Lester Thomas Beall (1903 – 1969) was an American graphic designer notable as a leading proponent of modernist graphic design in the United States. He was a man with a very technology-oriented background
Lester Beall graduated with a Ph.D. in the History of Fine Art and the years following his graduation found him expressing an interest in modern art movements such as Surrealism, Constructivism, and Dadaism. His work as an advertiser and graphic designer quickly gained international recognition and the most productive years of his career, during the 1930s and 40s, saw many successes in both fields.
According to his online AIGA biography: "Through the 1930s and 1940s, Beall produced innovative and highly regarded work for clients including the Chicago Tribune, Sterling Engraving, The Art Directors Club of New York, Hiram Walker, Abbott Laboratories and Time magazine. Of particular interest was his work for the Crowell Publishing Company which produced Colliers magazine. The promotional covers "Will There Be War?" and "Hitler's Nightmare" are powerful designs which distill messages of the time. In these works, he utilizes angled elements, iconic arrows, silhouetted photographs, and dynamic shapes, all of which captures the essence of his personal style of the late 1930s. Also of interest in this period are the remarkable poster series for the United States government's Rural Electrification Administration."
His clear and concise use of typography was highly praised both in the United States and abroad. Throughout his career, he used bold primary colors and illustrative arrows and lines in a graphic style that became easily recognizable as his own. He eventually moved to rural New York and set up an office, and home, at a premise that he and his family called "Dumbarton Farm". He remained at the farm until his death in 1969.
Apparent from his drawings Beall's personal style was amongst the first in his time period to use a unique technique of using each stroke to outline his subject matter giving it dept and shape with each sweep of his hand. These are the very original magnificent examples of early abstract expressionism that later became staples of the famous De Kooning and other styles.
© 2019. All images are copyrighted © by Lester Beall or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.
Lester Beall graduated with a Ph.D. in the History of Fine Art and the years following his graduation found him expressing an interest in modern art movements such as Surrealism, Constructivism, and Dadaism. His work as an advertiser and graphic designer quickly gained international recognition and the most productive years of his career, during the 1930s and 40s, saw many successes in both fields.
According to his online AIGA biography: "Through the 1930s and 1940s, Beall produced innovative and highly regarded work for clients including the Chicago Tribune, Sterling Engraving, The Art Directors Club of New York, Hiram Walker, Abbott Laboratories and Time magazine. Of particular interest was his work for the Crowell Publishing Company which produced Colliers magazine. The promotional covers "Will There Be War?" and "Hitler's Nightmare" are powerful designs which distill messages of the time. In these works, he utilizes angled elements, iconic arrows, silhouetted photographs, and dynamic shapes, all of which captures the essence of his personal style of the late 1930s. Also of interest in this period are the remarkable poster series for the United States government's Rural Electrification Administration."
His clear and concise use of typography was highly praised both in the United States and abroad. Throughout his career, he used bold primary colors and illustrative arrows and lines in a graphic style that became easily recognizable as his own. He eventually moved to rural New York and set up an office, and home, at a premise that he and his family called "Dumbarton Farm". He remained at the farm until his death in 1969.
Apparent from his drawings Beall's personal style was amongst the first in his time period to use a unique technique of using each stroke to outline his subject matter giving it dept and shape with each sweep of his hand. These are the very original magnificent examples of early abstract expressionism that later became staples of the famous De Kooning and other styles.
© 2019. All images are copyrighted © by Lester Beall or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only.
Mr Lester Beall |
Don't Let Him Down! 1941 |
1941, US Housing Authority Cross out slums poster |
1941, US Housing Authority poster |
CCA Missouri poster |
Connecticut General cover |
Scope, v2 #4 cover |
Fortune, 11-1954 cover |
Scope, December cover |
Scope, Volume 2 #6 cover |
Scope Madazine cover |
Torrington Manufacturing cover |
Fortune, April 1946 cover |
Fortune, April 1947 cover |
GE Wind energy |
GE Wind Spirit |
International paper logo |
SS America Logo |
Photo engraving |
Photo engraving |
REA, Better home Poster |
REA, Here it comes Poster |
REA, Radio Poster |
Alabama Help Poster |
Alabama Help Poster |
Alabama Help Poster |
Alabama Relief Poster |
CCMA Poster |
Freedom pavilion Poster |
REA Poster |
REA Farm work Poster |
REA Heat Cold Poster |
REA Light Poster |
REA Power defense Poster |
REA Power of the farm Poster |
REA Running water Poster |
REA Rural industries Poster |
REA Wash Day Poster |
REA When I think back Poster |
SS America Poster |
What's new Poster |
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