Erwin Blumenfeld (1897 –1969) was an American photographer of German origin. He was born in Berlin, and in 1941 emigrated to the United States, where he soon became a successful and well-paid fashion photographer, working as a freelancer for Harper's Bazaar, Life and American Vogue. His personal photographic work showed the influence of Dadaism and Surrealism; his two main areas of interest were death and women. He was expert in laboratory work, and experimented with photographic techniques such as distortion, multiple exposure, photo-montage and solarisation.
Blumenfeld was born in Berlin. As a young man he worked in the clothes trade and wrote poetry. In 1918 he went to Amsterdam, where he came into contact with Paul Citroen and Georg Grosz. In 1933 he made a photomontage showing Hitler as a skull with a swastika on its forehead; this image was later used in Allied propaganda material in 1943.
He married Lena Citroen, with whom he had three children. In 1922 he started a leather goods shop, which failed in 1935. He moved to Paris, where in 1936 he set up as a photographer and did free-lance work for French Vogue. After the outbreak of the Second World War he was placed in an internment camp; in 1941 he was able to emigrate to the United States. There he soon became a successful and well-paid fashion photographer, and worked as a free-lancer for Harper's Bazaar, Life and American Vogue.
Blumenfeld started working on Blumenfeld: Meine 100 Besten Fotos in 1955; it was eventually published in 1979; an English translation, Blumenfeld: My One Hundred Best Photos, was published in New York in 1981. Another autobiographical work was published in German as Einbildungsroman by Eichborn Verlag [de] in 1998, and in English as Eye to I: The Autobiography of a Photographer by Thames and Hudson in 1999.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Erwin Blumenfeld or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Erwin Blumenfeld |
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Chaplin, 1932 |
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Double Exposure, Amsterdam, 1932 |
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Mannequin, Amsterdam, 1932 |
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Hitler with Bleeding Eyes, 1933 |
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Henri Matisse, Paris, 1937 |
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Marguerite von Sivers on the roof of Blumenfeld’s studio, Paris, 1937 |
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The Minotaur or the Dictator, Paris, 1937 |
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Leonora Fini, Paris, 1939 |
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Lisa Fonssagrives on the Eiffel Tower, 1939 |
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Shadow Profile, New York, 1944 |
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Untitled, New York, 1944 |
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Vogue Beauty Issue, 1944 |
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Vogue, 1944 |
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Vogue, 1945 |
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Cecil Beaton, 1946 |
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Vogue, February 1949 |
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Doe eye, New York, 1950 |
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Woman behind venetian Blinds, New York, 1950 |
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Juliette Greco, New York, 1951 |
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Audrey Hepburn, 1952 |
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Three Profiles, 1952 |
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Untitled, 1952 |
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Bryans Hosiery, stockings flowers, 1953 |
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Shadowed Silhouettes, 1953 |
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Spring Fashion for Vogue, 1953 |
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Jean Patchett, 1954 |
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Pat Blake for Vogue, New York, 1954 |
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Bryan, New York, 1955 |
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Chesterfied, New York, 1956 |
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Nancy Berg for Chesterfield, 1956 |
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Rage for color, 1958 |
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