Seán Slemon (1978) was born in Cape Town, Republic of South Africa. He works in sculpture, installation and printmaking, and now living and working in Brooklyn, New York since 2005.
Slemon graduated from Michaelis School of Art in Cape Town in 2001 and completed his Master of Fine Arts degree at Pratt Institute, in New York City in 2007. He is recognized for addressing socio-political issues pertaining to the commoditization and distribution of natural resources. His examination of how land, light and street trees are co-opted to create advantage or discriminate underscores the active and passive decisions we make as a society. The result is an intense interrogation of public vs. private property, its ownership, and the impact this distribution can have on people’s lives.
Formally trained in sculpture, Slemon now incorporates installation, drawing and photography, seeking media that reinforce the concept. Embedding materials such as chalk, soil and concrete help to build physical and ideological layers and create theoretical conflicts. He primarily builds and fabricates sculptures himself using gypsum, fiberglass and other materials; however, recent projects have employed other fabrication techniques, using 3D computer modeling and working with industrial fabricators to produce works on a larger and more complex scale.
Slemon obtained an MFA from Pratt Institute in New York and a BFA from Michaelis School of Fine Arts at the University of Cape Town. He has been featured in numerous publications, and completed residencies at the Skowhegan School of Painting and Sculpture in Maine, and Chashama in New York. He has been awarded grants from the Foundation for Contemporary Arts in New York and the National Arts Council of South Africa; and won the 2005 Sasol New Signatures Award for emerging artists in South Africa.
Slemon’s work has been shown in the U.S., Europe and South Africa. Major site specific installations include Uplift: The Mountain (2008) at the Palazzo delle Papesse in Siena, and The Light at 7:00 am (2009) for No Longer Empty’s Reflecting Transformation show in Chelsea, NY. Most recently, Goods for Me (2011) was featured at Art Miami in the THINK BIG! show, curated by LaRete Art Projects.
In 2014 Slemon completed a commission for First National Bank; a series of five public sculptures for their Johannesburg Bank City precinct. More recent exhibitions were "Captured" with Mariane Ibrahim Gallery in Seattle in 2016, and "Confluence" at Bethel University in 2017.
© 2021. All content on this blog is protected by international copyright laws All images are copyrighted © by Seán Slemon or assignee. Apart from fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, the use of any image from this site is prohibited unless prior written permission is obtained. All images used for illustrative purposes only
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Seán Slemon |
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Hurricane Katrina and the 5 boroughs, 2005 |
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Joburg 1 to 11 installation view, 2005 |
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Maquette (the mountain premises), 2005 |
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Uplift, the mountain promise installation view, 2005 |
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Solid Light 16, 2006 |
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Crossed Light, 2007 |
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Nonexclusive, 2007 |
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The ambiguous relationship between man and nature. Tree and House, Tree and Barn, Tree and Fence, Tree and Shadow, 2007 |
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Block 700: Natural resources mapped, 2008 |
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Block 700, 2008 |
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Crossed Light, 2008 |
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Red & Black Light, 2008 |
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Uplift- The Mountain Palazzo delle Papesse, Carpet, 2008 |
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Acacia in debt, 2009 |
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Hanging, 2009 |
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Disappearing Tree: Nature Engulfed In Urbanity, 2010 |
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In the Red, 2010 |
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Tracing the Sun, Produced for the group exhibition Escape from New York, 2010 |
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Lines of Independence, 2012 |
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Rock, 2012 |
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Shelter, 2012 |
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Tree & Rock, 2012 |
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Floating Tree, African Mahogany, 2014 |
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Mosunyana- Solid Acacia Bank City Precinct, Simmonds Street, Johannesburg, 2014 |
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Face the Sun- Nirox Sculpture Park, Johannesburg, 2015 |
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Origin Unknown (Africa)- Installation View. Left- Mohagany, Right- Sapele. In Back- Floating Tree, Hangman's Elm, and Thunderstorm, 2015 |
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Sapele, 2015 |
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Unknown Origin (Africa), 2015 |
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Fragmented Sapele, 2016 |
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Fragmented Sapele, 2016 |
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The Shrunken Forest, 2018 |
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