Fernando Botero Angulo (1932) is a figurative artist and sculptor from Medellín, Colombia. His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece.
Fernando Botero attended a matador school for several years in his youth, and then left the bull ring behind to pursue an artistic career. Botero's paintings were first exhibited in 1948, when he was 16 years old, and he had his first one-man show two years later in Bogota.
Botero's work in these early years was inspired by pre-Colombian and Spanish colonial art and the political murals of Mexican artist Diego Rivera. Also influential were the works of his artistic idols at the time, Francisco de Goya and Diego Velázquez. By the early 1950s, Botero had begun studying painting in Madrid, where he made his living copying paintings hanging in the Prado and selling the copies to tourists.
Throughout the 1950s, Botero experimented with proportion and size, and he began developing his trademark style—round, bloated humans and animals—after he moved to New York City in 1960. The inflated proportions of his figures, including those in Presidential Family (1967), suggest an element of political satire, and are depicted using flat, bright color and prominently outlined forms—a nod to Latin-American folk art. And while his work includes still-lifes and landscapes, Botero has typically concentrated on his emblematic situational portraiture.
After reaching an international audience with his art, in 1973, Botero moved to Paris, where he began creating sculptures. These works extended the foundational themes of his painting, as he again focused on his bloated subjects. As his sculpture developed, by the 1990s, outdoor exhibitions of huge bronze figures were staged around the world to great success.
© 2019. All content on this blog is protected by international copyright laws All images are copyrighted © by Fernando Botero. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
Fernando Botero attended a matador school for several years in his youth, and then left the bull ring behind to pursue an artistic career. Botero's paintings were first exhibited in 1948, when he was 16 years old, and he had his first one-man show two years later in Bogota.
Botero's work in these early years was inspired by pre-Colombian and Spanish colonial art and the political murals of Mexican artist Diego Rivera. Also influential were the works of his artistic idols at the time, Francisco de Goya and Diego Velázquez. By the early 1950s, Botero had begun studying painting in Madrid, where he made his living copying paintings hanging in the Prado and selling the copies to tourists.
Throughout the 1950s, Botero experimented with proportion and size, and he began developing his trademark style—round, bloated humans and animals—after he moved to New York City in 1960. The inflated proportions of his figures, including those in Presidential Family (1967), suggest an element of political satire, and are depicted using flat, bright color and prominently outlined forms—a nod to Latin-American folk art. And while his work includes still-lifes and landscapes, Botero has typically concentrated on his emblematic situational portraiture.
After reaching an international audience with his art, in 1973, Botero moved to Paris, where he began creating sculptures. These works extended the foundational themes of his painting, as he again focused on his bloated subjects. As his sculpture developed, by the 1990s, outdoor exhibitions of huge bronze figures were staged around the world to great success.
© 2019. All content on this blog is protected by international copyright laws All images are copyrighted © by Fernando Botero. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Mr Fernando Botero |
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| 1973, Rooster |
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| 1976, The Big Hand |
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| 1981, Dog |
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| 1981, Mujer |
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| 1981, Seated Woman |
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| 1985, Woman on a chair |
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| 1986, Mujer fumando |
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| 1987, cat |
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| 1987, cat |
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| 1987, Woman with mirror |
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| 1988, Bird |
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| 1988, La pensée |
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| 1988, Little Bird |
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| 1989, The Lovers |
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| 1990, La baigneuse |
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| 1992, Horse |
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| 1992, Male Torso with Leaf |
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| 1992, Man on Horse |
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| 1996, Reclining woman |
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| 1998, Woman on a horse |
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| 1999, Mother and child |
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| 2001, Dressed Woman |
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| 2003, Adam and Eve |
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| 2006, Dancer |
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| 2007, Raptor d'Europa |
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| 2010, Maternidad |
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| 2010, Uomo a Cavallo (Man on a Horse) |
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2010, Uomo a Cavallo (Man on a Horse) |
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| 2011, Ballerina |
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| 2012, Dancers |
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| 2012, Donna seduta con mela |
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| 2012, Donna seduta con mela |
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| 2013, Cavallo (Horse) |
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| 2014, Rapto d'Europa |
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| Roman Warrior |
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| Woman with cigarette |
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