Grant Wood (1891 – 1942) is Iowa’s most famous artist and his painting American Gothic is one of America’s most famous paintings. Wood was born on a farm near Anamosa in 1891 but moved to Cedar Rapids when he was ten years old after the death of his father. From then on, Wood lived most of his life in Cedar Rapids or Iowa City, dying of cancer the day before his 51st birthday.
Wood was trained as a craftsman and designer as well as a painter. After spending a year at the Académie Julian in Paris, he returned to Cedar Rapids, Iowa, where in 1927 he was commissioned to do a stained-glass window. Knowing little about stained glass, he went to Germany to seek craftsmen to assist him. While there he was deeply influenced by the sharply detailed paintings of various German and Flemish masters of the 16th century. Wood subsequently abandoned his Impressionist style and began to paint in the sharply detailed, realistic manner by which he is now known.
A portrait of his mother in this style, Woman with Plants (1929), did not attract attention, but in 1930 his American Gothic caused a sensation when it was exhibited at the Art Institute of Chicago. The hard, cold realism of this painting and the honest, direct, earthy quality of its subject were unusual in American art. The work ostensibly portrays a farmer and his daughter—modelled for Wood by his dentist, B.H. McKeeby, and Wood’s sister, Nan—in front of their farmhouse. As a telling portrait of the sober and hardworking rural dwellers of the Midwest, the painting has become one of the best-known icons of American art.
The meaning of American Gothic has been subjected to scrutiny since Wood painted it. Was it meant to be an homage to the strong values in the Midwest or was it a satire? Is it a husband and wife or a father and daughter? Wood’s own statements on its meaning were wishy-washy, leading to further ambiguity and debate. Open to so much interpretation, the American Gothic trope lent itself to countless parodies in popular culture as well as in the political arena, in advertisements, in television shows such as The Simpsons, in albums, in comic books, on magazine covers, and by Jim Henson’s Muppets.
Wood became one of the leading figures of the Regionalist movement. Another well-known painting by him is Daughters of Revolution (1932), a satirical portrait of three unattractive old women who appear smugly satisfied with their American Revolutionary ancestry. In 1934 Wood was made assistant professor of fine arts at the University of Iowa, Iowa City. Among his other principal works are several paintings illustrating episodes from American history and a series of Midwestern rural landscapes that communicate a strong sense of American ambience by means of a skillful simplification of form.
Wood was trained as a craftsman and designer as well as a painter. After spending a year at the Académie Julian in Paris, he returned to Cedar Rapids, Iowa, where in 1927 he was commissioned to do a stained-glass window. Knowing little about stained glass, he went to Germany to seek craftsmen to assist him. While there he was deeply influenced by the sharply detailed paintings of various German and Flemish masters of the 16th century. Wood subsequently abandoned his Impressionist style and began to paint in the sharply detailed, realistic manner by which he is now known.
A portrait of his mother in this style, Woman with Plants (1929), did not attract attention, but in 1930 his American Gothic caused a sensation when it was exhibited at the Art Institute of Chicago. The hard, cold realism of this painting and the honest, direct, earthy quality of its subject were unusual in American art. The work ostensibly portrays a farmer and his daughter—modelled for Wood by his dentist, B.H. McKeeby, and Wood’s sister, Nan—in front of their farmhouse. As a telling portrait of the sober and hardworking rural dwellers of the Midwest, the painting has become one of the best-known icons of American art.
The meaning of American Gothic has been subjected to scrutiny since Wood painted it. Was it meant to be an homage to the strong values in the Midwest or was it a satire? Is it a husband and wife or a father and daughter? Wood’s own statements on its meaning were wishy-washy, leading to further ambiguity and debate. Open to so much interpretation, the American Gothic trope lent itself to countless parodies in popular culture as well as in the political arena, in advertisements, in television shows such as The Simpsons, in albums, in comic books, on magazine covers, and by Jim Henson’s Muppets.
Wood became one of the leading figures of the Regionalist movement. Another well-known painting by him is Daughters of Revolution (1932), a satirical portrait of three unattractive old women who appear smugly satisfied with their American Revolutionary ancestry. In 1934 Wood was made assistant professor of fine arts at the University of Iowa, Iowa City. Among his other principal works are several paintings illustrating episodes from American history and a series of Midwestern rural landscapes that communicate a strong sense of American ambience by means of a skillful simplification of form.
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| Mr Grant Wood |
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| 1932, Self-portrait |
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| 1919, Old stone and barn |
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| 1919, The landscape of Autumn |
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| 1920 The Cafe of Paris corner |
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| 1920, City gate of Paris |
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| 1920, Conduit |
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| 1920, Osier |
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| 1920, The Church of Paris |
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| 1920, The Gate within the city walls |
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| 1923, The tree |
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| 1923, Untitled, from suite Savage Iowa (Buffalo Stampede) |
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| 1924, The canterer of Luxembourg Park |
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| 1924, The rods of house |
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| 1924, The Spotted Man |
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| 1924, Vegetable Farm |
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| 1926, Old shoes |
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| 1926, The little chapel Chancelade |
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| 1928, The Sun shine on the Corner |
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| 1929, John B. Turner Pioneer |
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| 1929, Woman with plants |
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| 1930, American Gothic |
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| 1930, The models for American Gothic (his sister and his dentist) |
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| 1930, Arnold comes of age |
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| 1930, Sketch for house in American Gothic |
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| 1930, Stone City Iowa |
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| 1931, Appraisal |
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| 1931, fall plowing, 1931 |
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| 1931, Plaid Sweater |
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| 1931, The Birthplace of Herbert Hoover (detail) |
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| 1931, The Birthplace of Herbert Hoove |
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| 1931, The Midnight Ride of Paul Revere |
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| 1931, Young Corn |
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| 1932, Arbor Day |
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| 1932, Daughters of Revolution |
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| 1932, Spring's Oak |
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| 1933, Portrait of Nan |
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| 1934, Dinner for Threshers |
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| 1934, The Crik |
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| 1935, Death on the Ridge Road |
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| 1936, Plowing |
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| 1937, Seed time and harvest |
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| 1939, A short break from pasture work |
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| 1939, In the Spring |
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| 1939, March |
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| 1939, New Road |
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| 1939, Parson Weem's fable |
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| 1940, Grant wood February, 1940 |
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| 1940, January |
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| 1940, Sentimental ballad |
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| 1940. Approaching storm |
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| 1941, Iowa View |
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| 1941, Spring in the country |
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| 1942, Spring |
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