Ivan Meštrović (1883 – 1962) was a Croatian sculptor, architect, and writer. He was the most prominent modern Croatian sculptor and a leading artistic personality in contemporary Zagreb. He studied at Pavao Bilinić's Stone Workshop in Split and at the Academy of Fine Arts Vienna, where he was formed under the influence of the Secession. He traveled throughout Europe and studied the works of ancient and Renaissance masters, especially Michelangelo, and French sculptors Auguste Rodin, Antoine Bourdelle and Aristide Maillol. He was the initiator of the national-romantic group Medulić (he advocated the creation of art of national features inspired by the heroic folk songs). During the First World War, he lived in emigration. After the war, he returned to Croatia and began a long and fruitful period of sculpture and pedagogical work. In 1942 he emigrated to Italy, in 1943 to Switzerland and in 1947 to the United States. He was a professor of sculpture at the Syracuse University and from 1955 at the University of Notre Dame in South Bend, Indiana.
Most of his early works of symbolic themes were formed in the spirit of the Secession, some of which, like the Well of Life, show impressionist restless surfaces created under the influence of Rodin's naturalism, and the second, reviving national myth, become stylized monumental plastics. Before the First World War, he left pathetic epic stylization, expressing increasingly emotional states, as evidenced by the wooden reliefs of biblical themes made in a combination of Archaic, Gothic, Secessionist and Expressionist styles. During the 1920s and 1930s, the classical component prevailed in his works. In this period, he created a number of public monuments of strong plastic expression, pronounced and legible shapes.
Meštrović achieved works of strong plastic value in the construction-sculptural monuments and projects, mostly with central layout. He also designed a memorial church of King Zvonimir in Biskupija near Knin inspired by old Croatian churches, a representative family palace, today the Ivan Meštrović Gallery, and reconstructed renaissance fortified mansion Crikvine-Kaštilac in Split.
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| Ivan Meštrović |
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| Well of Life, c.1905 |
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| Miloš Obilić, c.1908 |
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| Widow, c.1908 |
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| Portrait of Marko Nakić, c.1910 |
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| Sphinx, c.1911 |
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| Christ on the Cross, c.1913 |
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| The Apparition, c.1913 |
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| St. John the Baptist, c.1914 |
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| Annunciation, c.1915 |
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| St. Luke the Evangelist, c.1915 |
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| Domagoj's Archers, c.1917 |
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| Madonna and Child, c.1917 |
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| Woman at Prayer, c.1917 |
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| Girl Playing a Mandolin, c.1918 |
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| Girl with a Lute, c.1918 |
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| King Petar I. Karadjordjevic, c.1920s |
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| Portrait of King Alexander I Karađorđević, c.1922 |
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| Bust of Josip Juraj Strossmayer, c.1923-24 |
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| Contemplation, c.1924 |
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| Portrait of Milica Banać The Muse, c.1925 |
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| Seated Girl, c.1925 |
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| Study of an Angel, c.1925 |
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| Girl with harp, c.1927 |
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| In Despair, c.1927 |
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| Pensive Woman, c.1927 |
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| Psyche, c.1927 |
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| Girl with a Lute, c.1927-28 |
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| The Bowman and the Spearman, c.1928 |
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| Gregory of Nin, c.1929 |
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| History of the Croats, c.1932 |
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| History of the Croats, c.1932 |
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