Ann Van Hoey (1956) was born in Mechelen, Belgium. After graduating with the Master in Applied Economic Sciences at the University of Antwerp, she trained as a potter at the Institute for Arts and Craft in her hometown, Mechelen. There she started her own workshop in 2006 and since then her work has been rewarded with many international prizes and is represented in the permanent collections of the Museum of Arts and Design (MAD), New York; Royal Museum of Art and History (KMKG), Brussels; Musée Ariana, Geneva; and the Museo Internazionale delle Ceramiche, Faenza , among others.
Ann Van Hoey takes basic spatial forms as her starting point. Enchanted by the geometrical design of Japanese zen gardens of stones and inspired by the Japanese art of origami, she developed the technique of folding thin sheets of clay.
In fact, she cuts to recompose. The geometric placing of the incisions dictates the guiding outlines of the resulting reshape of the perfect simplicity of the hemisphere, thus suggesting a growing tension between the restructured object and the perception of spatial capacity, steeped in the interplay between its paper-thin delicacy and the crude aesthetics of the raw earth. And while the cuts are straight, they are warped, bending and curving, to the convexity of the bowl.
The result is a deliberately minimalistic demonstration of purity, form, sobriety, efficiency and clarity of line, a paragon of geometric and mathematical relentlessness, from which the power of the basic material, clay, radiates.
"Clay as colour, because clay ís colour."
Building upon the shapely language that she uses while crafting her bowls, Ann now also creates closed volumes. These come in a totally different raw material, very much contrasting with the light and fragile nature of her ceramics. This time she chose a heavy and unbreakable substance: bronze.
© 2020. All content on this blog is protected by international copyright laws All images are copyrighted © by Ann Van Hoey or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Ms. Ann Van Hoey
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vessel, N°1
2011
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The Earthenware Ferrari
2013
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Papier mâché series
2014
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Earthenware Ferrari, N°6
2016
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Bronstijd
Bronze Object, 2016
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Bronstijd
Bronze Object detail, 2016 |
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The Earthenware Ferrari, N°7
2016
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The Earthenware Ferrari, N°7
2016 |
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The Earthenware Ferrari, N°9
2016 |
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Sans titre, N°12
2017
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sans titre, N°15
2017
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The Earthenware Ferrari
2017
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The Earthenware Ferrari, N°25
2017
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The Earthenware Ferrari, N°25
2017 |
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The Earthenware Ferrari, N°25
2017 |
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2017 The Earthenware Ferrari, N°23
terre cuite et laque, 2017
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The Gathering Gate
A permanent installation at the Yingge Ceramics Museum, Taiwan, 2017
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The Gathering Gate
A permanent installation at the Yingge Ceramics Museum, Taiwan, 2017 |
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Convexity
Bronze Object, 2018
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Bronze Object, 2019
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Céramique
2019
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Céramique
2019 |
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A+A bowls
for Serax
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A+A bowls
for Serax |
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A+A bowls
for Serax |
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A+A bowls
for Serax |
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A+A bowls
for Serax |
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Sans titre
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Puls ceramics
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| Puls ceramics |
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| Puls ceramics |
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