Jared Joslin (1970) is a contemporary American figurative and surrealist painter known for crafting highly stylized, narrative-driven works that bridge the history of 20th-century realism with 21st-century dreamscapes.
Born in Fort Collins, Colorado, Joslin trained at the School of the Art Institute of Chicago and has developed a reputation for technical precision, primarily working in oil on canvas alongside meticulous charcoal, pastel, and pencil drawings. His art explores a deeply sensual, nostalgic past, pulling viewers into gilded portals of Weimar-era nightlife, Dust Bowl carnivals, and pre-code Hollywood glamour
© 2026. All content on this blog is protected by international copyright laws All images are copyrighted © by Jared Joslin or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only

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| Jared Joslin Self portrait |
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| The Departure, 2025 |
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| The Citizen (A Portrait of Tony Fitzpatrick), 2025 |
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| Dancing shoes, 2025 |
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| Birdhouse, 2025 |
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| Sadie Night, 2023 |
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| Sadie Night, 2023 |
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| Black Diamond, 2023 |
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| The Monkey Who Longed to Fly, #4, 2021 |
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| Naomi, 2017 |
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| Strongman (also referred to as Carny Self Portrait) 2008 |
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| Black Mask, 2008 |
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| The Gilded Stage (also referred to as Sleeping Beauty), 2005 |
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| Ranunculus, 2005 |
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| Masquerade Ball, 2005 |
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| Float, 2005 |
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| Factory Daydreamer, 2005 |
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| Factory Daydreamer, 2005 |
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| Anthurium, 2005 |
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| The Queen of Clowns, 2004 |
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| The Gilded Cage, 2004 |
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| Knife Thrower, 2004 |
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| The Garden Party, 2003 |
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| Pinocchio, 2003 |
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| Nymph, 2003 |
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| Handful of Worms, 2003 |
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| Contortionist, 2003 |
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| Clown Marotte, 2003 |
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| Carny Self Portrait, 2003 |
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| Sadie, 2001 |
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| Violet, 2000 |
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| Circus Self Portrait (with Greyhound), 1998 |