Popular, Nicaragua, 1983 |
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| The Seed, Marquis de Comillas, Chiapas, Mexico, 1983 |
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| Meat Seller, Granada, Nicaragua, 1984 |
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| Ofensiva Final, San Salvador, 1989 |
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| Stretching the Border, Tijuana, Mexico, 1989 |
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| The Women of Magdalenas, Chiapas, 1989 |
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| War Psychosis, San Salvador, 1989 |
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| Widows of Guatemala, 1989 |
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| Solar eclipse, Ocosingo, Chiapas, Mexico, 1991 |
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| EZLN, Chiapas, Mexico, 1994 |
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| Mujeres Zapatistas, Chiapas, 1994 |
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| Sub Comandante Marcos, Chiapas, Mexico, 1994 |
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| Subcomandante Marcos, mountains of southeastern Mexico, Chiapas, 1994 |
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| 9-11 NYC, 2001 |
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| Collapse of Twin Towers, New York, USA, 2001 |
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| My house is not a brothel, Oaxaca de Juárez, Mexico, 2006 |
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| Young Warriors, Oaxaca de Juárez, Mexico, 2006 |
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| Polvo de Estrellas (Star Dust), 2014 |
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| It is the Times Lord (The Mineral Fenix of Wells), 2015 |
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| The Wall, Washington D.C., 2017 |
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| Welcome, Mr. Trump, Washington, D.C., 2017 |
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| Amanecer en Sand Bay, Nicaragua, 2020 |
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| Estero, Estuary where the river meets the sea, 2024 |
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