The daughter of Frida Hochberger and Louis Stern, Grete Stern was born in Elberfeld, Germany. She often visited family in England and attended primary school there. After reaching adulthood, from 1923 to 1925 she studied graphic arts at the Kunstgewerbeschule, Stuttgart, but after a short term working in the field she was inspired by the photography of Edward Weston and Paul Outerbridge to change her focus to photography. Relocating to Berlin, she took private lessons from Walter Peterhans.
In 1930 Stern and Ellen Rosenberg Auerbach founded ringl+pit, a critically acclaimed, prize-winning Berlin based photography and design studio. They used equipment purchased from Peterhans and became well known for innovative work in advertising. The name ringl+pit is after their childhood nicknames (Ringl for Grete, Pit for Ellen).
Intermittently between April 1930 and March 1933, Stern continued her studies with Peterhans at the Bauhaus photography workshop in Dessau, where she met the Argentinian photographer Horacio Coppola. In 1933 the political climate of Nazi Germany led her to emigrate with her brother to England, where Stern set up a new studio, soon to resume her collaboration there with Auerbach.
Stern first traveled to Argentina in the company of her new husband, Horacio Coppola in 1935. The newlyweds mounted an exhibition in Buenos Aires at Sur magazine, which according to the magazine, was the first modern photography exhibition in Argentina. In 1958, she became a citizen of Argentina.
In 1948 Stern began working for Idilio, an illustrated women's magazine, targeted specifically at lower/lower-middle class women. In the late 1940s and early 1950s, Stern created Los Sueños as illustrations for the woman's magazine Idilio and its column "El psicoanálisis te ayudará" (Psychoanalysis Will Help You). Readers were encouraged to submit their dreams to be analyzed by the 'experts' as an aid for its readers to dins "self-knowledge and self-aid that would help them succeed in love, family and work". Each week, one dream would be selected, analyzed in depth by the expert, Richard Rest, and then illustrated by Stern through photomontage. Stern created about 150 of these photomontages, of which only 46 survive in negatives. Stern's photomontages are surreal interpretations of the readers' dreams that often subtly pushed back on the traditional values and concepts in Idilio magazine by inserting feminist critique of Argentinian gender roles and the psychoanalytic project in her images. The Idilio series has often been compared to Francisco Goya's Sueños drawings, a series of preliminary drawings for his later body of work, Los Caprichos; they have also been directly compared to Los Caprichos themselves.
Stern provided photographs for the magazine and served for a stint as a photography teacher in Resistencia at the National University of the Northeast in 1959 and continued to teach until 1985.
In 1985, she retired from photography, but lived another 14 years until 1999, dying in Buenos Aires on 24 December at the age of 95.
In 1995 documentarian Juan Mandelbaum made a documentary about Studio Ringl + Pit, which was reviewed in the New York Times In 2005 her work was the subject of an exhibition at New York's Museum of Modern Art called "From Bauhaus to Buenos Aires: Grete Stern and Horatio Coppola."
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Grete Stern or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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| Ms. Grete Stern |
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| Self portrait 1946-47 |
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| D.L.H.. 1925 |
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| Profile of a Woman Berlin, 1928 |
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| Hat and Gloves 1930 |
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| Columbus’s Egg 1930 |
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| Soapsuds 1930 |
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| Petrol Hahn 1931 |
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| Gyula Kosice 1945 |
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| Photomontage for Madí, Ramos Mejía Argentina, 1946-47 |
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| Dream Nº 6: Untitled 1948 |
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| dilio N° 10: Niño Flo 1948 |
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| Dream Nº 43 1948 |
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| Dream Nº 44: La acusada 1948 |
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| Dream Nº 5 1948 |
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| Dream Nº 6: Dream of animals 1948 |
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| Dream Nº 18: Café Concert 1948 |
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| Dream Nº 22: Last Kiss 1949 |
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| A dream of danger 1949 |
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| Electrical items for the home 1949 |
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| Dream Nº 35: Untitled 1949 |
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| Dream Nº 15 1949 |
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| Dream Nº 3: Untitled 1949 |
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| Dream Nº 7: Who Will She Be? 1949 |
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| Dream Nº 29 1949 |
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| Dream Nº 37 1949 |
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| Dream N° 13: Consentimiento 1949 |
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| Dream Nº 25: Perspectiva 1949 |
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| Dream Nº 39 1949 |
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| Drean Nº 2: En el andén 1949 |
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| Dream Nº 31: Made in England 1950 |
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| Dream Nº 84: Evasion 1950 |
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| Dream Nº 61: Los suenos de desastres cosmicos 1950 |
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| Dream Nº 5: Botella del mar 1950 |
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| Dream Nº 16: Mermaid 1950 |
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| Dream Nº 26: The Eternal Eye 1951 |
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