Lubaina Himid CBE RA (1954) is a pioneering British artist, curator, and academic whose work centers on cultural history, identity reclamation, and activism. Born in the Zanzibar Sultanate in 1954, she moved to Britain as an infant and later studied Theatre Design at the Wimbledon College of Arts before earning a master's degree in Cultural History from the Royal College of Art.
As a leading figure in the 1980s British Black Arts Movement, Himid curated groundbreaking exhibitions like The Thin Black Line and Into the Open, which heavily championed black women artists and a new generation of black British creators.
Her own artistic practice features vivid, large-scale installations—such as Naming the Money, a crowd of 100 life-sized cutouts representing enslaved Africans in European courts—that contrast striking visuals with poignant historical truths. Her immense contributions to the art world earned her the Turner Prize in 2017, a CBE in 2018, and selection by the British Council to represent the United Kingdom at the 2026 Venice Biennale.
© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Lubaina Himid or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Ms. Lubaina Himid |
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| East Wing West Wing, 1997-98 |
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| Tide Change, 1998 |
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| Naming the Money: Kwesi, 2004 |
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Naming the Money, 2004 installation view |
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Naming the Money, 2004 installation view |
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| Swallow Hard: The Lancaster Dinner Service, 2007 |
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| Jelly Mould Pavilions for Liverpool, 2010 |
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| Leave the State of Unbelonging, 2013 |
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| Striped Bridge, 2013 |
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| Drowned Orchard - Secret Boatyard, 2014 |
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| Le Rodeur: The Exchange, 2016 |
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| 2016 |
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| Take the Freedom Ride Home, 2016 |
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| Ball on Shipboard, 2018 |
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| 2018 |
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| 2018 |
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| 2018 |
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| Birdcage, 2019 |
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| Five Conversations, 2019 |
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| Six Tailors, 2019 |
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| The Lady with the Lavender Hat, 2019 |
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| Theatre Of The Divine, 2019 |
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| Birdsong Held Us Together, 2020 |
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| The Blanket of Reasonable Luxury, 2020 |
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| Bittersweet, 2021 |
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| Jelly Mould Pavilions for London, 2021 |
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| Bitter Battles, 2023 |
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| Their Elegance Will Astonish You, 2025 |
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